CULVER CITY, Calif. -- Adrian Smith has been promoted to the position of president of Sony Pictures Releasing Domestic Distribution, it was announced today by Rory Bruer, president of Worldwide Distribution for Sony Pictures Entertainment. In conjunction with the promotion, Adam Bergerman and John Spinello have been named Assistant General Sales Managers for Domestic Distribution and each will report to Smith.
The promotions are part of a realignment of the studio's domestic distribution division. Commenting on the announcement, Bruer said, "For nearly 25 years, Adrian has helped to make our domestic team the best in the business. He is one of the most savvy and skilled sales executives in our industry. Adrian is both respected and beloved by our team and our exhibition partners."
Smith added, "Adam and John collectively bring over 30 years of experience to the company - both have been with us since the mid-1990s and have played key roles in building all of our key franchises, from Spider-Man and Men in Black to Robert Langdon, not to mention the three biggest James Bond films of all time. It's an honor to work with two of the most accomplished and well regarded sales executives in the industry and these promotions are well-deserved. I feel privileged to work with such a dynamic and experienced distribution team."
Smith is a veteran of hundreds of release campaigns, joining Sony Pictures in 1989 as western district manager for TriStar Pictures. In 2000, he was named senior vice president and western division manager for Sony Pictures Releasing, and in 2011, he was appointed executive vice president and general sales manager, overseeing domestic sales for all Sony Pictures films. He began his career at Mann Theatres in Westwood in 1976, then segued to the sales department at United Artists in 1979. He joined 20th Century Fox in 1983, then was appointed branch manager at Cannon Releasing in 1985.
Spinello joined Sony Pictures in 1997 as managing director, Eastern Sales Division and was promoted to vice president, Eastern Sales Division in 2003. He was again promoted to senior vice president / division manager Eastern Sales Division in 2008. He began his career at United Artists Theaters in 1991, joining their film division in 1992 and overseeing numerous territories.
Bergerman joined Sony Pictures in 1996 as a booker for the Eastern Division, was promoted to sales manager Eastern Division in 1998, district manager for the Eastern Division in 2001, vice president / managing director for the Eastern Division in 2009, and senior vice president / division manager for the Western Division last year.
WASHINGTON D.C. -- The National Association of Theatre Owners (NATO) will honor Amy Miles, Chief Executive Officer of Regal Entertainment Group, when they present her with the 2013 NATO Marquee Award during this year's CinemaCon, it was announced today by the convention's Managing Director Mitch Neuhauser. CinemaCon, the largest and most important convention for the motion picture theatre industry, will be held from April 15-18, 2013 at Caesars Palace in Las Vegas at which time more than 5,000 industry members will be gathering. Miles is being singled out by NATO for her unequalled dedication, commitment and service to the motion picture theatre industry. She will receive her industry tribute as part of CinemaCon's "State of the Industry: Past, Present and Future" presentation on Tuesday morning, April 16.
"Amy Miles has proven herself time and time again as a strong and influential leader via her various executive roles within the industry," noted Mitch Neuhauser. "We couldn't think of a more deserving recipient, and are extremely honored to present the 2013 NATO Marquee Award to Amy Miles."
Amy Miles was named the Chief Executive Officer of Regal Entertainment Group in June 2009. During her tenure as Chief Executive Officer, Regal Entertainment has worked with industry partners to convert the exhibition industry to a digital cinema platform. Prior to serving in her current role, she served as the company's Executive Vice President, Chief Financial Officer and Treasurer since March 2002, and she served as the Executive Vice President, Chief Financial Officer and Treasurer of Regal Cinemas, Inc. from January 2000 to March 2002. Prior thereto, she served as Senior Vice President of Finance from April 1999 to January 2000. And prior to joining Regal, she was a Senior Manager with Deloitte & Touche from 1998 to 1999, and served in various capacities with PricewaterhouseCoopers, LLC from 1989 to 1998. Miles formerly served as NATO's Treasurer and currently chairs NATO's Investment Committee, and she is a member of NATO's Executive and Advisory Boards and serves on its Audit Committee as well. She also serves as a director on the boards of Regal Entertainment Group, National CineMedia, Variety of Eastern Tennessee and the Regal Foundation. This past December, she was named to The Hollywood Reporter's 21st annual "Women in Entertainment: Power 100" list.
In addition to the NATO Marquee Award presentation, "The State of the Industry: Past, Present and Future" program will include a special salute to the top grossing films of 2012, presented in 3-D, as well as industry addresses by MPAA Chairman Senator Chris Dodd and NATO President and CEO, John Fithian.
LOS ANGELES -- Fandango, the nation's leading moviegoer destination, today announced its customers using iOS devices now can enjoy the next evolution of movie ticket purchasing through Siri, Apple's intelligent personal assistant that helps you get things done just by asking. This new Siri feature is available on iPhone, iPad and iPod touch running iOS 6.1, the latest version of Apple's mobile operating system.
iOS 6.1 makes it convenient to purchase tickets through Fandango's award-winning mobile app. Using iOS devices, moviegoers simply ask Siri to find a specific movie, nearby theaters or desired showtimes. Siri then offers the option to "Buy Tickets" and launches the Fandango app for customers to complete their ticket purchase. For added convenience, moviegoers can add their Paperless Mobile Tickets to Passbook, which lets them scan their iPhone or iPod touch to get into the movie at select theaters.
"Fandango is committed to innovating across all platforms and helping shape the future of moviegoing," said Paul Yanover, President of Fandango. "With this new Siri feature, movie fans can quickly and easily discover the nearest theaters, find the most convenient showtimes, and buy tickets through Fandango to help make movie night perfect."
Mobile continues to be a strong driver of traffic and ticket sales for Fandango. Fandango's 2012 mobile ticket sales increased 171 percent year-over-year, now accounting for more than 30 percent of overall Fandango ticket sales. Downloads of Fandango's popular mobile apps in 2012 also experienced a 50 percent increase over the previous year, with total downloads surpassing the 31 million mark. Following Apple's launch of Passbook, downloads of Fandango's iOS app skyrocketed, boosting Fandango to one of the top 10 free entertainment apps in the App Store.
The Fandango App is available for free from the App Store on iPhone, iPad and iPod touch, or at www.itunes.com/appstore/.
Sunday (1/27/13) Update: WB reports that The Hobbit made $7.3 million overseas this weekend from 4,580 screens, pushing its total to $646.3 million. The global cume is now $939.5 million.
A February 22 release in China should be the final boost The Hobbit needs to hit $1 billion globally.
Key stats from WB (weekend gross/cume):
Germany - $1.3m / $85.2m
UK - $900k / $82.2m
France - $580k / $44.2m
Russia - $75k / $43.6m
Spain - $386k / $29.1m
Italy - $22k / $22.1m
Korea - $2k / $21.8m
Mexico - $110k / $19.3m
Japan - $215k / $19.3m
Brazil - $35k / $17.7m
Monday (1/21/13) Update: WB confirms today that The Hobbit took in $13.2 million over the weekend from 6,811 screens in 63 markets. The international cume is $632.3 million.
Sunday (1/20/13) Update: WB reports that The Hobbit made $13.2 million overseas from more than 7,400 screens in 63 markets, pushing its overseas total to $632.2 million. The fantasy flick's global total is now $919.6 million.
Sunday (1/13/13) Update: WB reports that The Hobbit is now up to $886.1 million globally. $608 million overseas + $278.1 million domestically. Key overseas stats from WB:
The Hobbit grossed $26.1m with approximately 2.56m admissions from over 10k screens in 63 markets. This represents an excellent holdover drop of 55% post holidays, and the international cume to date is now $608m.
Australia's 3rd w/e grossed an estimated A$3.25m (US$3.4m) from 512 screens, representing a drop of 44% from the prior weekend, and ranking #2 behind LIFE OF PI (2nd w/e). The cume to date is now A$34.7m (US$36.0m). We are in great shape to play through the Summer holidays during the month of January.
Top 12 Cumes: (Weekend / drop / cume):
Germany - $4.1m / -56% / $79.8m
UK - $3.1m / -52% / $78.4m
France - $1.9m / -64% / $42.1m
Russia - $1.6m / -71% / $41.6m (post-Russian Orthodox Christmas)
Spain - $1.2m / -17% / $27.7m
Korea - $90k / -87% / $21.7m
Italy - $459k / -68% / $21.7m
Sweden (MGM) - $650k / -60% / $19.5m
Mexico - $601k / -36% / $18.4m
Japan - $759m / -32% / $17.4m
Brazil - $474k / -55% / $17.0m
Holland - $808k / -59% / $13.8m
Monday (1/7/13) Update: WB reports that The Hobbit's overseas gross for this past week came in higher than expected. The latest:
The Hobbit took in $58.6 million with 5.9 million admissions from 13,330 screens in 64 markets, bringing the international cume to date to $562.8 million.
Key market weekend results and cumes:
Germany - $9.5m / $74.1m/ rank #1
UK - $6.6m / $72.4m/ rank #1
France - $5.3m / $39.7m/ rank #1
Russia - $6.7m / $38.1m (rough estimate given current Orthodox Christmas holiday)
Australia - $6.1m / $29.7m / rank #1
Spain - $1.4m / $25.85m/ rank #1
Korea - $709k / $21.5m
Italy - $1.4m / $21.0m
Sweden (MGM) - $1.6m / $18.3m
Mexico - $938k / $17.3m
Brazil - $1.2m / $15.8m
Japan - $1.1m / $15.75m
Sunday (1/6/13) Update: WB reports that The Hobbit took in another $56.1 million overseas this weekend, pushing its global total to $825 million. Key stats:
Australia (2nd weekend) grossed an estimated A$5.85m (US$6.1m) from 560 screens. The cume to date is now A$28.6m (US$29.7m).
Top Markets By Cume: (Weekend / drop / cume):
Germany - $9.4m / -45% / $74.0m
UK - $6.5m / -41% / $72.3m
France - $5.2m / -42% / $39.6m
Russia - $5.1m / +8% / $36.4m
Spain - $1.6m / -53% / $26.0m
Korea - $715k / -63% / $21.5m
Italy - $1.4m / -61% / $20.9m
Sweden (MGM) - $1.8m / -31% / $18.5m
Mexico - $1.0m / -41% / $17.4m
Brazil - $1.2m / -34% / $15.8m
Japan - $1.1m / -4% / $15.7m
Holland - $2.1m / -29% / $12.8m
Denmark (MGM) - $910k / -63% / $11.2m
Norway (MGM) - $683k / -49% / $10.6m
Switzerland - $1.25m / -41% / $8.9m
New Zealand - $675k / -49% / $7.6m
Saturday (1/5/13) Update: We're projecting that The Hobbit will gross $17.5 million this weekend. That means that an overseas total of $22.8 million over the weekend would push the fantasy flick past $800 million.
Friday (1/4/13) Update: The latest overseas data from WB is below. The domestic total is up to $246.3 million + $513.4 million overseas = $759.7 million.
Going into the weekend, THE HOBBIT has crossed the $500m milestone!
Thursday grossed an estimated $14.5m in 65 markets, bringing the cumulative total to $513.4m. We will issue an update on Sunday.
Top Market Cumes (through NZ):
Germany - $66.8m
France - $36.3m
Russia - $32.7m
Australia - $25.1m
Spain - $24.4m
Korea - $20.9m
Italy - $19.9m
Sweden - $16.7m
Mexico - $16.4m
Brazil - $14.6m
Japan - $13.9m
Holland - $11.2m
Denmark - $10.4m
Norway - $9.9m
Switzerland - $8.2m
New Zealand - $7.2m
Tuesday (1/2/13) Update: WB reports that The Hobbit's domestic total is now $238.1 million. Add that to $464 million, the most recent overseas total, and The Hobbit now has at least $702.1 million in the bank.
Monday (1/1/13) Update: WB reports that The Hobbit's domestic total is now up to $228.7 million.
Sunday (12/30) Update #2: The latest overseas stats from WB:
THE HOBBIT: AN UNEXPECTED JOURNEY had another fantastic weekend, grossing $106.5m with approximately 13.7m admissions from nearly 16,600 screens in 62 territories. The holdover drop was a fantastic 12% and we continue to rank #1 for the 3rd straight week across the world, including France, Germany, Spain and the UK. The international cume through Sunday is $464m.
Australia grossed an outstanding A$18m ($18.6m) from 560 screens and ranked a commanding #1. By comparison, results were:
84% ahead of LOTR 1
27% ahead of LOTR 2
41% ahead of LOTR 3
46% ahead of SKYFALL
43% ahead of AVATAR
19% ahead of THE DARK KNIGHT RISES
Key market holdovers (Weekend / drop / cume )
Germany (3rd): €12.6m ($16.7m) / +16% /€45.8m ($60m)
UK (3rd): £6.7m ($10.9m) / +12% / £35.8m ($57.7m)
France(3rd): €6.6m ($8.6m) / +23% / €23.8m ($31.2m)
Russia (2nd): Rbl 170m ($5.6m) / -64% / Rbl 835m ($27m)
Spain (3rd): €2.6m ($3.5m) /-28% / €17.2m ($22.4m)
Korea (3rd): Krw 1.9b ($1.7m) / -51% / Krw 21b ($19.5m)
Italy (3rd): €2.6m / $3.4m / par / € $13.7m ($17.9m)
Mexico (3rd): Ps 23m ($1.77m) / -25% / Ps 193m ($15.1m)
Sweden (MGM) (3rd ): Sek 16m / +33% / Sek 98.5m ($14.8m)
Brazil (3rd): R3.7m ($1.8m) / -21% / R28m ($13.4m)
Sunday (12/30) Update: WB estimates that The Hobbit will take in $32.9 million this weekend, pushing its domestic total to $222.7 million. The most recent overseas total is $400 million, but an updated figure is due today. The Hobbit's global haul is at least $622.7 million by now.
Saturday (12/29) Update: WB reports that The Hobbit earned $10.7 million on Friday, pushing its domestic total to $200.5 million. The worldwide take is at least $575 million at this point.
Friday (12/28) Update: The latest overseas stats from WB:
Coming off of a strong Wednesday Boxing day, Thursday continued to deliver huge numbers generating an estimated $26m from 62 territories, an outstanding increase of 34% over last week. We continue to rank #1 in key markets and across the world, and the international cume to date now stands at $373m.
Australia's Thursday performance was an outstanding A$3.4m ($3.5m) from 557 screens, dominating the market with 52% of top 5, and 171% ahead of #2 LES MIS.
Key Market highlights (Thurs/drop or increase /cume in USD)
Germany: $4.1m / +90% / $47.3m
UK: $3.9m /+78% / $46.8m
France: $1.9m / +161% / $26.1m
Russia: $849k / -62% / $23.1m
Spain: $1m / +77% / $19m
Korea: $226k / -50% / $18.3m
Italy: $858k / +105% / $15.3m
Mexico: $512k / -9% / $13.3m
Brazil: $647k / +19% / $11.6m
Japan: $310k / -26% / $9.6m
New Zealand: $378k / +71% / $5.5m
Thursday (12/27) Update: Warner Bros. is reporting an updated internationally tally of $344 million for The Hobbit: An Unexpected Journey. Worldwide, the film now has now exceeded $523 million.
Wednesday Update: Warner Bros. reports that The Hobbit made $11.3 million domestically on Tuesday, pushing its total to $168.3 million. $288.5 million is the last overseas figure that Warner Bros. reported. The worldwide total is at least $456.8 million, so it's safe to say that The Hobbit has now reached $460 million worldwide based on its global strength.
Monday Update: Warner Bros. reports that The Hobbit made even more than estimated overseas this past weekend. Domestically, the film has earned $149.9 million. Combine that with $288.5 million overseas and the worldwide total is now $438.4 million.
The overseas stats:
$96 million (10.1 million admissions from 18,417 screens in 59 markets) over the weekend. This marks a great holdover drop of 39%, with 3D contributing 60% of the total box office. The cume to date is a fantastic $288.5 million.
Top 5 Markets:
Russia (opg weekend) - stronger numbers than projected yesterday at Rbl 550m ($17.8m) with 1.9m admissions on 2,115 screens, including previews, rank #1. 3D represented 79% of the total box office.
2nd w/e Key Holdovers:
Germany - also much higher numbers than projected on Sunday at €10.8m ($14.2m) with 1.0m admissions on 1,408 screens, a drop of just 6%, ranking a strong #1. Cume to date €28.1m ($36.7m).
UK - £6.0m ($9.8m) with 986k admissions from 1,546 screens, a drop of 37%. Rank #1. Cume to date £23.9m ($38.4m).
France - €5.3m ($7.0m) with 720k admissions, a drop of 41%, rank #1, for a cume of €16.0m ($20.8m).
Spain - €3.7m ($4.8m) with 460k admissions on 1,010 screens, a drop of 40%, rank #1. Cume to date €11.6m ($15.1m).
Sunday Update #2: Warner Bros. reports that The Hobbit took in $91 million overseas with approximately 10 million admissions from over 18,600 screens in 59 territories, representing a good drop of 42% in the holdover markets. The overseas cume to date is now $284 million.
Key stats from WB:
Russia launched to an outstanding Rbl 520m ($16.8m) with 2.03m admissions on 2,129 screens, including previews, seizing the top spot with over 75% of the market share. 3D represented 65% of the total box office of which HFR generated 3% from 44 screens. The Russian market has grown significantly in the last 10 years, but in the interest of keeping a consistent comparative title list, results are:
995% ahead of LOTR 1
481% ahead of LOTR 2
313% ahead of LOTR 3
131% ahead of THE HUNGER GAMES
92% ahead of THE DARK KNIGHT RISES
73% ahead of SKYFALL
3% ahead of THE AVENGERS
74% of AVATAR
2nd w/e Key Holdovers:
Germany produced an outstanding hold, dropping just 17% from the opening weekend, grossing an excellent €9.6m ($12.6m) with 909k admissions on 1,408 screens. We ranked a strong #1 with a 61% share of the top 10 films in the market. This brings the cume to date to €26.9m ($35.1m).
UK grossed an excellent £5.6m ($9.1m) with 923k admissions from 1,546 screens, a drop of 41%. HAUJ ranked a clear #1, ahead of opener LIFE OF PI. The cume to date is now £23.5m ($37.8m).
France took in €5.1m ($6.7m) with 690k admissions, a drop of 44% from last weekend, for a cume of €15.7m ($20.5m). The film ranked #1 in the market edging out competition from the openings of LIFE OF PI and local film DE L'AUTRE CÔTÉ DU PÉRIPH.
Spain grossed an estimated €3.2m ($4.2m) with 419k admissions on 1,010 screens, dominating at rank #1. The cume to date is €11.1m ($14.4m).
Italy generated €2.4m ($3.1m) with 324k admissions from 734 screens on its 2nd weekend. The cume to date now stands at €8.1m ($10.6m).
Mexico generated an estimated Ps 30.5m ($2.4m) with 522k admissions on 1,767 screens, taking the top spot in the market, bringing the cume to date to Ps. 136.7m ($10.7m).
The grosses in Japan were an estimated ¥146.2m ($1.7m) with 96k admissions on 880 screens, with a 34% drop, for a cume of ¥637.1m ($7.7m).
Sunday (12/23/12) Update: Warner Bros. estimates that The Hobbit will take in $36.7 million during its sophomore frame. If the estimate holds, that'll put the fantasy flick's domestic total at $149.9 million by the end of Sunday.
Saturday (12/22/12) Update: Warner Bros. estimates that The Hobbit made $10.2 million on Friday. The fantasy flick's domestic total is now $123.3 million.
Friday (12/21/12) Update: Warner Bros. estimates that The Hobbit made another $6.6 million on Thursday, pushing its domestic total to $113.2 million.
Thursday (12/20/12) Update: Warner Bros. estimates that The Hobbit made $6.3 million on Wednesday for a domestic total of $106.5 million.
Wednesday (12/19/12) Update: Warner Bros. reports that The Hobbit made $7.9 million on Tuesday, pushing its total in North America to $100.2 million.
Tuesday (12/18/12) Update: Warner Bros. estimates that The Hobbit took in $7.7 million domestically on Monday for a cume of $92.3 million. The prequel will hit $100 million domestically no later than Wednesday.
Sunday (12/16/12) Update: Warner Bros. estimates that The Hobbit: An Unexpected Journey will open to $84.8 million during its debut frame. That sets a new unadjusted December opening-weekend record by topping the $77.21 million debut of 2007's I Am Legend. The Hobbit was unable to set a new record when adjusting for ticket price inflation. 2003's The Lord of the Rings: The Return of the King, which opened with $72.63 million in unadjusted terms, still holds that mark with an adjusted figure of $95.6 million
Saturday (12/15/12) Update: Warner Bros. estimates that The Hobbit took in $37.5 million on Friday. Boxoffice.com is projecting $95 million for the weekend.
Friday (12/14/12) Update #1: Warner Bros. is reporting this morning that The Hobbit: An Unexpected Journey took in $13 million from midnight screenings in North America overnight. The film debuted at 3,100 locations for a $4,193 per screen average. $1.6 million of the total came from IMAX at 326 locations.
The figure represents the best midnight gross ever in December.
Django Unchained raked in another $42.9 million in its 2nd weekend of international releases, bringing the overseas total to $111.5 million. The film's global total is now $257.8 million. Key stats from Sony, the film's overseas distributor:
Australia launched at #1 in the market with a terrific $4.2 million, 33% bigger than the opening of INGLOURIOUS BASTERDS. New Zealand also bowed at #1, grossing $.385, 34% than INGLOURIOUS BASTERDS' opening. Denmark earned $.585, 2nd in the market to local film JAGTEN and 57% bigger than INGLOURIOUS BASTERDS. Portugal took in an excellent $.365 and was neck-and-neck for the market lead with the opening weekend of THE IMPOSSIBLE.
Key market holdovers:
DJANGO held like a rock everywhere, with the last weekend's opening markets falling an aggregate of just 21%. Germany was off just 11%, grossing $8.1 million (#1 in the market) and bringing the market cume to $21.0 m. France fell just 18% from its opening frame, earning $6.6 m (#1) to bring the market cume to $16.4. The UK dropped a miniscule 16%, earning $3.8 m (#2) and bringing the market total to $11.5. Italy fell 26% with $3.5 (#1), cume now $9.9. Fast-burning Russia fell just 43% from its opening weekend, grossing $3.2 (#2), cume is now $10.4. Spain dropped 25% in its 2nd frame, earning $2.5 (#1), cume is now $7.0. Switzerland was off just 18% from its opening, grossing $1.1 (#1), cume now $3.1. Austria fell off 27% to gross $1.0 (#1) and bring the market cume to $3.1. Brazil added $.950 (#4) in its 2nd weekend, off just 26% from its opening, bringing the market total to $3.1. Sweden fell off 30% from its opening frame, grossing $.820 (#1), cume is now $2.6. Holland fell just 14% from its opening weekend, adding $.770 (#1) and bringing the market total to $2.0. Belgium was off just 9% in its 2nd frame, grossing $.650 (#1) while bringing the market cume to $1.5.
Skyfall took in another $35.4 million overseas, pushing its total to a staggering $776.5 million. The global cume is $1.078 billion.
Hansel and Gretel: Witch Hunters grossed another $25 million overseas from 3,039 locations in 20 countries, giving it an overseas cume of $35.8 million. The global total is now $54.8 million. Hansel & Gretel opens in the following territories next week: Egypt, Croatia, Lebanon, New Zealand, Portugal, Ukraine, United Arab Emirates, Estonia, India, Latvia, Lithuania, Romania, Turkey, Uruguay.
Stats from Paramount:
The 3D action movie opened in 19 new markets, mainly in Latin America and the Far East. We were at #1 in all but one of the 19 opening markets this weekend, and remained at #1 in Russia, which opened last week. Only in Argentina were we at #2, behind a very successful local title. The Hansel and Gretel gross in the combined 19 new territories was 127% better than the corresponding openings of Underworld Awakening, 141% better than Abraham Lincoln Vampire Hunter and 12% better than Snow White and the Huntsman in that same bucket of territories.
Brazil was the highest new opening with an outstanding $4.5M from 366 locales, ranking #1 in the local box office. This is 616% above Red Riding Hood, 154% above Underworld: Awakening, 93% above Abraham Lincoln: Vampire Killer, and 56% above Snow White and the Huntsman.
Mexico is estimated to have opened with an excellent $3.7M from 572 cinemas at #1. This is 217% above Red Riding Hood, 71% above Underworld: Awakening, 107% above Abraham Lincoln: Vampire Killer.
Taiwan is estimated to have opened with an impressive $1.9M from 64 cinemas at #1. This is 444% above Red Riding Hood , 129% above Underworld: Awakening, 228% above Abraham Lincoln: Vampire Killer, and 26% above Snow White and the Huntsman.
Malaysia is estimated to have opened with a very solid $1.3M from 98 cinemas at #1.
Colombia's debut is at an impressive $1.2M from 124 cinemas. The film ranked at #1.
The Philippines opened at a muscular $1M from 131 locations at #1
Thailand opened at a strong $939k from 52 cinemas. Position in the box office is estimated as #1.
In Singapore the movie opened at a great $900k from 60 locations. The film ranked at #1.
Panama's estimated opening is at a solid $424k from 170 locales. Estimated ranking is at #1.
Peru opened at an outstanding $721k from 60 locations at #1. Hansel & Gretel is the highest January opening of all time in the market.
Argentina opened at a very good $704k from 100 cinemas. Ranking is estimated at #2 behind local title "Tesis de un asesinado".
Hong Kong opened at #1 with $476k from 38 locales.
Chile opened at #1 with $246k from 40 locations.
Russia made a rock solid $4.75M in its 2nd weekend from 970 locations, dropping only 44% from its opening. Cume is now at $15.6M and ranking is expected at #1.
Life of Pi took in another $17.6 million overseas from 6,566 screens in 60 markets, pushing its overseas total to $422.4 million. The global total is an impressive $525.9 million. Stats from Fox:
LIFE OF PI opened in Japan this weekend, earning an excellent $4.6m from 713 screens for #1 in the market, on its way to a $17.55m GBO weekend at the International box office from 6,566 screens in 60 markets. The International cume is now a mind-blowing $422.4m, with a long way to go in this box office journey. Australia ($1.81m from 457) and UK (1.78m from 537) lead the holdover markets, followed by more happy GBO returns in South Korea ($1.2m from 155), Germany ($1.1m from 698), Mexico ($956K from 667), Brazil ($600k from 179), Russia ($535k from 484) and Argentina ($466K from 113), among others. Some notable box office milestones include: UK crosses US$40m ($41.8m); Russia nears US$29m ($28.9m), Australia crosses US$24m; Germany crosses US$23m; Mexico crosses $18m; France crosses US$15m; South Korea crosses US$14m; and Brazil nears US$12m ($11.94m). The last International market, Venezuela, opens the film on Feb. 8.
Les Miserables grabbed another $14 million from 2,600 locations in 33 territories, pushing its overseas total to $175.7 million. The musical's global total is now $312.9 million. Stats from Universal:LES MIS opened in 4 territories this weekend. Iceland and Romania had very good openings. All the new opening films in Poland were affected by snowstorms and frigid weather and Croatian results will be available Monday.
In the U.K. and Ireland, LES MIS is the No. 1 for the third week in a row. The weekend estimate is $6.1M (£3.9M) at 590 dates for a 17-day total of $38.7M (£24.4M). It is now the second biggest musical of all time behind our own MAMMA MIA! in the U.K. and Ireland and Hugh Jackman's biggest ever film in this territory.
Japan held strong at No. 3 with $1.8M at 357 dates in week 6 for a 37-day total of $43.1M.
In Korea, LES MIS held at No. 4 with $1.4M at 334 dates for a total of $38.7M. It is now the 10th highest grossing non-Korean film of all time in this market.
Australia placed No. 6 with $970k at 256 dates in week 5 for a 33-day total of $23.3M.
We have 31 territories to open over the next few months. Next weekend, we open in Brazil, Bulgaria, Italy, Slovenia and Thailand.
Lincoln scooped up another $10.7 million overseas from 2,596 locations in 22 markets, giving it an international cume of $14.7 million. Stats from Fox, the film's international distributor:
UK ($2.76m from 511) sends the largest International delegation to the box office, followed closely by strong upstart Italy ($2.7m from 421), where the film significantly exceeds local expectations at the polls. Spain ($1.35m from 370) and Mexico ($417K from 261) remain faithful to the LINCOLN camp, continuing their strong runs in the 2nd weekend, followed by a landslide opening in Brazil ($1m from 151). Germany ($815K from 160) proves to be a battleground market, getting strong support from Belgium ($249k from 30), Switzerland ($216K from 41), Colombia ($168K from 55) and Greece ($137K from 20). Per screen averages are very strong, with reports of incredibly favorable press and WOM, which will help carry the film through February as the Oscar momentum continues. LINCOLN opens in 22 new markets next weekend, including France and Holland.
Gangster Squad grossed $6.8 million from 2,500 screens in 47 markets this weekend. The overseas cume is now $28.1 million. Globally, Gangster Squad is at $67.8 million. Stats from WB (weekend gross/cume):
UK: $586k / $7.6m
Australia: $678k / $6.4m
Gangster Squad will roll out in some key territories soon: Brazil (Feb. 1), France (Feb. 6), Spain (Feb. 8), Italy (Feb. 21), Mexico (Feb. 23) and Japan (May 3).
Flight took in $5.5 million from 1,301 locations in 13 markets, pushing its overseas total to $11.7 million. The global total stands at $105.2 million.
Jack Reacher grossed another $3.8 million from 4.413 locations in 57 territories. Overseas, the action flick's total is $105.3 million. The global cume is $183.5 million.
Ted took in $3.6 million from 137 locations in Japan, pushing its overseas total to $296.2 million. The global total is now $514.9 million.
Zero Dark Thirty grabbed $3.6 million from 1,021 locations for an overseas total of $7.7 million. Stats from Universal: The U.K. and Ireland had a solid opening at No. 4 with $1.6M (£1M) at 433 dates, which is Kathryn Bigelow's biggest opening weekend in this market. France opened No. 2 and grossed a good $1.5M at 286 dates. Switzerland opened No. 2 with a good $96k at 16 dates. Finland had a good opening with $55k at 33 dates. Spain held strong at No. 9 with $350k at 233 dates, -44% in week 4 for a 24-day total of $4.5M. Universal is also distributing in Germany, Italy, Austria, Denmark, Norway, Sweden and South Africa. We open in Germany, German-Switzerland, Austria and Sweden next weekend.