Once again, overseas audiences are able to enjoy a Hollywood film well before North American moviegoers. Universal's Despicable Me 2 is already off to a great start in Australia, and preview shows went well in the U.K. and Ireland.
Official notes from Universal:
Despicable Me 2 had an outstanding opening this weekend in Australia with a total gross of $4.3 million at 272 dates. DM2's total gross in Australia is $6.4 million including $2.1 million from last week's paid previews. This is the biggest opening ever for Illumination Entertainment in Australia & 38% bigger than the opening of Despicable Me. DM2 placed No. 2 behind World War Z and 25% ahead of No. 3 Monsters University. DM2 is performing in the same range as such hits as Kung Fu Panda 2, Madagascar 3 and The Croods.
Despicable Me 2 opens July 3 in North America, but Universal released the film in Australia early to coincide with the winter school holidays that commence in parts of Australia on Monday and continue through mid-July. Sydney has really embraced the film, including allowing (the first time ever) official flags to be flown with DM2 images. Steve Carell and Miranda Cosgrove travelled to Sydney for the premiere and were met by huge crowds everywhere they went.
In addition to its opening in Australia, Despicable Me 2 had paid previews in the U.K. and Ireland this weekend and the Saturday previews were spectacular. The film was No. 1 at the box office on Saturday, besting new opener World War Z and Man of Steel in its second week. DM2's previews on Saturday were the third highest for an animated film in this market behind only Shrek 2 and Shrek the Third. DM2 opens in the U.K. and Ireland, Belgium, France, Netherlands, Sweden and French-Switzerland next weekend. The majority of international territories open with the U.S. on July 3 and over that weekend.
Monsters University continued Pixar's hot streak at the box office, becoming the 14th film out of 14 releases to open at the top spot in North America. The film posted an $82 million opening in North America, with audiences walking out happy and giving the film an A Cinema Score. It's a big weekend for Pixar's latest, trailing only Toy Story 3 as the biggest opening in the company's history.
The animated film's global total reached $136.5 million after taking in $54.4 million from 35 territories. That represents roughly about 48% of the overseas market for Monsters University, which will expand abroad over the next several weeks.
The head start is important for Monsters University, as it will face competition from Despicable Me 2 early into its run. Despicable Me 2 opened early in Australia to coincide with winter school holidays and has already managed to take in $6.4 million. The figure comes from last week's $2.1 million previews and this weekend's $4.3 million take that ranked above the Monsters University debut in Australia. A large global day-and-date expansion is planned for Despicable Me 2 opens in the U.K. and Ireland, Belgium, France, Netherlands, Sweden and French-Switzerland next weekend. A larger expansion is scheduled for its North America release on July 4th weekend.
The other major animated feature currently in release is Epic, which grossed an additional $3.3 million overseas despite no new openings. Epic has a worldwide cume of $225.1 million, with the bigger portion of that figure coming from a $124.1 million overseas run. The top markets for Epic include the United Kingdom ($19.7M), Russia ($14.5M), and Germany ($10M).
The live-action world also produced promising numbers this weekend. Paramount's World War Z opened with $45.8 million in 25 territories overseas to take its day-and-date opening weekend to a $111.8 million global total. South Korea led the charge as the number one film in the market with a $10.3 million take from 962 screens. The United Kingdom contributed $7.1 million from 487 locations. The film opened at #1 in Australia with a $5.5 million gross from 236 cinemas. World War Z became the sixth highest opening of all time in Argentina with $2.9 million. Taiwan and Hong Kong also brought in big numbers by contributing $2.5 million each. The zombie epic has spread to around 30% of the overseas market and will expand to major territories including Germany, Italy, Russia, Brazil, and Mexico next weekend.
Man of Steel had the most significant expansion of its overseas release, opening in major markets including France, Germany, Italy, Russia, Spain, and China. The film took in $89 million over the weekend with the expansion and currently posts a $188.3 million overseas total and $398.3 million global cume. The weekend figures include a number of great premieres including $25.5 million from China, $8.22 million in France, and $4.4 million from Spain. The top holdover was the United Kingdom, where the film grossed $8.2 million in its second weekend for a $33.5 million cume in the UK.
Star Trek Into Darkness is showing the resiliency of its scaled overseas release. The sci-fi sequel has grossed $213.4 million outside of North America and boasts a $430 million global cume. France was the highest hold-over for the film, posting $1.4 million in its second weekend to reach a $5.7 million cume. Other second-week major markets for Star Trek include Brazil ($4.3M) and Italy ($2.4M). Star Trek Into Darkness will open in Spain on July 5 and is scheduled for an August 23 premiere in Japan.
After Earth continued its overseas run with hopes of mitigating the disappointing numbers coming from North America. The sci-fi father-and-son vehicle has grossed $114.2 million overseas and is currently posting a $171.5 million worldwide total, a far cry from the numbers posted by Star Trek Into Darkness and Oblivion ($195.6M Overseas / $284.6M Global). After Earth opened #1 in Japan this weekend with $2.5 million. The film will be released in Spain, Denmark, and Turkey next week, but the real market to keep an eye on is China where After Earth is scheduled for a July debut.
Fast & Furious 6 hasn't slowed down since its release. The action film added another $11.2 million from 62 territories this weekend, reaching a $437.5 million overseas total. The Latin American public has shown strong support for the latest entry in the franchise, helping Fast 6 to become the first Universal release to reach $100 million in the region. Fast 6 currently boasts a $665.9 million global total that should increase after its July 6 Japan premiere and July 26 China release.
The Hangover Part III has been able to save face overseas, taking its overseas total to $215.5 million to make up for a lackluster North American performance. The comedy has grossed $325.5 million worldwide. The top markets for the comedy include the UK ($28.6M), Germany ($26.7M), and Australia ($20.2M).
The Great Gatsby reached a $171.4 million overseas total and $312.9 million worldwide cume. The film has been most successful in the UK ($23.1M), Australia ($21.1M), and Russia ($17.1M).
The Internship held on for another $3.2 million from 25 territories this weekend. The Vince Vaughn/Owen Wilson comedy has misfired in North America, where it has only managed to gross $38.3 million. The overseas numbers haven't been able to help the troubled comedy either. The Internship has grossed an overseas total of $9.8 million from 22 markets, giving the film a $48.1 million worldwide cume. Top markets for the comedy include Australia ($4.8M) and Russia ($43.6M), where the film has been in release for the past two weeks.
The Purge didn't open in any new markets this weekend and held on for another $1.1 million from its seven overseas territories. That brings the overseas total for the Ethan Hawke thriller to $8.6 million. The film's global cume is $68 million ahead of its release in Egypt on June 26, Lebanon and U.A.E. on June 27 and Romania on June 28.
It looks like G.I. Joe: Retaliation will hit the $250 million overseas mark after all. The action film could reach the number by next weekend if it can hold well in Japan, where it has already grossed $7.9 million in three weeks. The film's global total is $371.6 million.
Monday Update #2: This weekend's overall box office came in at $240.35 million. That easily set a new record for the largest overall June weekend of all time without adjusting for ticket price inflation. The previous record of $210.0 million was set during the weekend of June 29 to July 1 of last year. It should be noted that as of now, this weekend's overall take didn't quite claim the record when adjusting for ticket price inflation. That record is still held by the weekend of June 4 to June 6, 2004 with an inflation adjusted figure of $240.7 million.
Monday Update #1: Weekend actuals for both Monsters University and World War Z came in slightly higher than Sunday's studio estimates. Monsters University grossed $82.43 million, while World War Z grossed $66.41 million. With the slightly stronger than expected Sunday, World War Z ended up claiming the sixth largest unadjusted June opening weekend of all-time (Monsters University ranks in fifth on that list).
Other weekend actuals included $41.29 million for Man of Steel, $13.29 million for This Is The End, $7.88 million for Now You See Me and $2.00 million for The Bling Ring.
Sunday Update: Based on weekend studio estimates, this weekend will be the largest overall June weekend of all time without adjusting for ticket price inflation. This weekend's top 20 films alone are estimated to take in a combined $235.5 million. The previous record of $210.0 million was set during the weekend of June 29 to July 1 of last year.
Disney's Monsters University led the way this weekend with an estimated debut of $82.0 million. The computer animated prequel from Pixar opened on the high end of pre-release expectations and registered the second largest debut ever for a Pixar film without adjusting for ticket price inflation (behind only 2010's Toy Story 3). The film's opening weekend performance represented the fifth largest unadjusted opening weekend on record for the month of June (behind only Man of Steel, Toy Story 3, 2009's Transformers: Revenge of the Fallen and 2004's Harry Potter and the Prisoner of Azkaban). In comparison to previous sequels from Pixar, Monsters University opened 24 percent stronger than the $66.14 million start of 2011's Cars 2 and 26 percent below the $110.31 million debut of Toy Story 3.
Monsters University grossed $30.51 million on Friday (which included $2.6 million from late night shows beginning at 8 p.m. on Thursday), fell a slim 5.5 percent on Saturday to take in $28.83 million and is estimated to decline 21 percent on Sunday to gross $22.67 million. That places the film's opening weekend to Friday ratio at 2.69 to 1, which is similar to the ratios of past Pixar films released during June. Monsters University received a strong A rating on CinemaScore. That is a good sign for the film going forward, though it remains to be seen just how well the film will be able to hold up against Universal's Despicable Me 2 when that enters the marketplace on Wednesday, July 3.
The audience breakdown for Monsters University skewed heavily towards moviegoers under 25 (60 percent) and towards female moviegoers (56 percent).
When taking into account its much lower expectations, Paramount's World War Z was arguably just as impressive this weekend with an estimated second place start of $66.0 million. Weeks of mixed buzz ultimately had no effect on World War Z, as the expensive Brad Pitt vehicle performed like a summer event film instead of a high profile horror film this weekend. And given the film's event film level cost, it was obviously important for World War Z to get off to a strong start. World War Z registered the eighth largest unadjusted opening weekend ever for the month of June and the largest unadjusted debut ever for Brad Pitt (his previous best being the $50.34 million start of 2005's Mr. and Mrs. Smith). World War Z opened 30 percent stronger than the $51.05 million start of last year's Prometheus and just 14.5 percent behind the $77.21 million debut of 2007's I Am Legend.
World War Z opened with $25.2 million on Friday (which included $3.6 million from late night shows beginning at 8 p.m. on Thursday), fell 10 percent on Saturday to take in $22.6 million (which represented a strong Saturday hold for a high-profile genre release) and is estimated to fall 19.5 percent on Sunday to take in $18.2 million. The film generated an estimated opening weekend to Friday ratio of 2.62 to 1, which is a good sign going forward given the film's genre. World War Z received a B+ rating on CinemaScore, which is also a good sign, as films with horror elements typically receive lower CinemaScore ratings in general.
The audience breakdown for World War Z skewed heavily towards moviegoers 25 and over (67 percent) and was essentially evenly split between genders (51 percent female and 49 percent male).
After dominating the box office last week, Warner's Man of Steel fell two spots to third this weekend with an estimated $41.22 million. That represented a sharp 65 percent decline from last weekend's record breaking debut, as the one-two punch of Monsters University and World War Z clearly hurt Man of Steel in a big way this weekend. This weekend's hold is also a sign of just how inflated last weekend's debut was thanks to the initial rush out of fans and the added boost from the Father's Day holiday. In comparison, last year's The Dark Knight Rises fell 61 percent in its second weekend to gross $62.10 million. Man of Steel took in $12.68 million on Friday, increased 29 percent on Saturday to gross $16.3 million and is estimated to fall 25 percent on Sunday to take in $12.24 million.
On the positive side of things, Man of Steel did cross the $200 million domestic mark this weekend and has grossed a $210.01 million to date. The film has already surpassed the $200.08 million total domestic gross of 2006's Superman Returns, though it should be noted that Superman Returns didn't have the advantage of higher priced 3D admissions that Man of Steel has. Man of Steel is currently running 27 percent behind the $287.11 million ten-day start of The Dark Knight Rises. After this weekend's poorer than expected hold, reaching the $300 million domestic mark is by no means a lock for Man of Steel, but the film can still reach the milestone if it stabilizes going forward (which is still very possible, especially with the Independence Day holiday in the horizon).
Both Sony's This Is the End and Lionsgate's Now You See Me held up very nicely this weekend, especially when taking into account the combined debuts of Monsters University and World War Z. This Is The End fell 37 percent from last weekend to place in fourth with an estimated $13.0 million, while Now You See Me was down only 29 percent to land in fifth with an estimated $7.87 million.
With a twelve-day start of $57.79 million, This Is The End is running 8 percent behind the $62.74 million twelve-day take of 2008's Pineapple Express. This Is The End will continue to quickly close that percentage gap now that it is has overtaken Pineapple Express in day to day comparisons. Meanwhile, Now You See Me continues to outpace expectations in a big way with a 24-day take of $94.45 million and is now just $5.55 million away from reaching the $100 million domestic mark. Both Now You See Me and This Is The End have been helped out in a big way by strong word of mouth.
On the heels of last weekend's very solid start in platform release, A24's The Bling Ring was unable to maintain its early momentum upon expanding into limited release this weekend. The Sofia Coppola directed film grossed an estimated $2.0 million to place in eleventh among all films. The Bling Ring earned a modest per-location average of $3,077 from 650 locations. The film's start was noticeably softer than the $4.86 million grossed by A24's Spring Breakers (with a per-location average of $4,401 from 1,104 locations) during its first weekend of major expansion back in March. The Bling Ring took in $0.715 million on Friday, fell 5.6 percent on Saturday to gross $0.675 million and is estimated to fall 9 percent on Sunday to gross $0.615 million.
A full list of this weekend's official studio estimates can be found here.
Saturday Update: The North American box office was on fire on Friday; in what is shaping up to be the largest overall June weekend of all time without adjusting for ticket price inflation.
Leading the way was Monsters University, which grossed an estimated $30.51 million on Friday according to Disney. It should be reminded that the opening day figure includes an estimated $2.6 million from late night shows that began at 8 p.m. on Thursday night. Compared to past Pixar sequels, the opening day performance for Monsters University was 19 percent stronger than the $25.72 million opening day of 2011's Cars 2 and 26 percent below the $41.15 million opening day of 2010's Toy Story 3. BoxOffice is currently projecting an opening weekend of $81.0 million for Monsters University, which would rank as the fifth largest June opening weekend of all-time without adjusting for ticket price inflation.
Paramount's World War Z was also off to a big start on Friday with an estimated second place take of $25.0 million. That figure includes an estimated $3.6 million from late night shows that began at 8 p.m. on Thursday night. The expensive Brad Pitt vehicle is on course to exceed expectations this weekend, as the mixed buzz in the lead-up up to the film's release ultimately had no effect on the film's opening day performance. The opening day take for World War Z was 16 percent stronger than the $21.47 million opening day take of last year's Prometheus. BoxOffice is projecting an opening weekend take of $62.0 million for World War Z.
After dominating the box office for the past week, Warner's Man of Steel fell to third with an estimated $12.7 million on Friday. Through Friday, the domestic total for the superhero franchise re-launch stands at $181.49 million. Man of Steel was down a sharp 71 percent from last Friday, as the one-two punch of Monsters University and World War Z clearly took a toll on the film. However, Man of Steel is likely to pick up the pace as the rest of the weekend continues. BoxOffice is projecting a third place take of $43.5 million. That would represent a 63 percent decline from last weekend; a bit sharper than the 61 percent last year's The Dark Knight Rises fell in its second weekend.
Sony's This Is The End placed in fourth with an estimated $4.1 million. The ensemble R-rated comedy was down 41 percent from last Friday. That represented a very healthy hold, especially given the collective start of Monsters University and World War Z. With a ten-day take of $48.89 million through Friday, This Is The End is running 13 percent behind the $56.13 million ten-day start of 2008's Pineapple Express and will continue to quickly make up ground in the overall comparison now that is has overtaken Pineapple Express in day to day comparisons. This Is The End is on pace to gross $12.8 million this weekend.
On the heels of last weekend's very solid start in platform release, A24's The Bling Ring was unable to maintain momentum upon expanding into limited release on Friday. The Sofia Coppola directed film grossed an estimated $682,074 for the day. That gave the film a daily per-location average of $1,049 from 650 locations. BoxOffice is projecting a weekend take of $1.75 million for The Bling Ring, which would be noticeably softer than the $4.86 million grossed by A24's Spring Breakers (with a per-location average of $4,401 from 1,104 locations) during its first weekend of major expansion back in March.
Friday Update: World War Z grossed $3.6 million on 2,600 screens from 8pm previews and midnight shows, according to Paramount. The film aired two spots during the Miami Heat's Game 7 victory during the NBA finals to promote this weekend's opening and audiences look to be responding. World War Z is looking at reaching the $22 million mark on Friday, its first full day of release in over 3,600 screens. Early projections indicate that the epic zombie movie could hit as high as $57 million in its opening weekend.
It's a healthy start for the zombie invasion. The opening day's take is significantly higher than the Oblivion debut, which managed to net $13.2 million on its way to a $37 million dollar opening weekend. The Tom Cruise sci-fi vehicle never took off the ground in North America, failing to secure $100 million in its theatrical release. Oblivion stalled its overseas momentum with a tepid $88.8 million showing in North America. The early estimates indicate that the Brad Pitt thriller won't be suffering as much in release as it did during its tumultuous production.
Monsters University began its weekend with a $2.6 million head start from Thursday shows. Pixar's latest is looking to gross between $32 and $33 million on Friday. The strong start suggests Monsters University could finish the weekend with $80 million in the bank. The early numbers point to a marked improvement above Brave, which premiered in the same weekend last year. Brave took in $24.6 million during its opening day and finished off the weekend by netting $66.3 million. Brave ended its domestic run in north America with $237.3 million.
Man of Steel had to compete against the NBA finals all week and will have to put up a fight against the new releases from Disney and Paramount in order to keep its North American momentum. Early reports suggest that Man of Steel is bound to drop 55% from the previous weekend, taking in around $53 million in its first hold-over performance.
Paramount's World War Z took over 30% of the overseas market after opening across 3,470 screens in 25 territories. The zombie thriller took in $45.8 million from its opening weekend overseas as it plans a major expansion over next couple of weeks.
The film got off to a hot start midweek after Paramount reported promising early numbers for the film's day-and-date global premiere. World War Z took in $3.6 million from North America and added $5.7 million from its first round of overseas markets on its debut, posting a $9.3M worldwide gross for its opening day.
South Korea opened to a robust $1.5 million single-day gross, anticipating a strong showing throughout the weekend. The opening day numbers for World War Z in South Korea are higher than those of Man of Steel ($1.1M), Inception ($941k), and Rise of the Planet of the Apes ($739k).
Australia performed similarly well, posting $1.1 million for the film's opening day. It was a better opening than Inception ($1.1M) and Rise of the Planet of the Apes ($712k). Australia is the only major overseas market where World War Z will be virtually unopposed this weekend, with Man of Steel on deck to premiere on June 27.
World War Z more than doubled the opening day gross of Man of Steel in Argentina, opening on a midweek holiday for $710k. It is the third highest Thursday opening of all time in the territory.
The Brad Pitt passion project will open in the United Kingdom on Friday, June 21. Other markets where World War Z will debut day-and-date with North America include: Argentina, Taiwan, New Zealand, Indonesia, Philippines, Hong Kong, Singapore, Malaysia, Thailand, India, Turkey, Portugal, United Arab Emirates, Lebanon, Romania, and Vietnam.
Get ready for a huge weekend at the global box office: three of the summer's biggest films will be opening across different territories this weekend. Disney, Warner Brothers, and Paramount will split up the overseas market for the premieres of World War Z and Monsters University, along with a major global expansion for Man of Steel.
The main story heading in is Man of Steel's expansion to 24 additional overseas markets, including major players like France, Germany, Italy, Russia, China, and Spain. Man of Steel grossed $73.3 million from 25 overseas markets in its day-and-date release with North America. A $128.7 million weekend from North America helped boost the film for a global opening above the $200 million mark.
The top overseas markets for the Superman reboot last weekend include the United Kingdom's $17.4 million debut, Mexico's $9.6 million take, and an $8.6 million tally from South Korea. The rest of the money came in from smaller markets, with Man of Steel performing exceptionally well in the Philippines ($5.8M), Indonesia ($3.6M), India ($3.5M), Malaysia ($3.2M), and the United Arab Emirates ($2M).
Man of Steel should take care of its upcoming European territories easily this weekend. The big question, as it has been over the past couple of years, is how the film will fare in China. The first signs of a possible headline-grabbing gross for Superman's latest adventure surfaced after reports that Man of Steel bumped the release date of Fast & Furious 6 in China. Director Zack Snyder and star Henry Cavill attended last night's Man of Steel Chinese premiere at the Shanghai International Film Festival. A focus on China can make a big difference for a tent-pole, as is the case with the current success of Star Trek Into Darkness in China. Star Trek has grossed $52.89 million after 20 days in China, according to statistics provided by EntGroup. The box office numbers coming in from China are responsible for around 25% of the cumulative overseas gross of Star Trek Into Darkness.
Man of Steel is the only Hollywood film scheduled for release in China for the rest of the month. The current number #1 film at the Chinese box office is Switch, a poorly-reviewed domestic action thriller that was recently bashed by the Wall Street Journal as one of the worst Chinese blockbusters ever made. The stage is set for Superman to sweep Chinese audiences off their feet. This weekend brings the most significant expansion in Man of Steel's overseas release and the results will indicate the scope of the film's success. Upcoming releases in Australia (June 27), Brazil (July 12) and Japan (August 30) will ultimately help pad the film's global total.
Paramount's World War Z will have a more difficult time finding its feet overseas. The Brad Pitt vehicle will follow up Man of Steel's big weekend in South Korea and the majority of the smaller Asian markets. The United Kingdom brings a similar situation for the thriller, forcing World War Z to bump down Man of Steel's sophomore frame in the U.K. in order to make a significant dent in the market. A report from The Wrap earlier this month indicates that Chinese censors have turned down the film. World War Z will therefore be looking at Australia for as close to a guarantee as it can ask for. The packed release calendar will likely force World War Z to hold-over at a steady pace in its overseas release.
World War Z is technically a zombie movie but it hasn't been marketed that way. A closer point of comparison for the thriller is I am Legend, the post-apocalyptic Will Smith vehicle. I am Legend grossed $328.9 million overseas for a $585.3 million global cume. World War Z will be considered a success if it can get anywhere near that figure, but even that bar seems to be raised too high for the middling expectations surrounding Brad Pitt's passion project.
Monsters University will open day-and-date with North America in over 35 territories, including top markets like Germany, Australia, Russia, Mexico, Spain, and Brazil. The Disney/Pixar film will aim for family audiences as an alternative to Zach Snyder's darker take on the Superman franchise and World War Z's epic zombie invasion. Look for a big push from Latin America this weekend, as the region has become a welcoming home for early overseas releases of animated films.
The two other animated success stories of 2013 have come from Dreamworks, with The Croods taking over the spring with a surprising overseas run of $397.2 million and a global cume of $580.1 million. Epic has performed more modestly since its release earlier this summer, taking in $121.6 million overseas and posting a $219.3 million global total. Monsters, Inc. took in $269.4 million from its original overseas run to take its global total to $559.2 million. Last year's 3D re-issue of the same film brought in an overseas total of $15.7 million for a global cume of $49.7 million. That sets the expectations for Monsters University to at least reach the $500 million global mark.
This weekend's packed release calendar is sure to bring many surprises around the world. Check back with us throughout the weekend for live updates and the latest figures on the global box office.