The Hunger Games: Catching Fire added another $19.5 million from 83 overseas markets this weekend. Lionsgate's juggernaut is now up to $372.9 million overseas. The next major release for the action flick is Japan on December 27. Catching Fire's global total is sitting pretty at $739.9 million, which means it should reach the $750 million plateau this coming week, and it still has plenty of life left in it.
Frozen grabbed another $31.5 million overseas, giving it a $101.6 million tally. Globally, the animated flick is already up to $266 million. Frozen opened in first place in Russia with $11 million. Other key overseas totals:
Germany -- $20.9M
UK -- $16.8M
France -- $15.3M
Russia -- $11.1M
Spain -- $10.0M
Poland -- $4.0M
Malaysia -- $2.8M
Gravity managed another $8 million for a staggering overseas total of $389.4 million. Globally, Gravity's total is $641.4 million.
About Time took in another $4.2 million from 20 territories, pushing its overseas total to a healthy $54.5 million.
Cloudy With a Chance of Meatballs 2 is still alive and well overseas. The animated flick tallied another $3.8 million this weekend. Cloudy 2 is up to $108 million overseas and $223 million globally.
Captain Phillips crossed the $100 million overseas plateau this weekend. Sony's action flick added another $3.2 million, including a healthy $810K in Russia. Captain Phillips is now up to $206 million.
Carrie took in $2.9 million overseas for a total of $43.3 million. Globally, Carrie is up to $78.3 million.
Thor: The Dark World added $1.3 million overseas this weekend. The Disney/Marvel effort is up to $421.8 million overseas and $619.9 million globally. A Japan opening is set for February 1.
47 Ronin continues to struggle in Japan. The Keanu Reeves vehicle is up to only $2.9 million after 10 days of release.
Jackass Presents: Bad Grandpa roped in another $1.2 million from 46 overseas territories, pushing its total abroad to $41.4 million. Globally, Bad Grandpa is up to $141.9 million.
More coming soon...
Sunday Update: Warner Bros. reports that The Hobbit: The Desolation of Smaug is up to $131.2 million overseas, pushing its global total to $205M.
Key stats from WB:
Germany - Took 64% of the top 5 market share, ranking as the biggest opening of 2013 with €13.2m (US$18.1m) from 1,460 screens. HDOS already qualifies for a Bogey Award for achieving more than 1,000 admissions per site. Opening results surpassed The Hobbit: An Unexpected Journey by 14% (€11.5m), excluding previews.
The UK: With a 61% share of the top 5 films in the market and nearly quadrupling 2nd placed FROZEN, the opening results are excellent at £9.5m (US$15.6m) from 1,495 screens. This is on par with the. Fri-Sun opening results for HAUJ (£9.5m).
Scandinavia: Strong numbers at a cumulative $15.6m, roughly on par with the opening of HAUJ at $15.8m. Sweden pulled in the lion's share at an excellent SK39.7m (US$6.1m) from 431 screens.
France: Outstanding €10.6m (US$14.6m) with 1.35m admissions from 909 screens, doubling results of 2nd placed FROZEN. Opening results outpaced HAUJ by 13% (€9.4m).
Korea: Fantastic opening at KRW 7.6m (US$7.2m) from 806 screens, pulling in 50% more than 2nd place local opener WAY BACK HOME.
Rest of Asia: Outstanding results with Hong Kong, Taiwan, Malaysia, Philippines, India, Indonesia and Thailand taking $13.2m and collectively outpacing HAUJ by +18% ($11.2m)!
Spain marked the biggest weekend in 2013, grossing €5.15m (US$7.1m) from 859 screens and garnering 60% of the top 5 market share. 3D results are 85% of HDOS (€6.1m), which is excellent considering the current economic climate.
Italy: Opening tally is €3.8m (US$5.2m) from 680 screens, doubling 2nd place local opener UN FANTASTICO VIA VAI.
Brazil: With a 70% share of the top 5 films in the market, opening results are excellent at R$11.5m (US$5.0m) from 1,009 screens, surpassing HAUJ by +16% (R$9.9m).
Holland: Biggest opening weekend in 2013 at €2.2m (US$3.0m) from 220 screens, including sneaks, on par with HAUJ (€2.2m).
Mexico: Dominating the market with a 72% share of the top 5 films, opening numbers are strong at Ps. 75.4m (US$5.9m) from 2,640 screens, outperforming HAUJ by +9% (Ps. 68.9m)
New Zealand: 4 day opening gross of NZ$2.0m (US$1.7m) from 201 screens, which is on par with HAUJ's record breaking showing last year (Thu-Sun NZ$2.0m).
Upcoming key releases: Russia (18 Dec), Australia (26 Dec), Japan (28 Feb), China (TBA)
Saturday: The Hobbit: The Desolation of Smaug brought in $29.3 million with over 3 million admissions from 15,950 screens in 49 markets on Friday. The Friday numbers are 5% above those of The Hobbit: An Unexpected Journey and bring The Desolation of Smaug to a $53.35 million overseas cume as the film enters Saturday.
The United Kingdom is off to a hot start after grossing $4.7 million from 1,495 screens, taking 71% of the top 5 films in the market.
Germany added $4 million from 1,460 screens on Friday, taking its two-day gross to a $7.4 million total. The film is already 35% ahead of its predecessor at the same point in time of release.
The film posted the highest opening Friday of the year in Spain with $2.3 million from 859 screens and taking 67% of the top 5 market share.
The French numbers continued to rise with a $2.15 million Friday with 200k admissions from 909 screens. The Desolation of Smaug has grossed $6.4 million after three days in release in France, 10% ahead of An Unexpected Journey.
Brazil saw a $1.5 million debut from 1,009 screens, outperforming its predecessor's Friday opening by 4%.
Sunday Update: Warner's The Hobbit: The Desolation of Smaug debuted in first place this weekend with an estimated $73.68 million. While that was a solid start, it was softer than widely expected and represented a significant 13 percent decline from the $84.62 million debut of last year's The Hobbit: An Unexpected Journey. It should also be noted that The Desolation of Smaug (and the marketplace in general) looks to have taken a bit of a hit on Saturday from Winter Storm Electra. Without adjusting for ticket price inflation, The Desolation of Smaug still delivered the fourth largest opening weekend ever in the month of December (behind only An Unexpected Journey, I Am Legend and Avatar).
The Desolation of Smaug opened with $31.24 million on Friday (which included an estimated $8.8 million from midnight shows). The film fell 21.5 percent on Saturday to gross $24.52 million and is estimated to fall 27 percent on Sunday to take in $17.93 million. That gives The Desolation of Smaug an estimated opening weekend to Friday ratio of 2.36 to 1, which was slightly above the 2.28 to 1 ratio of An Unexpected Journey. With this weekend's debut likely being deflated a bit by the weather, a solid A- CinemaScore rating and the holiday season ahead of it, The Desolation of Smaug will hope to hold up at least as well as An Unexpected Journey did. However, The Desolation of Smaug will also have to compete with a larger number of holiday wide releases than An Unexpected Journey did (there are nine films opening in wide release between now and Christmas this year, as opposed to seven wide releases during the same period last year).
The audience breakdown for The Hobbit: The Desolation of Smaug skewed towards male moviegoers (60 percent) and moviegoers over 25 years old (64 percent). Desolation of Smaug skewed a bit more towards male and older moviegoers than An Unexpected Journey did. The film grossed $9.18 million from IMAX locations this weekend, which represented 12.5 percent of this weekend's overall gross. 3D grosses were responsible for 49 percent of this weekend's gross (which represented the same opening weekend 3D percentage as An Unexpected Journey).
Disney's Frozen held up quite nicely this weekend with an estimated second place take of $22.18 million. The blockbuster 3D computer animated film from Walt Disney Animation fell just 30 percent from last weekend. Frozen has grossed a very impressive $164.39 million after 19 days of wide release. That places the film 42.5 percent ahead of the $115.396 million 19-day take of 2010's Tangled (which fell 34 percent in its third weekend to gross $14.33 million). With a limited amount of family options entering the marketplace over the rest of the holiday season, Frozen should continue to hold up very well going forward.
Tyler Perry's A Madea Christmas was off to a sluggish start this weekend with an estimated third place debut of $16.0 million. The latest Madea film from Lionsgate debuted well below pre-release expectations and easily delivered the softest debut ever for the Madea franchise (the previous low for a film starring Madea having been the $21.91 million debut of 2005's Diary of a Mad Black Woman). Making this weekend's debut even more surprising was the fact that A Madea Christmas had clearly been generating the highest level of online buzz ever for a Madea film. A Madea Christmas debuted 37 percent softer than the $25.39 million debut of last year's Madea's Witness Protection. The Madea franchise (and Perry's films in general) has historically been very front-loaded towards opening weekend. A Madea Christmas will hope to buck that trend with the aid of the holiday season, but whether it actually can remains to be seen.
A Madea Christmas grossed $5.74 million on Friday, increased 10 percent on Saturday to take in $6.33 million and is estimated to fall 38 percent on Sunday to gross $3.93 million. That places the film's estimated opening weekend to Friday ratio at 2.79 to 1. Like The Desolation of Smaug, A Madea Christmas received an A- rating on CinemaScore. The audience breakdown for A Madea Christmas skewed towards female moviegoers (67 percent) and towards moviegoers 25 years and older (63 percent).
Fellow Lionsgate release The Hunger Games: Catching Fire placed in fourth with an estimated $13.15 million. The blockbuster sequel starring Jennifer Lawrence fell 50 percent from last weekend. The film took a noticeable hit from the arrival of The Hobbit: The Desolation of Smaug (and from losing IMAX screens), but didn't fall off the box office map either this weekend. Catching Fire has grossed a massive $356.98 million through 24 days of release. That places the film 6 percent ahead of the $336.67 million 24-day take of last year's The Hunger Games (which fell 36 percent in its fourth weekend to gross $21.10 million).
On the platform front, Sony's American Hustle was off to a terrific start this weekend with an estimated $690,000 from just six locations. That gave the David O. Russell directed awards season hopeful a per-location average of $115,000 for the frame. The platform launch of American Hustle was significantly stronger than the $300,010 four-location launch of The Fighter back in December of 2010. American Hustle is scheduled to be released in an estimated 2,500 locations next weekend.
In other platform news, Disney's Saving Mr. Banks debuted with $421,000 from 15 locations, while CBS Films' Inside Llewyn Davis grossed $344,000 from 15 locations in its second weekend of platform release. Respective per-location averages for the weekend were $28,067 for Saving Mr. Banks and $22,933 for Inside Llewyn Davis. Saving Mr. Banks is scheduled to be released in an estimated 2,200 locations next weekend, while Inside Llewyn Davis (which has grossed $0.898 million in ten days) will expand into additional locations next weekend.
Saturday Update: Warner Bros. reports that The Hobbit: The Desolation of Smaug earned an estimated $31.15 million on Friday, putting it on pace for a likely $75 million weekend. Those figures include the film's $8.8 million earned from midnight shows, representing just over 28 percent of opening day grosses--an improvement over the 35 percent midnight share of opening day for last year's An Unexpected Journey. IMAX accounted for 13 percent ($3.979 million) of Friday's haul. Overall, Smaug's opening day was 16 percent lower than its predecessor ($37.1 million).
Smaug's projected opening weekend will end up close to expectations following what looked to be lower grosses last night. Winter weather may be affecting things, although the lower share of midnights indicates that fans may have indeed been the audience sector where the most upfront demand was lost (as opposed to general audiences) in the wake of last year's mixed reception for the first Hobbit entry. Early word of mouth appears solid for Smaug so far with an "A-" CinemaScore and 88 percent of Flixster users liking or still anticipating seeing the film. With a crowded holiday schedule ahead, this second Hobbit pic is aiming to maintain most of its core family audience through Christmas and New Year's while also bringing in stronger overseas sales than Journey.
Tyler Perry's A Madea Christmas grabbed an estimated $5.74 million yesterday as the comedy heads toward a $16 million debut. The opening day figure is noticeably down a sharp 43 percent from Madea's Witness Protection's $10.15 million in June 2012. Although it is another possible victim of winter weather, A Madea Christmas is generally underperforming compared to tracking and Perry's own personal reputation for strong openings from his Madea brand. That said, the holiday theme of the comedy makes it a candidate to attract his fans closer to the Christmas holiday and result in a more backloaded run than his films typically see. A Madea Christmas currently boasts a solid 83 percent approval/anticipation rating on Flixster.
On the platform front, Sony's American Hustle bowed to $210,909 from 6 locations yesterday for a $35,152 per-theater average. Hustle should bring in a fantastic $700,000 for the weekend before its wide expansion on December 20. The star-studded cast and director David O. Russell's recent success with Silver Linings Playbook and The Fighter are paying off in a big way for one of the awards season's early favorites (nabbing 7 Golden Globe nominations this past week). By comparison, The Fighter tallied $98,521 on opening day from 4 locations ($24,630 per theater) on the same weekend three years ago.
Last, but certainly not least, Disney's Saving Mr. Banks also kicked off its run with a platform opening this weekend. The tale of the origins of Mary Poppins rang up an estimated $126,000 yesterday from 15 locations for an $8,400 per-theater average. That's in line with Finding Neverland's $8,125 first-day average from 8 locations back in November 2004. BoxOffice projects Saving Mr. Banks will take in $430,000 this weekend before it also expands nationwide next Friday
Friday Update #2: Early reports indicate that The Hobbit: The Desolation of Smaug is headed for an underwhelming $66 million opening frame, which would put it far behind the $84 million debut that The Hobbit: An Unexpected Journey managed last year. Saturday projections are pessimistic due to a winter storm that may keep many moviegoers home. Luckily, Smaug is already outpacing Journey overseas. Any domestic decline between the two films should be made up for by healthy receipts in key territories such as the UK, Germany, Russia, Brazil and China.
Tyler Perry's A Madea Christmas may end up with a $15 million debut. Perry's Madea films are usually very reliable at the box office, and this would easily be the weakest opening of the bunch.
Check back tomorrow for official studio estimates and updated projections.
Friday Update #1: Warner Bros. reports that The Hobbit: The Desolation of Smaug took in $8.8 million from midnight shows, for the second-biggest midnight debut in December. $1.25 million of Smaug's haul came from IMAX shows. The debut represents quite a drop from the $13 million that The Hobbit: An Unexpected Journey made from midnight shows in December 2012.