GLOBAL PREVIEW: Can 'The Wolverine' Help the X-Men Become the Next Billion Dollar Franchise? on July 26, 2013


By Daniel Loria

The Wolverine is the only film premiering on a wide global scale this weekend, finding a rare window in this summer's otherwise packed release calendar. Expectations are high for Hugh Jackman's sixth big-screen appearance as the clawed crime-fighter, returning to the title role after a star-making turn in the original X-Men trilogy, the X-Men Origins spin-off, and a cameo in X-Men: First Class.

Marvel's The Avengers redefined the box office potential of superhero ensemble films, proving that studios can develop a billion-dollar global hit by fostering an audience throughout a series of films. The X-Men franchise is the ideal platform for Fox to replicate the inter-locking storylines built around the success of The Avengers. Fox realized it had gone down the wrong path with X-Men after two critically panned entries, X-Men: The Last Stand and X-Men Origins - Wolverine, devalued the brand and introduced a decline in global grosses for the franchise.

The property is too valuable to leave alone. The Wolverine looks to revitalize the series and serve as the link between the franchise's First Class installment and the continuity established by the original trilogy ahead of next year's X-Men: Days of Future Past.

Here's a look at the global totals of the X-Men franchise:

X-Men (2000) 


X2: X-Men United (2003)


X-Men: The Last Stand (2006)


X-Men Origins: Wolverine (2009)


X-Men: First Class (2011) 


X-Men: Days of Future Past, is already in production and looking at an upcoming 2014 release. The Wolverine will therefore set the stage for the ensemble picture that will unite fan favorites like Patrick Stewart and Ian McKellen with the exciting young First Class cast led by Michael Fassbender, James McAvoy, and Jennifer Lawrence. Even if The Wolverine fails to rebound the X-Men franchise, its effect shouldn't be directly associated with what is essentially a different product for 2014's Days of Future Past. The Wolverine is not the billion-dollar designated hitter for Fox. Strategically, The Wolverine will be a success as long as it can pass the $500 million global mark, a feat no other X-Men picture has accomplished, and put the franchise in scoring position when Days of Future Past comes up to the plate in 2014. 

It's been a solid summer for superheroes at the overseas box office. Iron Man 3 is the top film of the year after grossing over $800 million overseas and $1.2 billion worldwide. Superman finally connected with audience after a multi-decade/generation dry streak. Man of Steel has taken in $350 million overseas and currently boasts a $635 million global total.

The Wolverine will have no excuse if it can't connect with audiences around the world. Hugh Jackman is as recognizable in the title role as Robert Downey Jr. is in the Iron Man franchise, with both actors headlining their respective franchises for over three films. We must also consider this weekend's empty release window in a global market where a superhero film hasn't premiered since June's Man of Steel. The stage is set for The Wolverine to be one of the global success stories of 2013, but are audiences ready to return to a franchise that has posted diminishing returns since 2009?

Follow Daniel Loria and BoxOffice on Twitter for more news on the global box office.

NORTH AMERICA: 'The Wolverine' Carves Out $55.0M Debut; 'The Conjuring' Holds Up Well with $22.1M; 'Fruitvale Station' Solid with $4.66M (7th Update) on July 26, 2013


Sunday Update: It was a bit of a mixed bag for The Wolverine at the box office this weekend. The sixth installment of Fox's X-Men film franchise easily led the weekend box office with an estimated debut of $55.0 million. On one hand, that was significantly below pre-release expectations for the film, which ranged anywhere from $60 million to $80 million. But on the other hand, The Wolverine still delivered this July's second largest debut (behind only Despicable Me 2) and performed reasonably well with its price tag in mind (which was significantly lower than those of each of the previous three X-Men films).

The Wolverine debuted 35 percent below the $85.06 million start of 2009's X-Men Origins: Wolverine and just below the $55.10 million start of 2011's X-Men: First Class. That The Wolverine was not able to outpace First Class was underwhelming, especially since First Class didn't have the advantages of higher priced 3D admissions or of having Wolverine in a key role.  In addition to the mostly negative reception towards X-Men Origins: Wolverine, The Wolverine may have also been somewhat limited by having a storyline that appeals more so towards die-hard X-Men fans.

Going forward, The Wolverine will obviously hope to display holding power more along the lines of X-Men: First Class than that of X-Men Origins: Wolverine. The film's A- rating on CinemaScore is a promising early sign in that direction, as is the film's estimated opening weekend to Friday ratio of 2.62 to 1, which (if the estimate holds) is a bit stronger than the 2.57 to 1 opening weekend to Friday ratio registered by First Class. The Wolverine took in $21.0 million on Friday (which included an estimated $4 million from late night Thursday shows that began at 10 p.m.), fell 12 percent on Saturday to gross $18.43 million and is estimated to fall 15 percent on Sunday to take in $15.58 million.

On the heels of last weekend's stronger than expected start, Warner's The Conjuring held up very nicely for a horror film in its second weekend. The modestly budgeted James Wan directed film grossed an estimated $22.1 million to place in second. That represented a 47 percent decline from last weekend. With a tremendous $83.87 million in ten days, The Conjuring has already zoomed past the respective $71.63 million and $64.26 million total grosses of this year's Mama and The Purge. The Conjuring is having the type of performance we don't see very often from horror films (especially in recent years) and will surpass the $100 million domestic milestone before much longer. The Conjuring should continue to hold up well going forward thanks in part to strong word of mouth and a lack of new horror films entering the marketplace over the next few weeks.

Also holding up nicely this weekend was Universal's Despicable Me 2. The computer animated blockbuster from Illumination Entertainment fell 36 percent from last weekend to place in third with an estimated $16.0 million. In the process Despicable Me 2 surpassed the $300 million domestic milestone this weekend, making it just the second release of 2013 to do so thus far (the other being Iron Man 3). Despicable Me 2 has grossed $306.39 million in 26 days. The film will soon face new competition for family audiences, with Sony's The Smurfs 2 arriving on Wednesday, and Fox's Percy Jackson: Sea of Monsters and Disney's Planes both arriving the following week.

Fellow computer animated film Turbo followed in fourth place with an estimated $13.3 million. The Fox and DreamWorks Animation release was down a very solid 37 percent from last weekend. Turbo has grossed $55.77 million in twelve days of release. That places Turbo 16 percent ahead of the $48.84 million twelve-day take of last year's Rise of the Guardians. However, given the already mentioned new family films on the near horizon and the holiday boost experienced by Rise of the Guardians later in its run, Turbo will be hard pressed to remain ahead of the pace of Rise of the Guardians.

In other box office news, Sony's Grown Ups 2 surpassed the $100 million domestic mark this weekend. The Adam Sandler led comedy sequel placed in fifth for the weekend with an estimated $11.5 million. Grown Ups 2 was down a solid 42 percent from last weekend and has now grossed $101.66 million in 17 days. That places the film 8 percent behind the $110.72 million 17-day take of 2010's Grown Ups.

In its first weekend of wide release, The Weinstein Company's Fruitvale Station took in an estimated $4.66 million from 1,064 locations to place in tenth. That gave the early awards season hopeful a good, but not great per-location average of $4,377. Given its per-location average this weekend, Fruitvale Station will likely need to depend more so on strong word of mouth and awards buzz than further theatre expansions going forward. The film's estimated weekend to Friday ratio of 3.22 to 1 is a promising early sign. Fruitvale Station has grossed $6.34 million to date, which is already a strong showing given the film's ultra-low budget.

Performing fairly similar upon expanding this weekend was Fox Searchlight's The Way, Way Back. The ensemble comedy drama featuring Steve Carell placed in eleventh with an estimated $3.3 million. The Way, Way Back earned a per-location average of $3,725 from 886 locations for the frame. The 24-day total for the film stands at $8.93 million. The Way, Way Back registered a healthy estimated weekend to Friday ratio of 3.40 to 1.

On the platform front, Sony Pictures Classics' Blue Jasmine was off to a very strong estimated start of $612,767 from six locations in New York and Los Angeles. That gave the Woody Allen directed film starring Cate Blanchett a massive per-location average of $102,128 for the frame. If the estimate holds, Blue Jasmine will just outpace the $599,003 six location platform launch of Midnight in Paris back in May of 2011. Blue Jasmine will expand into additional locations next weekend and throughout the month of August.

Saturday Update: Fox reports that The Wolverine grossed $21 million on Friday, including $4 million from Thursday night shows. Based on that figure, BoxOffice projects the Hugh Jackman sequel will bank $54 million over opening weekend.

Those numbers are solid especially at the tail end of a very busy summer, but The Wolverine is falling short of most expectations. By comparison, Captain America: The First Avenger debuted with a $25.7 million opening day as part of a strong $65.1 million weekend on the same weekend two summers ago.

More close to home, The Wolverine's first day take couldn't quite keep pace with the $21.4 million generated by X-Men: First Class--and that film didn't have 3D or large format theaters to boost ticket revenue.

Few expected this latest franchise entry to reach the $34.4 million opening day and $85.1 million weekend of 2009's X-Men Origins: Wolverine, but the 39 percent gross decline in first day business is notable given that it was the last time Wolverine led a film. In terms of attendance on opening day, The Wolverine declined a massive estimated 50 percent from the 2009 prequel and marks the least-attended X-Men franchise film to date.

While it is likely that some fatigue is responsible for the softer demand (this is Wolvy's fifth turn as the lead character, after all), the good news is that word of mouth appears much stronger out of the gate for this entry. Flixster users currently give the film an 80 percent approval rating. On top of that, buzz for next year's X-Men: Days of Future Past has been steadily growing over the last few months as one of the most discussed films across social network platforms. Fans are clearly still excited for the future of the franchise, albeit with some cautious optimism. The Wolverine simply seems to have failed to connect with the general audience as strongly as previous series entries, likely thanks to the film's fan-centric premise (based on a popular comic book storyline) and a "been there, done that" vibe.  Nevertheless, chalk up an otherwise solid opening to the enduring popularity of Jackman and his interpretation of the character.

Meanwhile, TWC's Fruitvale Station posted an impressive $1.45 million on Friday after expanding into 1,064 theaters. Buzz around the film continues to grow, especially in the wake of this week's news that its directing and acting team of Ryan Coogler and Michael B. Jordan, respectively, will pair up for the Rocky spinoff, Creed. BoxOffice projects a $4.5 million weekend for Fruitvale Station. Word of mouth should continue to spread as one of 2013's early Oscar buzz generators.

Friday Update #4: The Wolverine now appears headed for a $22 million opening day. Topping the $55.1 million opening weekend of 2011's X-Men: First Class could be a challenge if that number holds with official studio estimates on Saturday morning.

Friday Update #3: Sources tell BoxOffice that The Wolverine is now looking closer to $23-24 million for Friday. That may yet change depending on West Coast business later tonight, but for now, the film looks to be heading toward a $60 million opening weekend.

Stay tuned to BoxOffice for studio estimates and our updated weekend projections on Saturday morning.

Friday Update #2: Early grosses indicate that The Wolverine is headed for $25 million on Friday, which would put it on pace for a $64 million debut frame. 

The Wolverine will have no problem topping the $55.1 million debut of X-Men: First Class. It's clear that fans are slowly starting to forgive the franchise after being disappointed by 2006's X-Men: The Last Stand and 2009's X-Men Origins: Wolverine. This bodes well for 2014's X-Men: Days of Future Past, an effort that will combine the new cast from First Class and the old cast from the original X-Men trilogy. 

The Wolverine has solid word of mouth in its corner. The 20th Century Fox release boasts an 81% approval rating on Flixster, and a respectable 67% approval rating on RottenTomatoes. 

Friday Update #1: Fox reports that The Wolverine snagged a healthy $4 million from Thursday evening shows. The action flick only started at 10 p.m., so it didn't benefit from earlier screenings like other releases this summer.

The Wolverine topped World War Z's $3.6 million haul on Thursday. That's a promising sign for the Fox release considering that WWZ kicked off its theatrical run with an impressive $66.4 million debut frame. World War Z started showing at 8 p.m. on the Thursday before hitting theaters. 

Thursday Update: Fandango reports that The Wolverine is outpacing 2011's X-Men: First Class by an impressive 39% margin at the same point in the sales cycle. First Class debuted to a healthy $55 million in June 2011, so the strong sales bode well for The Wolverine. Hugh Jackman's latest take on the iconic character also accounts for 51% of daily sales on Fandango. 

A Fandango survey of 1,000 Wolverine ticket buyers reveals the following:

91% have seen the previous X-Men and Wolverine movies
73% would not want to see a Wolverine film without Hugh Jackman in the title role
70% say the exotic setting has increased their interest in seeing the movie
A whopping 95% cannot wait to see the follow-up film, X-Men: Days of Future Past

Check back tomorrow morning to see how much the film rakes in from Thursday evening shows.

'Sharknado' Coming To Theaters Via Regal on July 26, 2013

KNOXVILLE, Tenn. -- Regal Entertainment Group (NYSE: RGC), a leading motion picture exhibitor owning and operating the largest theatre circuit in the United States, today announces that Regal will host midnight shows of the Syfy Channel's film "Sharknado" on August 2 at approximately 200 cinemas across the country.

"‘Sharknado' has become a force of nature in its own right. This project transcends the original television platform and has created tremendous buzz," stated Ken Thewes, chief marketing officer for Regal Entertainment Group. "There's just something epic about watching these huge beasts on the big screen with your friends and family. The crowd reactions will make for a memorable experience in our theatres."

At its peak, #sharknado registered about 5,000 tweets per minute, and accumulated more than 600,000 social media mentions while taking the internet by storm. Tickets for the midnight shows are available at the box office, online and through the Regal App.

"You know how audiences have had fun with ‘Rocky Horror Picture Show' over the years. If the internet reactions to this film are any indication, then our moviegoers are primed and ready to enjoy ‘Sharknado' larger than life in cinemas," said Chris Sylvia, director of digital marketing for Regal Entertainment Group. "Regal is proud to be giving our guests this chance to fuel the social media whirlwind by inviting friends to come to the show and tweeting reactions."

For anyone near a theatre where "Sharknado" is forecast to hit, Regal reminds you:
An umbrella is not much protection. See how Ian Zeiring improvises with a chainsaw.
After going airborne, sharks cannot click their ruby slippers like Dorothy to go home.
"Sharknado" disaster coverage in cinemas will not be interrupted by commercials.
If "Jaws" made you think twice about the sea, remember "Sharknado" can hit anywhere.
Long range forecasts predict another "Sharknado" will hit New York City next.

When a freak hurricane swamps the Los Angeles area, nature's deadliest killer rules sea, land, and air as thousands of sharks terrorize the waterlogged populace. Surfer and bar-owner, Fin (Ziering), and his friends Baz (Jaason Simmons) and Nova (Cassie Scerbo), set off to rescue his estranged wife April (Tara Reid) and teenage daughter Claudia (Aubrey Peeples). The movie's official tagline of "Enough said!" speaks for itself in this disaster film.

A full list of participating theatres is available online:
For more information and to find out how to become a Regal Crown Club Member to accumulate rewards for moviegoing loyalty, visit Regal's website at


MEXICO: The Minions Edge Out 'Turbo' Debut on July 24, 2013

DM-2.jpgDespicable Me 2 is gearing up to be one of the biggest hits of the year in Mexico. The animated sequel grossed $3.7 million over the weekend, reaching a $39 million total. The Minions' weekend victory was enough to lift Despicable Me 2 over Monsters University's cume. The Pixar prequel also ranks as one of the biggest films of 2013 in Mexico with a $36.8 million total over five weeks. It only took Despicable Me 2 three weeks to overtake the Pixar release.

Turbo proved yet again that Mexican audiences are loyal to animated movies. The film narrowly lost out to Despicable Me 2 for the top spot after a $3.6 million opening weekend. The Lone Ranger took a back seat to the animated duo, placing third in its Mexican premiere with $3.5 million. Pacific Rim fell 54% from its opening weekend but still managed to rake in a healthy $2.5 million hold. Guillermo del Toro's latest spectacle has grossed $11.5 million in the Mexican director's home country.

Top 10 Films in Mexico. July 19-21, 2013


Follow Daniel Loria and BoxOffice on Twitter for more on the global box office.


UK: 'Monsters U' Hits $13M in 2 Weeks; 'Despicable Me 2' Surpasses Superman on July 24, 2013

MonstersUStill.jpgMonsters University still rules in the U.K. The Pixar prequel posted a strong hold, only a 19% drop from its opening weekend, on its way to earning $4.2 million over the weekend and reaching a $13.1 million cume. Monsters U beat out director Edgar Wright's reunion with stars Simon Pegg and Nick Frost in The World's End. The trio has previously collaborated in cult comedy hits like Shaun of the Dead and Hot Fuzz. Their fan-following accounted for a $3.2 million opening weekend across 530 theaters.

Despicable Me 2 hit a major milestone by reaching a $45.7 million total over the weekend, enough to surpass the $45.6 million that Man of Steel has grossed over six weeks. It only took the Minions four weeks to get ahead of the Superman reboot. Despicable Me 2 is showing no signs of slowing down after posting a $2.8 million weekend, only a 19% fall from last week's performance.

Pacific Rim tumbled down to fourth place in its second week of release, adding $2 million to take its total to $7.8 million. Guillermo del Toro's film won't pull in the blockbuster numbers it needs to overcome a slow run in North America. Pacific Rim, however, is having a much easier time at the box office than The Internship. The Fox comedy failed to find a significant audience in the United Kingdom, disappointing with a $4.3 million tally over three weeks.

Top 10 Films in the United Kingdom. July 19-21, 2013


Follow Daniel Loria and BoxOffice on Twitter for more on the global box office.

Subscribe to Articles Feed