Warner's Prisoners led the way this weekend with $20.82 million. The thriller starring Hugh Jackman and Jake Gyllenhaal debuted on the high end of pre-release expectations. Prisoners was helped out this weekend by the relatively empty marketplace, mostly positive critical reviews and the drawing power of Jackman and the rest of the film's cast as a whole. In comparison to some of Jackman's non-X-Men films, Prisoners debuted 24 percent below the $27.32 million start of 2011's Real Steel and 41 percent ahead of the $14.80 million start of 2006's The Prestige. Compared to previous recent high-profile Warner Bros. September releases, Prisoners opened a tad below the respective $23.81 million and $22.40 million starts of 2010's The Town and 2011's Contagion.
Prisoners grossed $6.97 million on Friday, was up a healthy 29 percent on Saturday to take in $8.99 million and fell 46 on Sunday to gross $4.85 million. It should be noted that Sunday's grosses in general came in lower than Sunday's studio estimates for most films. Prisoners had an opening weekend to Friday ratio of 2.98 to 1, which is an early promising sign for the film. On Friday, Prisoners received a B+ rating on CinemaScore, but Warner Bros. notes that the rating improved to an A- among moviegoers on Saturday. The audience breakdown for Prisoners skewed slightly towards female moviegoers (52 percent) and heavily towards moviegoers over the age of 25 (72 percent). Prisoners will have a good chance of holding up well going forward, though doing so isn't a lock at this point either given the significant upcoming competition the film will face for adult audiences throughout the rest of September and October.
Insidious Chapter 2 fell one spot to land in second with $13.80 million. FilmDistrict's successful low-budget horror sequel was down a sharp 66 percent from last weekend, but the decline was quite understandable given the film's status as a high-profile horror sequel and the additional early front-loading the film experienced last weekend from opening on Friday the 13th. In comparison, 2010's Paranormal Activity 2 fell 59 percent in its second weekend to take in $16.51 million, though it should be noted that Paranormal Activity 2 received an added boost that weekend from the Halloween holiday. Insidious Chapter 2 has grossed $60.16 million in ten days. That places the film 8 percent behind the $65.67 million ten-day start of Paranormal Activity 2, though Insidious Chapter 2 is highly likely to close that percentage gap going forward thanks in part to opening well before Halloween and the limited amount of horror options this fall.
Relativity's The Family was also down one place to finish in third this weekend with $7.00 million. After a respectable start last week, the Luc Besson directed film starring Robert De Niro and Michelle Pfeiffer experienced an underwhelming 50 percent decline in its second weekend. So-so word of mouth and competition from Prisoners for adult moviegoers appear to have taken a toll on The Family this weekend. The ten-day start for The Family stands at $25.64 million, placing it 10 percent behind the $28.53 million ten-day start of 2008's Righteous Kill and 46.5 percent ahead of the $17.50 million ten-day take of 2011's Killer Elite. The Family will likely continue to fall off quickly going forward given the previously mentioned upcoming competition for adult moviegoers.
After falling off a bit last weekend, Lionsgate's Instructions Not Included rebounded nicely this weekend with a $5.397 million fourth place performance. The low-budget Eugenio Derbez comedy vehicle was up 11 percent over last weekend, which was especially impressive given that the film only expanded into an additional 45 locations this weekend. The surprise hit from Pantelion Films has grossed $33.96 million in 24 days and after this weekend's hold is likely to remain a factor at the box office for quite some time.
Sony's Battle of the Year was off to a rough start this weekend with a fifth place take of just $4.60 million. The modestly budgeted 3D dance film from Screen Gems featuring Josh Holloway and Chris Brown opened below its already modest expectations and performed poorly for a dance film in general. Battle of the Year did receive a very solid A- rating on CinemaScore and generated a strong opening weekend to Friday ratio of 3.23 to 1 (after opening with $1.42 million on Friday), but positive word of mouth is unlikely to be much of a factor going forward given the small size of the film's opening weekend performance. The audience breakdown for Battle of the Year skewed towards female moviegoers (60 percent) and moviegoers 21 and over (55 percent).
Sony continues to have a tough go of it as of late, as Battle of the Year joins the growing list of recent domestic under-performers for the studio which has also included The Mortal Instruments, The Smurfs 2, White House Down and After Earth. However, things should turn around for Sony in a big way next weekend with the release of the highly anticipated Cloudy with a Chance of Meatballs 2.
Warner's The Wizard of Oz 3D pulled in strong per-location numbers this weekend with a ninth place take of $3.09 million from 318 locations. That gave the IMAX 3D re-issue of the classic 1939 film a per-location average of $9,730 for the frame. Compared to previous IMAX re-issues, The Wizard of Oz 3D opened stronger than both this year's Top Gun 3D ($1.97 million from 300 locations) and last year's Raiders of the Lost Ark ($1.67 million from 267 locations). The IMAX 3D run for The Wizard of Oz is scheduled to be a one-week engagement.
On the platform front, Fox Searchlight's Enough Said was off to a healthy start this weekend with an estimated $232,800 from just four locations in New York and Los Angeles. That gave Enough Said a strong per-location average of $58,200. Since opening on Wednesday, the critically acclaimed romantic comedy starring Julia Louis-Dreyfus and the late James Gandolfini has grossed $286,534 through its first five days. Enough Said is scheduled to expand into additional locations this coming Friday.
Meanwhile, Universal's Rush was off to solid platform start with $187,289 from five locations in New York and Los Angeles. With that said, it was a bit underwhelming that the film's per-location average of $37,458 came in significantly below the per-location average of Enough Said (though that may be more a reflection of the strength of Enough Said this weekend). Rush (which was directed by Ron Howard and stars Chris Hemsworth and Daniel Brühl) will hope to be aided by its strong critical reviews when it expands into wide release on Friday.