The Great Gatsby was the number one film in Japan last weekend, taking an opening gross of $1.7 million from 571 screens. The film was closely followed by G.I. Joe: Retaliation; the action film dropped 31% in its second weekend to gross $1.4 million and reach a $6 million cume. Japan is the last major territory for the G.I. Joe sequel as it inches to a $250 million overseas total. It likely won't get htere, however, as the current overseas cume stands at $247.3 million. Oblivion hit an important milestone by breaking the $10 million mark in its third weekend. Olympus Has Fallen continued to underperform, dropping 34% in its sophomore frame to reach a disappointing $2.1 million total.
Box Office Results for Japan. Weekend of June 14-16, 2013
Another big weekend for The Hangover Part III in Germany saw the comedy take the top spot at the box office with a $2.6 million take. The Hangover III's German cume now stands at an impressive $25 million. It is going on a head-to-head race with the weekend's second-place film, Fast & Furious 6, which currently posts a $26.9 million weekend with an additional week of release under its belt. Fast & Furious 6 grossed $1.4 million over the weekend.
Four U.S. films premiered but none were able to break the $1 million mark in their debut. The Purge fared best in the group, posting a competitive $3,311 average across 264 screens. The Purge placed second in the per-screen average category, below first place hold-over The Hangover Part III. The Host came in fifth place with a $702k take from 347 locations. The Place Beyond the Pines placed on the bottom half of the table after a $610k opening weekend in 252 locations. Olympus Has Fallen fell flat in Germany, only managing to gross slightly above the half-million mark in 223 screens.
Star Trek Into Darkness has been a great hit in Germany and is on the verge of breaking the $20 million mark. It is only $65,000 shy from the milestone and should be able to achieve it by next week even if the film doesn't gross enough to stay in the top ten for the seventh consecutive occasion.
Box Office Results for Germany. Weekend of June 14-16, 2013
WEDNESDAY UPDATE: Iron Man 3 is Disney's fifth release to have ever reached the $400 million mark in North America. The superhero film reached the milestone on Tuesday, currently boasting a $400.4 million take in North America and a $803.9 million cume overseas. The $1.204B global total is enough to make Iron Man 3 the fifth most successful film of all time globally, surpassing Disney's Pirates of the Caribbean: on Stranger Tides. It ranks sixth among films with the highest gross outside of North America.
Iron Man 3 reached the $1 billion global mark in 23 days, becoming the fifth billion-dollar film in Disney's history. It is the second highest grossing film in the studio's history, behind The Avengers. Iron Man 3 has outgrossed The Avengers in China, Finland, Hong Kong, Korea, Russia, Poland, Switzerland, Thailand, and Ukraine. The film is the most successful film of all time in Malaysia and Vietnam.
SUNDAY REPORT: Warner Brothers is enjoying a great Fathers' Day weekend after three of its releases hit major milestones at the global box office. This weekend saw the Man of Steel premiere go day-and-date in 24 overseas markets and gross $196 million globally. The opening weekend take is nearly half of the $391 million global gross of Bryan Singer's Superman Returns.
Two other Warner Brothers films broke the $300 million global mark this weekend. The Hangover Part III reached a $201.8 million overseas cume after a $17.5 million weekend from 56 markets. The comedy is scoring big totals in several important markets that include the United Kingdom ($27.4M), Germany ($24.9M), Australia ($19.7M), Russia ($17M), Italy ($15.4M), Brazil ($13.4M), and France ($13M). The global total for The Hangover Part III currently stands at $309.7 million.
The Great Gatsby is the second WB release to have reached $300 million worldwide this weekend. The Baz Luhrman adaptation starring Leonardo Di Caprio grossed $9.9 million from 58 markets over the weekend to raise its overseas total to $160.3 million. The film opened #1 in Japan with $2.1 million. Top markets for The Great Gatsby include high totals from the United Kingdom ($22.4M), Australia ($18.5m), Russia ($16.7M), France ($13.9M), and Germany ($13.8M). The global total for The Great Gatsby is $300.2 million.
Star Trek Into Darkness also hit an important milestone over the weekend after soaring past the $400 million global mark. A $17 million weekend with openings in Brazil, Italy, and France had the sci-fi film cross $200 million overseas with big markets like Spain and Japan still on the horizon. Currently posting a $201.7 million overseas total, Star Trek Into Darkness has already outgrossed the lifetime overseas gross of its predecessor by 60%. Star Trek Into Darkness opened at #1 in France with $3.5 million, a promising start but still less than After Earth's debut from the previous week. The Star Trek sequel also opened atop the Italian box office, bringing in $1.5 million from 398 locations. The film is already 70% ahead of its predecessor's Brazilian cume after a splendid $3.1 million opening weekend in Brazil. The Brazilian gross is even more impressive, as the country's media coverage has largely focused on local protests and the country's Confederations Cup soccer tournament. Star Trek Into Darkness has a global total of $412.1 million.
Fast & Furious 6 became the highest grossing film in its franchise this weekend after reaching a $417.3 million overseas total and $636.9 million cume. It surpassed Fast Five's global record of $628 million. The action franchise still has three more territories left to open:Venezuela on June 21, Japan on July 6, and a yet-to-be confirmed China release on July 26.
The Internship took in $5.1 million from 19 markets. The box office woes have gone global for the Fox comedy starring Owen Wilson and Vince Vaughn, who were unable to place above third in Australia or Russia, its first pair of major markets. The comedy took in $2.2 million in Australia and $1.4 million from Russia. The grosses aren't a disappointment by any means, but do cast doubt on the chances a global run could help overcome the film's lackluster North American performance. The Internship will open in Sweden and Poland next weekend with 12 additional markets to follow during the last week of June.
After Earth is showing strength despite an uncomfortable release window that has it facing premieres from Man of Steel and Star Trek Into Darkness. The film took the top spot in Belgium and the Netherlands, beating Star Trek's opening weekend gross in both countries. A $2 million hold-over weekend in France took its French total to $6.7 million following this weekend's premiere of Star Trek Into Darkness. The Star Trek sequel beat After Earth in France this weekend but was unable to match After Earth's $4 million debut frame, according to our source at Sony. After Earth went head to head with The Internship in Australia and lost, taking in $1.9 million in its Australian debut. A Scandinavian release saw the film open in #1 in Norway and Finland as well as taking the top spot in Sweden for the second consecutive week. Man of Steel bumped the Smith father-son picture to second place in Mexico with a $2.6 million weekend and $10 million territory cume. After Earth also faced off against Superman in the U.K. with similar results, taking in $1.8 million in second place for a $7.3 million U.K. total. Other top markets for After Earth in its second weekend include Russia ($2.6M Weekend / $14.7M Total), Germany ($1.2M Weekend / $3.5M Total), and Brazil ($1.1M Weekend / $4.3M Total). The sci-fi adventure has grossed a much needed $91.1 million overseas to take its global cume to $145.3 million.
An $8 million dollar weekend abroad helped Epic reach a $119 million overseas total. The tally includes a #1 opening in South Africa and strong hold-overs from the United Kingdom ($1.2M Weekend / $18.8M Total) and Russia ($1M Weekend / $14M Total). The film outperformed its previous weekend in the U.K. by 23% in its fourth week in release. Epic has grossed $214.5 million worldwide. The animated film will open in Australia on June 27.
The Purge reached a $6.7 million overseas total from seven territories, taking its early global tally to $58.54 million. The slow overseas release of the Ethan Hawke thriller continued this weekend with openings in Germany, Russia, Austria, German-Switzerland, and Serbia/Montenegro. The film failed to gain as much traction as it had in its North American debut, coming in on fourth place in Germany with $1 million from 264 screens. It fared worse in Russia with a seventh place finish after grossing $540k from 350 locations. The Purge opens in Egypt on June 26, Lebanon and the U.A.E. on June 27, and Romania on June 28.
Oblivion looks like it might get to $200 million overseas after all. Another great performance in Japan ($1.1 million in its third weekend) helped the Tom Cruise sci-fi film reach $194 million oversea. The North American $88.8 million cume has stalled the film's global total at $282.8 million.
G.I. Joe: Retaliation is winding down its overseas run with a good streak in Japan. The film grossed $1.3 million in its second weekend in the country, taking its overseas cume to $247.3 million. The global total for the action film is $369.4 million.
Monday Update #2: In general, most wide releases increased over Sunday's weekend estimates thanks in part to strong Father's Day business. Man of Steel experienced the most noteworthy increase, as the weekend actual for the film was $116.62 million. The gross to date for Man of Steel stands at $128.68 million.
This Is the End grossed $20.72 million, which brings the film's five-day start to $33.03 million. Other weekend actuals included $11.02 million for Now You See Me, $9.58 million for Fast & Furious 6 and $8.32 million for The Purge.
Monday Update #1: Thanks to an especially strong Sunday hold helped out by the Father's Day holiday, Warner Bros. has revised its weekend estimate for Man of Steel to $116.725 million. That brings the overall domestic start for the film to $128.725 million. The film's Sunday take of $36.325 million was essentially unchanged from Saturday's $36.35 million performance. The official weekend actual gross for Man of Steel will be released later today.
Sunday Update: Warner Bros. is estimating that Man of Steel will gross $113.08 million this weekend. That figure doesn't include the estimated $12 million the film grossed from Thursday night 7 p.m. shows from the corporate group sale screening program with Walmart, as Warner Bros. is officially reporting those grosses separate from the film's opening weekend performance. When including those grosses, Man of Steel is off to a $125.08 million start. With or without the $12 million, Man of Steel established a new unadjusted opening weekend record for the month of June, as it topped the $110.31 million opening weekend take of previous record holder Toy Story 3.
The opening weekend take of Man of Steel was the second largest of 2013 thus far (behind only the $174.14 million start of Iron Man 3). Of great importance for Warner Bros. is that the start of Man of Steel represents a vast improvement over the start of 2006's Superman Returns, which had a far more modest opening weekend take of $52.54 million and a five-day start of $84.59 million (that film opened on a Wednesday).
Without the $12 million from corporate screenings, Man of Steel grossed $44.05 million on Friday. The film fell a very reasonable 17.5 percent on Saturday to gross $36.33 million (which was up an impressive 4 percent from Friday when factoring out midnight grosses) and is estimated to fall a slim 10 percent on Sunday (with aid from the Father's Day holiday) to gross $32.7 million. The estimated opening weekend to Friday ratio for Man of Steel stands at 2.57 to 1.
In addition to a strong marketing campaign, there is no doubt that the involvement of Christopher Nolan with the film as a writer and producer helped build up excitement for Man of Steel. The film was also helped out by grosses from IMAX and 3D engagements; IMAX grosses were an estimated $13.3 million this weekend, while 41 percent of the film's overall grosses came from 3D shows. Man of Steel received an A- rating on CinemaScore, which is an encouraging early sign as the film goes forward in its run.
Sony's This Is The End claimed second place this weekend with an estimated $20.5 million. The ensemble R-rated comedy has now grossed $32.81 million in its first five days of release. This Is The End opened in line with the lower end of expectations and was off to a very solid start when taking into account its modest price tag for a high profile summer release. In comparison, 2008's Pineapple Express grossed $23.25 million during its opening weekend and $41.32 million in its first five days of release.
While This Is The End is currently running 21 percent behind the five-day start of Pineapple Express, it is displaying stronger holding power in its initial days of release, as its five-day to opening weekend ratio of 1.60 to 1 came in notably below the 1.78 to 1 ratio of This Is The End. That is an encouraging sign for the film going forward, as is the film's B+ rating on CinemaScore. With that said, generating truly exceptional holding power may be easier said than done given the amount of high profile releases that will continue to enter the marketplace over the next few weeks now that the summer season is into full gear.
This Is The End grossed $6.85 million on Friday, increased 9 percent on Saturday to gross $7.45 million and is estimated to fall 17 percent on Sunday to take in $6.2 million. The audience breakdown for the film skewed towards male moviegoers (60 percent) and slightly towards moviegoers over 25 (52 percent).
With Man of Steel dominating the marketplace this weekend, it came as no surprise that holdovers in general took significant hits (and that is with Father's Day boosting grosses in general on Sunday). The weekend's most impressive holdover among wide releases, both in ranking and percentage decline was Lionsgate's Now You See Me. The crowd pleasing ensemble thriller placed in third with an estimated $10.3 million. That was down 46 percent from last weekend and brings the 17-day total for Now You See Me to $80.01 million. The surprise hit of early summer is now $19.99 million away from reaching the $100 million domestic milestone.
Not holding up anywhere near as well this weekend was Universal's The Purge. After an exceptionally strong first place debut last weekend, the ultra-low budget sci-fi thriller was down four spots and a massive 76 percent this weekend to place in fifth with an estimated $8.2 million. That placed The Purge behind fellow Universal release Fast & Furious 6 in this weekend's rankings. Fast & Furious 6 fell 52 percent to gross an estimated $9.4 million. To date, Fast & Furious 6 has grossed $219.57 million in 24 days. Despite displaying very poor holding power so far, The Purge has still grossed a strong $51.84 million in ten days thanks largely to its opening weekend performance.
Fox's The Internship didn't hold up very well this weekend either. On the heels of last weekend's so-so start, the PG-13 rated comedy starring Owen Wilson and Vince Vaughn fell 60 percent and two spots this weekend to claim sixth with an estimated $7.0 million. In addition to having to deal with the rush out of moviegoers to Man of Steel, there is no doubt that The Internship has taken a direct hit from This Is The End since Wednesday. The ten-day start for The Internship stands at an underwhelming $30.95 million.
On the limited front, films had a tough time expanding in the shadow of Man of Steel. Sony Pictures Classics' Before Midnight took in an estimated $1.53 million this weekend from 897 locations. While that was up 190 percent over last weekend, the Richard Linklater directed film only managed a per-location average of $1,701 this weekend. Meanwhile, Roadside's Much Ado About Nothing grossed an estimated $162,580 from 23 locations. That gave the Joss Whedon directed film a per-location average of $7,069 for the frame, but was down 5 percent from last weekend's start in 5 locations.
A24's The Bling Ring fared significantly better this weekend with an estimated $210,001 debut from 5 locations in New York and Los Angeles. The Sofia Coppola directed film earned an impressive per-location average of $42,000. The Bling Ring will receive a major expansion on Friday.
Also off to a noteworthy platform start in New York and Los Angeles was RADiUS-TWC's 20 Feet from Stardom. The music documentary grossed an estimated $52,211 from 3 locations, giving it a healthy per-location average of $17,404.
A full list of this weekend's official studio estimates can be found here.
Saturday Update #2: Warner Bros. reports that Man of Steel grabbed an impressive $44.05 million on Friday, in addition to the film's $12 million Thursday night previews at 7pm. That gives the film a $56.05 million domestic start. Although it is unclear whether the studio will include the preview grosses in the final weekend tally, as of today, they are separating the grosses into two separate figures.
The $44.05 million figure gives Man of Steel the highest opening day ever for a reboot (surpassing The Amazing Spider-Man's $35 million take). By comparison, 2006's Superman Returns took three days to reach $48.4 million domestically. In all, Man of Steel is on a close pace to top the June opening weekend record (held by Toy Story 3's $110.3 million) with a projected $111 million three-day haul and $123 million total for the Thursday-Sunday period. The factor of NBA finals could work against the film on Sunday, however, Father's Day should counter that effect in addition to the film's positive word of mouth so far.
Sony's This Is the End continued to build its audience even in the shadow of Superman. The apocalyptic comedy grabbed another $6.85 million on Friday, bringing its 3-day cume to $19.15 million. While it trails the first three days of Pineapple Express ($26 million), This Is the End is quickly closing that gap as it proves to be less front-loaded as the benefactor of very healthy word of mouth. Its trajectory compares well to Tropic Thunder ($19.2 million in its first three days). BoxOffice is projecting a $21 million 3-day weekend for the comedy, bringing its 5-day total to $33.3 million by the end of Sunday.
Saturday Update #1: Man of Steel's official estimated gross has come in at $44.05 million for Friday and $12 million from Thursday evening's sneak previews for $56.05 million total in the bank so far. Weekend projections to come...
Friday Update #3: Revised numbers indicate that Man of Steel's haul from Friday-Sunday should end up north of $125 million. The superhero flick is definitely shattering the cautious expectations that Warner Bros. crafted before opening weekend. Man of Steel will have no problem topping the previous record holder for the best opening weekend in June: 2010's Toy Story 3 with $110.3 million.
This Is The End is certainly finding an audience even with Man of Steel dominating. The raunchy comedy could hit $25 million from Friday-Sunday, which would put its 5-day total at around $38 million.
Check back tomorrow morning for official studio estimates.
Friday Update #2: Sources tell BoxOffice that Man of Steel is on pace for at least $45 million on Friday. The final Friday figure will likely end up closer to $50 million, which means that Man of Steel's first weekend in North America could bring in $120 million or more.
WB clearly decided to hinder expectations by saying that the film would end up in the $90 million range this weekend. The recent announcement that a sequel is already moving forward shows that they knew they had a massive film on their hands. The global potential of Man of Steel is huge. Keep in mind that the much-maligned Superman Returns made nearly $400 million globally back in 2006. A true crowd-pleaser like Man of Steel could end up doubling that sum.
Man of Steel may become of the biggest examples of a critic-proof film in quite some time. The superhero flick currently has a mediocre 58% approval rating on RottenTomatoes.com. Audiences around the country are clearly shrugging off the critical consensus.
Friday Update: Warner Bros. reports that Man of Steel has already grossed $21 million. $9 million came from midnight shows and the other $12 million came from a Thursday corporate group sale screening program. WB partnered with Wal-Mart to sell tickets to early screenings on Thursday, and it cleared paid off in a huge way.
This is a very healthy start for the franchise reboot. While it's important to keep expectations in check, it's hard not to be bullish about Man of Steel's potential now. Earlier this summer, Iron Man 3 managed $15.6 million from Thursday evening/Friday midnight shows on its way to a $174 million opening weekend.
Thursday Update #2: Sony reports that This Is The End took in an impressive $7.8 million since screenings began on Tuesday evening. The studio estimates that This Is The End's tally could end up in the "low to mid 30s" by the end of the weekend.
Thursday Update: Early reports indicate that This Is The End made as much as $7 million on Wednesday from 3,055 locations. That number includes Tuesday evening and Wednesday midnight shows. Sony will release an official figure today.
This Is The End is clearly taking advantage of the limited time it has before Man of Steel hits multiplexes. The Warner Bros. superhero flick could end up hindering This Is The End once it rolls out in full force on Friday.
BoxOffice is forecasting a $40 million 5-day haul for This Is The End. Sony's comedy will succeed where Fox's The Internship failed last weekend.
Wednesday Update: Sony reports that This Is The End roped in a healthy $2.2 million from preview shows on Tuesday evening. That tops the $1.5 million haul that Now You See Me managed when it rolled out at 7 p.m. and 9 p.m. on Thursday, May 30.
Opening against Man of Steel will be a daunting task for This Is The End, but the market is wide open for a comedy right now following the underwhelming performance of The Internship last weekend.
Critics are actually quite supportive of This Is The End. The raunchy comedy boasts a healthy 79% approval rating on Rotten Tomatoes.