Despicable Me 2 is the second-highest grossing film of the year at the global box office. The Minions have taken over the world with an $805.8 million worldwide total. The overseas performance has contributed $455.1 million to that figure without the help of a Chinese release, making Despicable Me 2 the seventh most successful animated film of all time worldwide.
The film is the most profitable release in Universal's history and is only behind Jurassic Park's $921.6 million as the studio's biggest global earner. There are 8 more territories on the horizon for the Minions, including key markets like Italy, Japan, and South Korea.
Jurassic Park isn't directly threatened by the Minions' success. Steven Spielberg's modern classic is celebrating a big opening for its 3D re-release in China. Jurassic Park 3D has grossed $28.8 million in China over the last six days. Jurassic Park 3D has grossed $44.5 million worldwide and $89.5 million globally.
Fast 6 might have fallen behind the Minions' global numbers, but it is still leading them in terms of overseas box office. Fast 6 reached an overseas total of $548.1 million over the weekend and is reporting a $786.6 million global cume. The film finished its fifth week in China with a strong $65.9 million total.
Disney came into the weekend with high spirits after crossing the $2 billion mark in the overseas box office on August 22. This marks the fourth consecutive year that the studio hits the milestone and is the fastest year in which it has done so. Disney's Monsters University leads its current slate of theatrical releases with a $424.8 million overseas total and an $686 million global cume.
The weekend saw two successful new openings for the Pixar prequel. Monsters University stormed through China with a $13 million bow, the 4th largest opening for a Disney release in the market. Italy posted a first place performance with a $4.3 million debut. The last territory on the horizon for Monsters University is South Korea on September 12. Japan is the film's top market with a whopping $83.7 million total, nearly doubling second place United Kingdom's $42 million cume. The film has also performed well in Mexico ($38.2M), Argentina ($23.7M), Australia ($22.3M), and Russia ($20.9M).
Planes is hoping to fly into similar territory. The Disney film has grossed a total of $17.8 million from 18 overseas territories. The global total for Planes remains a modest $77.4 million with around 80% of the overseas market on tap for the coming weeks. Planes will open in Germany, Russia, Slovenia, Austria, Switzerland, Iceland and Venezuela next weekend.
The Lone Ranger reached a $230 million global total after a first place opening in Spain added $2.6 million to its overseas tally. The overseas cume for the troubled Johnny Depp film is $142.4 million. The film will need a massive performance from China on October 6 to mitigate the box office damage inflicted by a disappointing summer run.
The Wolverine became the highest grossing entry in the X-Men franchise overseas after reaching a $227.5 million total, dethroning the $225 million record from X-Men: The Last Stand. The Wolverine has grossed $352.2 million worldwide. Three markets are left on the schedule, including Japan on September 13.
The Conjuring posted the biggest opening of all time for a horror film in Mexico with a $4.8 million first place bow. The low budget horror flick went on to gross $2.4 million from its French premiere and $1.9 million in its Italian debut. The new markets helped the film reach an $88.4 million overseas tally and $220.1 million global total. The top markets for The Conjuring are the U.K. ($14.3M), Russia ($9.8M), Australia ($7.7M), and Spain ($7.2M). The film will likely top the $100 million overseas mark in September with upcoming releases in Brazil (September 13) and South Korea (September 17).
Elysium opened #1 in the U.K. with a solid $4.8 million, helping Neill Blomkamp's latest sci-fi flick to reach a $70 million overseas total. Elysium is currently posting a $139 million global cume. The film posted strong holds in France ($2.5M Weekend / $7.9M Cume), Germany ($1.9M Weekend / $6.3M Cume), and Australia ($1.9M Weekend / $6.3M Cume).
A $2.3 million bow saw We're the Millers finish in second place behind Elysium in the United Kingdom. The adult-themed family comedy has grossed $23 million from 19 markets overseas. Russia is still the film's hottest market with an $11.4 million cume. We're the Millers has grossed $114.7 million worldwide and will open in Germany next weekend.
Pacific Rim fell shy of the $300 million overseas mark despite overtaking Mission: Impossible 4 - Ghost Protocol to become the 5th highest MPA release of all time in China with a $106.6 million Chinese cume. Pacific Rim has now earned $397.2 million worldwide. Top markets outside of China include Russia ($20.5M), South Korea $18M), and Mexico (15.9M).
World War Z culminated its overseas roll-out this weekend after an $880k debut in Venezuela. The thriller has performed well above the grim expectations that resulted from its troubled production. A $526.5 million global total will have its producers exhaling a sigh of relief and can open talks for a possible sequel with a tighter budget. The international scope and storyline of the film has connected with overseas audiences, where the Brad Pitt zombie flick has collected $327.7 million. A $14.1 million cume in Spain will likely be enough to make it the year's top grossing live-action film in the market.
Percy Jackson: Sea of Monsters reached a $62.6 million overseas cume with the help of a $4.9 million opening in Russia. The film held on to the top spot in France ($2.6M Weekend / $7.6M Cume) and Brazil ($2M Weekend / $7M Cume). The Percy Jackson sequel has grossed $110.9 million worldwide.
The World's End had already recorded $16 million from the overseas release box office before this weekend's $9.5 million North American bow. The $25.5 million global total is a solid start for director Edgar Wright's latest film as it eyes additional releases around the world. The World's End will premiere in France next weekend.
The Smurfs 2 is struggling to match the success of the original. The sequel has grossed a total of $234.9 million worldwide, under half of the original's $563 million global cume. The overseas box office is still keeping the film relevant with a $172.3 million total.
A #1 opening in Japan of $4.3 million lifted the overseas total of Star Trek Into Darkness to $231.3 million, passing the $227.3 million that the sci-fi sequel has grossed in North America. Star Trek Into Darkness has grossed a total of $458.6 million worldwide.
Grown Ups 2 has its sights set on surpassing the $271.4 million global total of the original, but it will need a big boost in the coming weeks to go anywhere near that figure. The ensemble comedy's sequel has taken in a total of $57.4 million overseas and is reporting an $186.3 million worldwide cume.
Despicable Me 2 is the second-highest grossing film of the year at the global box office. Universal announced today that the Minions sequel crossed the $800 million mark at the global box office, reaching a worldwide cume of $801.3 million after Friday's results. Despicable Me 2 has grossed $349.9 million in North America and $451.1 million at the overseas box office. It is the highest grossing animated release of the year and ranks seventh of all time in the same category as far global numbers are concerned. Perhaps the highest accolade for the sequel is its current standing as the most profitable film in Universal's history.
Despicable Me 2 is already the biggest film of the year in the U.K. and Mexico. The Minions still have some distance to go in order to overtake Jurassic Park's $921.6 million to become the highest grossing film of all time for Universal.
Disney is preparing to celebrate its biggest year at the overseas box office after hitting the $2 billion mark yesterday. This is the fastest Disney has reached the milestone, which it has already hit over four consecutive years. Disney plans on adding a lot more to that figure with an expansions on films like Planes, and the roll-out of Thor: The Dark World and Frozen still on the horizon for this.
Sunday Update: Thanks in part to strong word of mouth, Lee Daniels' The Butler had no problem outpacing this weekend's lackluster wide releases to remain in first place. The awards season hopeful from The Weinstein Company starring Forest Whitaker and Oprah Winfrey grossed an estimated $17.02 million, which was down a very healthy 31 percent from last weekend. The Butler has grossed a strong $52.27 million through ten days of release. That places the film a slim 3 percent behind the $53.75 million ten-day start of 42 earlier this year (which fell 36 percent to gross $17.72 million in its second weekend of release). With the Labor Day holiday weekend around the corner, The Butler is set to move ahead of the pace of 42 come next weekend.
Also holding up very well this weekend was Warner's We're the Millers. The break-out comedy starring Jennifer Aniston and Jason Sudeikis was down only 25 percent from last weekend to remain in second place with an estimated $13.5 million. We're the Millers has grossed an impressive $91.74 million through 19 days of release, leaving it just $8.26 million away from reaching the $100 million mark. Thanks to even stronger holding power, We're the Millers is running 9 percent ahead of the $83.85 million 19-day take of 2008's Tropic Thunder. Like The Butler, We're the Millers should continue to hold up very well next weekend with aid from the Labor Day holiday frame.
This weekend's top wide release was Sony's The Mortal Instruments. However, the latest attempt at establishing a young adult franchise was arguably this weekend's most disappointing new wide release with an estimated third place take of $9.3 million. That places the five-day start for the Lily Collins led The Mortal Instruments at $14.05 million. On the heels of the disappointing performances of Beautiful Creatures and The Host earlier this year, audiences are once again indicating that they aren't ready for another potential young adult franchise at this point in time. The Mortal Instruments is running 22 percent ahead of the $11.49 million five-day start of Beautiful Creatures (which opened on a Thursday) and 24 percent behind the $18.57 million five-day start of 2010's Vampires Suck.
The Mortal Instruments did have a solid estimated opening weekend to Friday ratio of 2.98 to 1, though that ratio was obviously inflated from the Wednesday opening. The film's B+ CinemaScore rating was also solid. The audience breakdown for the film skewed heavily towards female moviegoers (68 percent) and a bit towards moviegoers over 21 (54 percent).
Focus' The World's End, the latest Edgar Wright directed comedy starring Simon Pegg and Nick Frost, debuted in fourth with an estimated $8.94 million. Of this weekend's new wide releases, The World's End came closest to opening in line with pre-release expectations. With a modest location count of 1,549, The World's End had a per-location average of $5,773, which represented the strongest per-location average of any film in wide release this weekend. Compared to previous films starring Pegg and Frost, The World's End opened 53 percent ahead of the $5.85 million start of 2007's Hot Fuzz (which opened in 825 locations) and 31 percent behind the $13.04 million debut of 2011's Paul (which opened in 2,802 locations).
The World's End was fairly front-loaded this weekend. After opening with $3.5 million on Friday, the film fell 11 percent on Saturday to take in $3.11 million and is estimated to fall 25 percent on Sunday to gross $2.33 million. That gives the film an estimated opening weekend to Friday ratio of 2.55 to 1. The film did earn an encouraging B+ rating on CinemaScore. The audience breakdown for The World's End skewed towards male moviegoers (58 percent) and towards moviegoers under 30 (54 percent).
You're Next debuted in seventh place with an estimated $7.05 million. Despite strong critical reviews and late August typically being a good time to unleash horror films at the box office, the low-budget Lionsgate release was unable to catch on with audiences this weekend and debuted below expectations. The film opened 17 percent below the $8.53 million start of 2011's Don't Be Afraid of the Dark. You're Next will hope that its strong reviews will help transfer into good holding power for its genre going forward, though a B- CinemaScore rating and an estimated opening weekend to Friday ratio of just 2.37 to 1 (after opening with $2.97 million on Friday) aren't strong early signs for the film.
Sony Pictures Classics' Blue Jasmine had a solid expansion this weekend with an estimated take of $4.3 million. Playing in 1,283 locations this weekend; The Woody Allen directed film starring Cate Blanchett earned a per-location average of $3,352 for the frame. While Blue Jasmine couldn't match the $5.83 million 2011's Midnight in Paris grossed when it expanded to 944 locations, it did outpace the $3.11 million last year's To Rome with Love grossed when it expanded to 806 locations. The 31-day total for Blue Jasmine stands at $14.69 million.
Holdovers Planes and Elysium took fifth and sixth places respectively with estimated grosses of $8.57 million and $7.1 million. Disney's Planes was down 36 percent from last weekend, while Elysium fell 48 percent. Respective 17-day totals stand at $59.59 million for Planes and at $69.05 million for Elysium; with Planes having the more impressive domestic performance of the two when taking costs and expectations into account.
Full studio weekend estimates can be found here.
Saturday Update #2: The World's End grabbed $3.5 million in its debut yesterday. Although that marks a bit of a drop from the $4.5 million opening day ($1,595 per theater) of Paul back in 2011, The World's End opened in 45 percent fewer theaters. A more reasonable comparison is 2007's Hot Fuzz, which earned $2.1 million in its first day (a $2,567 average). BoxOffice is projecting a $9.5 million weekend opening in third place for The World's End. The film's 91 percent Rotten Tomatoes rating makes it one of the best reviewed movies of the summer, although, that may not be carrying over to audiences: The World's End carries a 79 percent Flixster score so far--already behind Shaun of the Dead and Hot Fuzz. However, that does leave it ahead of Paul's 62 percent for now.
The Mortal Instruments: City of Bones added $3.1 million in its third day of release on Friday. Following underwhelming numbers on Wednesday and Thursday, the latest in a string of young adult-driven adaptations to disappoint has taken in $7.85 million so far and is heading for a $9.2 million three-day frame. Although critics lauded the film, Flixster users have given the flick a 77 percent approval rating so far. However, that's down about 19 percent from its anticipation level prior to release.
You're Next was unable to capitalize on its own positive reviews (receiving an 80% rating from critics--strong for its genre). The latest home invasion thriller looted $2.97 million on Friday and is headed for a $7.8 million opening frame. The film's Flixster score is currently sitting at 73 percent, although it remains to be seen how much lower that will drop. By comparison, The Purge ended up with an audience rating of 37 percent since its breakout opening in June. Although the crowded market is a big factor, audiences appear to burnt out on horror/thriller pics for now.
Woody Allen's Blue Jasmine showed some strength in its wide expansion to 1,283 theaters this weekend. The pic earned $1.16 million on Friday to boost its cume to $11.66 million. Adult audiences are clearly ready for some decidedly non-summer films as we head into the fall season. Blue Jasmine should accumulate $4.2 million this weekend.
Saturday Update: Lee Daniels' The Butler will repeat in the top spot this weekend. The Weinstein Company's drama pulled $4.785 million on Friday (representing just a 43 percent drop from its opening day last week). That gives the drama a $40.04 million domestic haul in its first eight days. BoxOffice projects the film will rake in a strong $16.5 million for its sophomore weekend.
Warner Bros.' We're the Millers continues to impress with its holding power at the end of summer's box office season. The comedy eased just 26 percent from last Friday to $4.02 million yesterday. Millers has tallied $82.26 million to-date and is on pace for a $13.3 million third weekend in second place ahead of all newcomers.
Friday Update #2: Sources tell BoxOffice that Lee Daniels' The Butler will easily stay #1 during its sophomore frame by adding another $15 million to its haul. A $15 million take would put The Butler at a little over $50 million after two weekends.
It's shaping up to be a close race between The Mortal Instruments and The World's End. The Mortal Instruments is on pace for $11 million from Friday-Sunday, while The World's End is looking at $11.5 million.
You're Next is looking at an $8.5 million debut.
More coming later...
Friday Update: Lionsgate reports that You're Next managed a solid $485K from Thursday evening shows. That's not too far off from the $525K Thursday haul of Lionsgate's Warm Bodies, which posted a strong $20.3 million debut frame this past February.
Critics are being surprisingly kind to You're Next. The horror flick currently boasts an impressive 79% approval rating on RottenTomatoes. More than 12,000 Flixster users have combined to give You're Next a 75% approval rating.
Summer 2013 has already spawned two horror successes--The Purge and The Conjuring--so there doesn't look to be room for a third, but You're Next should still manage a respectable debut.
Thursday Update: Sony reports that The Mortal Instruments: City of Bones will finish in first place on Wednesday with $3 million, but BoxOffice.com predicts that it won't be strong enough to topple Lee Daniels' The Butler this coming weekend. The teen-skewing flick is failing to tap into the same fervor that turned the Twilight franchise into a massive global phenomenon.
Critics are having fun ripping The Mortal Instruments apart, giving it a mediocre 17% approval rating on RottenTomatoes.com. The drama is performing much better on Flixster where it boasts a solid 81% approval rating from more than 19,000 users.
Two other 2013 releases--Beautiful Creatures and The Host--also tried and failed to become "the new Twilight." Beautiful Creatures made $2.5 million on its first day of domestic release this past February en route to a global theatrical haul of only $59 million. The Host, an adaptation of another novel by Twilight author Stephenie Meyer, manged $5.3 million in North America on opening day in March. Open Road's sci-fi romance finished with $63 million globally. It looks the combination of supernatural elements and young love has run its course for the time being.
Check back later for more updates...
Get ready to watch the Internet explode.
In a controversial move, Warner Bros. has set Ben Affleck to star as Batman in the Man of Steel sequel.
Affleck was long rumored as a contender to direct a Justice League movie, but the decision to put him in the Caped Crusader role comes as a shock. Many fans hoped that WB would find a way to bring back Christian Bale. That hope is now gone.
The official release from WB:
BURBANK, CA, August 22, 2013 - Ending weeks of speculation, Ben Affleck has been set to star as Batman, a.k.a. Bruce Wayne. Affleck and filmmaker Zack Snyder will create an entirely new incarnation of the character in Snyder's as-yet-untitled project-bringing Batman and Superman together for the first time on the big screen and continuing the director's vision of their universe, which he established in "Man of Steel." The announcement was made today by Greg Silverman, President, Creative Development and Worldwide Production, and Sue Kroll, President, Worldwide Marketing and International Distribution, Warner Bros. Pictures.
The studio has slated the film to open worldwide on July 17, 2015.
Last month's surprise announcement of the new movie featuring both Superman and Batman created a wave of excitement and immediately fueled discussion and debate-among fans as well as in the media-about who would put on the cape and cowl of Bruce Wayne's alter ego.
Snyder successfully re-imagined the origin of Clark Kent/Superman in the worldwide blockbuster "Man of Steel," which has earned more than $650 million worldwide to date, and climbing. The director will now create an original vision of Batman and his world for the film that brings the two DC Comics icons together.
Affleck will star opposite Henry Cavill, who will reprise the role of Superman/Clark Kent. The film will also reunite "Man of Steel" stars Amy Adams, Laurence Fishburne and Diane Lane.
In the announcement, Silverman stated, "We knew we needed an extraordinary actor to take on one of DC Comics' most enduringly popular Super Heroes, and Ben Affleck certainly fits that bill, and then some. His outstanding career is a testament to his talent and we know he and Zack will bring new dimension to the duality of this character."
Snyder also expressed his excitement about the casting of Affleck, noting, "Ben provides an interesting counter-balance to Henry's Superman. He has the acting chops to create a layered portrayal of a man who is older and wiser than Clark Kent and bears the scars of a seasoned crime fighter, but retain the charm that the world sees in billionaire Bruce Wayne. I can't wait to work with him."
Kroll added, "We are so thrilled that Ben is continuing Warner Bros.' remarkable legacy with the character of Batman. He is a tremendously gifted actor who will make this role his own in this already much-anticipated pairing of these two beloved heroes."
Affleck recently starred in the Academy Award®-winning Best Picture "Argo," which he also directed and produced, earning acclaim and a BAFTA Award nomination for his performance in the film, as well as a number of directing honors. In 2010, he starred in and directed the hit crime thriller "The Town." His recent acting work also includes "The Company Men," "State of Play," and "Hollywoodland," for which he received a Golden Globe nomination for Best Actor. Earlier in his career, Affleck starred in and co-wrote (with Matt Damon) "Good Will Hunting," for which he won an Oscar® for Best Original Screenplay.
The new Super Hero film is being scripted by David S. Goyer from a story he co-created with Zack Snyder. Charles Roven and Deborah Snyder are producing, with Benjamin Melniker, Michael E. Uslan and Wesley Coller serving as executive producers.
Production is expected to begin in 2014.
The film is based on Superman characters created by Jerry Siegel & Joe Shuster, and Batman characters created by Bob Kane, published by DC Entertainment.