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GLOBAL: 'Despicable Me 2' Crosses $500M Overseas; 'Runner Runner' Posts $11.2M Head Start on September 29, 2013

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Despicable Me 2 crossed the $500 million overseas mark after a $3.6 million bump from 41 territories over the weekend. The Minions held on to the top spot in Japan for the second consecutive weekend with a $2 million take. Despicable Me 2 has grossed $12.2 million after 9 days in Japan and $863.5 million worldwide. The movie is Universal's second-higehst grossing film of all time behind Jurassic Park's $921 million.
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Runner Runner got a $11.2 million head start before its North American release next weekend. The gambling thriller played in 4,007 screens across 38 markets. The film impressed in Russia with a $2.9 million first place performance. Runner Runner also took the top spot in the Ukraine, Malaysia, the United Arab Emirates, Singapore, and Romania. The film will be released in 33 additional markets throughout the month of October.
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Turbo crossed the $100 million overseas after earning $6.1 million from 13 markets this weekend. The animated film has grossed $181.9 million worldwide with 17 markets still to come, including key players like the United Kingdom, France, Germany, Spain, Belgium, and the Netherlands.
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Planes added $7.9 million to its overseas tally, taking its total outside of North America to $81.4 million. The animated film has grossed $169.1 million worldwide. The top markets for Planes are the United Kingdom ($12.5M), Spain ($7.5M), Mexico ($6.6M), and Germany ($6.4M). France, Italy, and Japan are the last three remaining key markets for the animated film.
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We're the Millers keeps on performing well overseas. The film continued its successful run around the world with a $7.1 million take from 56 territories. The raunchy comedy has grossed $95.4 million overseas and $237.8 million worldwide. A $701K bow in Brazil put the film above the debuts of releases like No Strings Attached, 21 Jump Street, and Horrible Bosses in the market. The top markets for We're the Millers are Russia ($17.8M), the United Kingdom ($12.7M), Germany ($9.7M), and Australia ($8.7M).
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The Conjuring brought in $7 million 58 markets, taking its overseas cume to $160.4 million. The low-budget horror film has grossed a terrific $297.1 million globally and should reach the $300 million mark by next weekend. The top markets for the film are Mexico ($18.6M), the United Kingdom ($16M), Russia ($10M), France ($9.6M), Australia ($8.1M), and Spain ($7.9M).
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Prisoners ruled the box office in the United Kingdom, beating openers Runner Runner and Blue Jasmine with a $2 million bow from 401 screens. Prisoners has grossed $6.3 million overseas from 22 markets. The film's global total is $45.1 million. 
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Riddick frossed $4.1 million from 53 markets in its fourth weekend overseas. The sci-fi flick has grossed $44.7 million outside of North America and $83.1 million worldwide. Brazil, Mexico, and South Korea are the last remaning major markets for the latest entry in the Pitch Black franchise. 
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R.I.P.D. took $1.5 million from 17 territories to reach a $39.5 million overseas cume. A $425k opening in Brazil became the latest disappointment for Universal's dud of the summer. The film has grossed $73.1 million worldwide with four territories left to open, including key players Mexico and Japan. 

North America: Studio Weekend Estimates: 'Cloudy 2' Leads Easily with $35.0M Debut; 'Rush' Expands to $10.3M; 'Baggage Claim' & 'Don Jon' Neck-and-Neck with $9.3M and $9.0M on September 27, 2013

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Sunday Update: Sony's Cloudy with a Chance of Meatballs 2 easily led the way this weekend with an estimated $35.0 million. The 3D computer animated sequel outpaced the $30.30 million debut of 2009's Cloudy with a Chance of Meatballs by 15.5 percent, though it should be noted that with a location count of 4,001, Cloudy with a Chance of Meatballs 2 opened in 882 more locations than its predecessor did. Cloudy with a Chance of Meatballs 2 had been anticipated by many to be able to challenge the $42.52 million debut of last year's Hotel Transylvania, but the film ultimately opened 18 percent below that mark. With that said, Cloudy 2 still registered the fourth largest unadjusted opening weekend ever for the month of September (behind only Hotel Transylvania, Insidious Chapter 2 and 2002's Sweet Home Alabama), and performed well when considering that it carried a relatively modest reported production budget of $78 million (making it less expensive than both its predecessor and Hotel Transylvania).

Cloudy with a Chance of Meatballs 2 opened with $9.3 million on Friday, increased 63 percent to take in $15.15 million on Saturday and is estimated to decline 30 percent on Sunday to gross $10.55 million. That gave Cloudy 2 an estimated opening weekend to Friday ratio of 3.76 to 1. The film received an encouraging A- rating on CinemaScore. Family audiences made up 80 percent of the film's overall audience this weekend. Cloudy 2 is likely to hold up quite well going forward, thanks in part to there being no new options for family audiences until Relativity unleashes Free Birds on November 1 (a factor which may have deflated this weekend's performance a bit).

It was a close race for second place this weekend, with Warner's Prisoners edging out Universal's Rush. The thriller starring Hugh Jackman and Jake Gyllenhaal fell a so-so 46 percent from last weekend's first place debut to gross an estimated $11.27 million. Despite good word of mouth, new competition from four new wide releases clearly took a toll on Prisoners this weekend, especially since the overall marketplace tends to expand less in September than it does at most other times of the year. The marketplace for adult moviegoers will become even more crowded next weekend with the release of fellow Warner Bros. film Gravity and Fox's Runner Runner. Prisoners has grossed a solid $38.95 million in ten days, placing it 12 percent behind the $44.26 million ten-day take of 2011's Contagion (which fell 35 percent in its second weekend to gross $14.55 million).

In its first weekend of wide release, Rush placed in third with $10.31 million. The Ron Howard directed racing film starring Chris Hemsworth and Daniel Brühl debuted towards the lower end of its modest expectations, which were held in check in part by the lack of popularity of Formula 1 racing in the United States. This weekend's performance for Rush was 15 percent below the $12.16 million start of last September's Trouble with the Curve. Including last week's platform launch, Rush has grossed $10.57 million through ten days.

Rush grossed $3.7 million on Friday, was up 8 percent on Saturday to take in $4.0 million and is estimated to fall 35 percent on Sunday to gross $2.61 million. That placed the film's opening weekend to Friday ratio at 2.79 to 1. Strong critical reviews and an A- CinemaScore are positive early signs for Rush going forward. However, with the marketplace for adult moviegoers to be especially crowded throughout October, strong holding power is by no means a lock for the film at this point (as already witnessed by Prisoners this weekend). Rush is expected to perform stronger overseas than domestically.

It also proved to be a close race for fourth place this weekend, with Fox Searchlight's Baggage Claim just edging out Relativity's Don Jon. Baggage Claim took in an estimated $9.3 million, while Don Jon took in an estimated $9.0 million. Both films opened in line with their respective modest pre-release expectations, though expectations for Don Jon tended to be a tad higher than those for Baggage Claim.

Baggage Claim, starring Paula Patton, opened with $3.28 million on Friday, increased 17.5 percent to gross $3.85 million on Saturday and is estimated to fall 43.5 percent on Sunday to gross $2.18 million. The film generated an estimated opening weekend to Friday ratio of 2.84 to 1. With an A- rating on CinemaScore, Baggage Claim could hold up better than Don Jon going forward (which received a lackluster C+ rating).

Don Jon, starring Joseph Gordon-Levitt and Scarlett Johansson, grossed $3.29 million on Friday, increased 5.5 percent to take in $3.47 million on Saturday and is estimated to decline 35 percent on Sunday to gross $2.24 million. The film registered an estimated opening weekend to Friday ratio of 2.74 to 1. Don Jon slightly outpaced the $8.64 million start of 2011's 50/50, but is unlikely to hold up as well as 50/50 did, especially given its rating on CinemaScore.

On the limited front, Fox Searchlight's Enough Said grossed $2.12 million from just 227 locations. The romantic comedy starring Julia Louis-Dreyfus and the late James Gandolfini earned a per-location average of $9,317 for the weekend. The ten-day total for Enough Said stands at $2.48 million.

Also on the limited front, Picturehouse's Metallica Through the Never took in an estimated $1.67 million from 308 locations. That gave the 3D concert film a per-location average of $5,482 for the frame. Metallica Through the Never opened in IMAX locations this weekend and is scheduled to expand into non-IMAX locations this coming Friday.

In other box office news, Lionsgate's Instructions Not Included is now the highest grossing Spanish Language film of all-time at the domestic box office. After taking in an estimated $3.38 million this weekend, the Eugenio Derbez comedy vehicle from Pantelion Films has grossed $38.57 million to date. The previous record holder was Pan's Labyrinth with a total gross of $37.63 million.

Full studio weekend estimates can be found here.

Saturday Update: Sony reports that Cloudy with a Chance of Meatballs 2 ate up $9.3 million on Friday, putting it on pace for a $35.5 million debut weekend. That will be a higher debut than its predecessor's $30.3 million back in September 2009, however, the sequel looks to fall short of Sony's Hotel Transylvania which opened to a September record $42.5 million last year. With an "A-" CinemaScore and current 81 percent Flixster user rating, word of mouth from families appears healthy and should continue driving the film throughout October as the only animated release before November 1's Free Birds.

Ron Howard's Rush grabbed $3.7 million with its expansion into wide release yesterday. After a successful platform launch in five theaters last weekend, the well-reviewed Formula 1 racing pic is headed for an $11 million frame. In addition to strong critical response, the film's 94 percent Flixster score and "A-" CinemaScore are very encouraging for long-term prospects.

Relativity Media estimates a $3.29 million opening day for writer/director/star Joseph Gordon-Levitt's Don Jon. That bests the $2.89 million first day tally of the Gordon-Levitt starrer 50/50 on the same weekend in 2011. Don Jon's subject matter appears to be dividing audiences with a "C-" CinemaScore, although, its Flixster rating is a decent 75 percent so far. The R-rated comedy is on pace for a $9.5 million debut weekend.

Meanwhile, Baggage Claim checked in with $3.28 million on Friday and is heading toward a $9.4 million weekend. Lacking much star power and facing a relatively crowded market of new releases put this one on the back-burner for moviegoers. The film's target audience responded with an "A-" CinemaScore, however, Flixster users are less enthusiastic with its 67 percent score.

Friday: Sources tell BoxOffice that Cloudy with a Chance of Meatballs 2 is headed for $11 million on Friday, which means that the animated flick could hit $39 million during its debut frame. That's enough to easily top the $30.3 million debut of 2009's Cloudy with a Chance of Meatballs, but it won't best Hotel Transylvania's $42.5 million debut in September 2012. The healthy debut ends the animation losing streak that began with Turbo in July. Cloudy 2 represents a breath of fresh air for Sony. The distributor has been struggling most of the year with duds such as After Earth and White House Down, and a #1 opening was desperately needed. 

Rush and Don Jon are in the same ballpark. Both adult-skewing flicks look to be on pace for anywhere between $10 million-$13 million this weekend. Rush has a slight advantage in that it's been building buzz since its platform release last weekend. 

Baggage Claim will have to settle for a lackluster debut of around $7.5 million. The romantic comedy failed to build buzz on Facebook and Twitter in the weeks leading up to its release. It's clear that the Fox Searchlight release is the victim of a crowded marketplace. 

Check back tomorrow for official studio estimates. 

FANDANGO’S ADVANCE TICKETS FOR LIONSGATE’S ‘THE HUNGER GAMES: CATCHING FIRE” ON SALE THIS TUESDAY, OCTOBER 1 on September 27, 2013

Advance tickets for Lionsgate's (NYSE: LGF) "The Hunger Games: Catching Fire," voted by Fandango fans as the most anticipated movie of 2013, go on sale this Tuesday, October 1 at 9:00 a.m. PT, nearly two months before the movie is released in theaters on November 22. Tickets will be available for showtimes starting at 8 PM on Thursday, November 21, as well as for special double feature screenings of "The Hunger Games" followed by "The Hunger Games: Catching Fire."

"This is one of the earliest coordinated efforts where all of our theater chains are simultaneously selling tickets for an expected blockbuster, nearly eight weeks in advance," says Paul Yanover, President of Fandango. "We are working closely with Lionsgate to launch a comprehensive content and promotional program on Fandango to support our fans' most anticipated movie of the year."

As an added bonus, every "Hunger Games" fan who purchases an advanced ticket for "Catching Fire" will receive an exclusive free download of Phantogram's "Lights," a track from the upcoming original motion picture soundtrack. In addition, ticket-buyers will be automatically entered into a sweepstakes, where Fandango will give away more than 17,000 prizes including HD movie downloads of the blockbuster first installment of "The Hunger Games" franchise on Amazon Instant Video, and thousands of Fandango movie tickets.

The "Catching Fire" sweepstakes grand prize will take one lucky winner and a guest on a trip to the island of Oahu with Hawaiian Airlines to stay at the world-class Turtle Bay Resort, where the movie filmed an action scene at one of its private coves.

Also on Tuesday, Fandango will premiere an exclusive behind-the-scenes featurette on the making of "The Hunger Games: Catching Fire."

ABOUT THE HUNGER GAME: CATCHING FIRE
The Hunger Games: Catching Fire begins as Katniss Everdeen (played by Jennifer Lawrence) has returned home safe after winning the 74th Annual Hunger Games along with fellow tribute Peeta Mellark (played by Josh Hutcherson). Winning means that they must turn around and leave their family and close friends, embarking on a "Victor's Tour" of the districts. Along the way Katniss senses that a rebellion is simmering, but the Capitol is still very much in control as President Snow prepares the 75th Annual Hunger Games (The Quarter Quell) - a competition that could change Panem forever. The Hunger Games: Catching Fire is directed by Francis Lawrence, and produced by Nina Jacobson's Color Force in tandem with producer Jon Kilik. The novel on which the film is based is the second in a trilogy written by Suzanne Collins that has sold over 65 million copies in print in the U.S. alone.

OVERSEAS ROUND-UP: Top 10 Films From Major Markets - September 20-22, 2013 on September 25, 2013

instructions-not-included-picture-8.jpgCHINA: U.S. Director Dennie Gordon directed a trio of mainstream studio films in the early aughts without finding much box office success. Her directorial debut at the helm of a Chinese spy comedy gave her the top spot at the Chinese box office.

ITALY: Forget Formula 1, The Smurfs 2 won the head-to-head showdown against Rush in a close race.

MEXICO: Instructions Not Included posted the highest opening of all time for a domestic film, dethroning the 2011 Mexican animated release of Hannah Barbera's Top Cat. An $11.5 million debut could help the comedy beat Nosotros Los Nobles as the most successful domestic film of all time in Mexico.  

UNITED KINGDOM: Rush placed first in its second weekend, but the Princess Diana biopic starring Naomi Watts couldn't come up with anything better than a mid-table debut. 

Follow Daniel Loria and BoxOffice on Twitter for more news and analysis on the global box office. 


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