Frozen is now the highest grossing animated film of all time with a $1.0274 billion worldwide total. The Disney film reached the summit after taking $398.4 million from North America and $674 million overseas. Frozen is Walt Disney Studio’s seventh billion-dollar release in the studio’s history and the first billion-dollar film for Walt Disney Animation Studios.
Frozen made headlines after taking the biggest Thanksgiving debut of all time in North America ($93.6M five-day, $67.4M three-day) before going on to finish in the top ten domestically for 16 consecutive weekends, the longest run by any film since 2002, on its way to winning the Best Animated Feature Oscar.
Frozen is the biggest Disney or Pixar animated film of all time in 27 territories, including Russia, China, and Brazil. A record breaking $77.1 million run in South Korea has made it the is the biggest animated film, the second biggest non-local film, and Disney’s biggest release of all time in the market. Frozen is also the highest-grossing animated film of all time in Denmark and Venezuela.
Captain America: The Winter Soldier rolled out in 32 territories ahead of its North American debut, claiming the global box office crown for the weekend with a massive $75.2 million bow. The opening figure is all the more impressive when considering the film has just opened in around 57% of the overseas market place, with key markets like Russia, China, Japan, Brazil and Australia still on the horizon. Top openings came in from South Korea ($10.9M), the United Kingdom ($10.7M), Mexico ($8.7M), and France ($6.4M).
The $75.2 million overseas debut is already 39% of the overseas theatrical total of the first Captain Americafilm. Disney reports “considerable daily increases” for the film across numerous markets, suggesting strong audience satisfaction and positive word of mouth.
South Korea’s $10.9 million bow is more than four times the original Captain America opening and is the third biggest ever Marvel weekend in the market. The United Kingdom enjoyed a $10.7 million opening, more than twice the opening figures for its predecessor in the market. The film posted an $8.7 million debut in Mexico, making it the #3 March/April weekend in the market’s history behind Marvel’s The Avengers and Iron Man 3.
Captain America: The Winter Soldier expands to North America, Russia, Australia, and China next weekend.
Noah packed in $33.6 million from 3,579 locations locations in 22 markets this weekend to reach an overseas cume of $51.1 million. The film’s $44 million debut in North America puts it at the cusp of reaching the $100 million mark worldwide with a $95.1 million total.
"We are absolutely thrilled with the continued strong performance internationally and look forward to sharing the excitement over the coming weeks with the rest of the world," said Anthony Marcoly, President of Paramount Pictures International, over email on Sunday. "Darren and team have delivered a fantastic film that audiences on every continent are turning up in volumes to see."
Russia welcomed Noah with the biggest opening of all time for a non sequel and the #4 opening of all time in the market with a $17.2 million debut. It marks Paramount’s biggest ever opening in the market. The film’s opening weekend numbers in Russia are 181% higher than Inception and 165% above Gravity in the same market.
Australia took a $4.3 million debut from 262 cinemas, 32% ahead of Gravity’s opening weekend results. The film gathered $27.4 million from 20 new territories this weekend.
Mexico was the top hold-over with $3.4 million from 620 sites, down 40% from last weekend’s opening figures and bringing the local 10-day total up to $11.3 million. South Korea took $2.8 million from 578 cinemas in its second weekend, finishing its first hold in second place behind the opening of Captain America: The Winter Soldier. The total in South Korea is up to $12.4 million.
Noah expands to Germany, Brazil, Spain, and the United Kingdom on April 4. It will reach France on April 9, Italy on April 10, and will land in Japan on June 13.
By Daniel Garris
Lionsgate's Divergent led the way on Thursday with $3.07 million. The highly anticipated young adult adaptation starring Shailene Woodley was down 7 percent from Wednesday. Divergent was easily the week's top film with a very solid seven-day start of $68.76 million. The opening week performance of Divergent was 26 percent softer than the $93.36 million seven-day start of 2008's Twilight and 104 percent stronger than the $33.75 million seven-day take of last year's Ender's Game. With Paramount's Noah entering the marketplace, Divergent is widely expected to fall to second place this weekend.
Speaking of Noah, the Darren Aronofsky directed biblical epic starring Russell Crowe, was off to a solid late night start with an estimated $1.6 million from late night shows that began at 7 p.m. That was 33 percent stronger than the recent $1.2 million late night start of Fox's Son of God. It should be noted that late night shows for Son of God began at 10 p.m., though initial sales for that film were also greatly boosted by group pre-sales. As is commonplace, the early grosses for Noah will be counted towards Friday's performance. Check back throughout the weekend for further updates on the progress of Noah at the box office.
Turning back to Thursday, Muppets Most Wanted rounded out its first week of release with a second place take of $1.11 million. The latest Muppets film from Disney was down 4 percent from Wednesday. Muppets Most Wanted placed in second for the week with a softer than anticipated $21.84 million in its first seven days of release. The film opened a disappointing 50 percent below the $43.63 million seven-day start of 2011's The Muppets (which did have the advantage of opening the Wednesday before Thanksgiving).
Mr. Peabody & Sherman held steady in third place with $1.01 million. The 3D computer animated film from Fox and DreamWorks Animation fell 6 percent from Wednesday and was down a very slim 11 percent from last Thursday. Mr. Peabody & Sherman placed in third for the week with $16.11 million. That represented a 41 percent decline from the previous frame and brings the film's three-week total to a respectable $85.41 million.
God's Not Dead took in $0.897 million to continue to claim fourth place. The faith-based drama from Freestyle and Pure Flix was down 8 percent from Wednesday. It should be noted that wide releases in general took larger than usual hits on Thursday due in part to Noah entering the marketplace. God's Not Dead claimed fourth place for the week with $12.95 million. That was stronger than expected and places the film 15 percent ahead of the $11.29 million seven-day start of 2011's Courageous. God's Not Dead will be playing in 1,178 locations this weekend.
Fox Searchlight's The Grand Budapest Hotel continued its impressive run in limited release with a seventh place take of $0.597 million. The Wes Anderson directed film fell 13 percent from Wednesday and generated a strong per-location average of $1,964 for the day. The Grand Budapest Hotel grossed $9.42 million this week, which brings the film's three-week total to $15.63 million. The film will be playing in 977 locations this weekend.
Friday (3/28) Update: Paramount reports that Noah pulled a $2.75 million opening day in Russia yesterday. The studio notes that figure is significantly ahead of Gravity's $1.1 million first day take in the country.
So far, Noah has tallied $22 million in its early overseas rollout.
Thursday (3/27) Update: Paramount reports that Noah earned a strong $750,000 opening day in Australia on Wednesday. That's about 20 percent ahead of Gravity's $615,000 first day take in the country.
Thus far, Noah has earned $18.5 million from its early overseas debut in Korea, Mexico, and Australia combined. Korea accounts for $10 million after 7 days, while Mexico has generated $7.5 million in 6 days.
Meanwhile, Noah will open in Russia today and 18 more markets this weekend.
Sunday (3/23) Update: Need for Speed added $29.2 million from 55 overseas countries. Its performance in China was off just 47 percent from last week, giving it $41.7 million to-date from that country alone. Russia posted a 49 percent decline, giving the film a $10.6 million total there, while Germany gave Speed a #1 opening with $3 million. The film's overseas total is now $96.1 million, giving it $36.98 million globally.
Warner Bros.' 300: Rise of an Empire posted another $21 million overseas this weekend from 63 markets. Its global cume is now $289.2 million, with $195.4 million coming internationally. The studio notes the following single-market performances:
Brazil - R$5.4m (US$2.3m) from 681 screens, ranking #1 for the 3rd consecutive w/e (ahead of local opener SOS MULHERES AO MAR)! The cume to date is R$34.1m (US$14.5m).
France - €1.3m (US$1.8m) with 171k admissions from 440 screens, bringing the cume to date to €9.8m (US$13.6m).
Germany - €1.2m (US$1.7m) from 597 screens. The cume is €8.4m (US$11.6m).
UK - £765k (US$1.3m) from 685 screens. Cume is now £6.8m (US$11.4m).
Russia - Rbl 42m (US$1.2m) from 856 screens. The progressive tally is Rbl. 607.1m (US$16.6m).
Mexico - Ps. 15.7m (US$1.2m) from 1,055 screens. The cume is now Ps. 177.7m (US$13.4m).
Key market cumes (in US$):
Russia - $16.6m
Brazil - $14.5m
France - $13.6m
Mexico - $13.4m
Korea - $12.1m
Germany - $11.6m
UK - $11.4m
Spain - $7.7m
Italy - $7.5m.
Australia - $6.6m
Paramount reports that Darren Aronofsky's Noah opened to a strong $14 million this weekend from 1,585 screens in Mexico and Korea combined. The studio notes that the opening is 7 percent ahead of Gravity, 35 percent ahead of Inception, 55 percent ahead of Skyfall, and 84 percent ahead of Life of Pi in the comparable territories. Noah grabbed $5.7 million for a first place debut in Mexico, and $8.3 million--more than the top 10 combined--at first place in Korea.
Fox's Mr. Peabody & Sherman added $11.4 million this weekend, giving it an overseas total over $100 million now. Meanwhile, Fox reports that Rio 2 debuted in Russia and Ukraine with $10.4 million.
The Grand Budapest Hotel added a big $9.55 million, including $2 million from the UK and $1.2 million from Russia. Overseas total is now $33.1 million. Global total is $46.1 million.
Frozen's worldwide tally reached $1.05 billion with an additional $9 million coming from 22 territories internationally this weekend. Its overseas cume is now $652 million. In Japan, this weekend was up 7 percent from last with $8 million for a repeat at #1 in that country.
Universal reports that Ocho Apellidos Vascos (Spanish Affairs) claimed the top spot in Spain for a second weekend with $6.3 million. With a 51 percent market share, the romantic comedy's total through 10 days is $12.6 million.
Monuments Men grossed $5.4 million overseas, bringing its total to $62.5 million. Global cume is now $138.2 million.
WB's The LEGO Movie added $4.5 million overseas from 54 markets this weekend, giving it a $147.6 million total to-date. The animation's global cume is $391 million. The studios notes the following:
Key market cumes (US$):
UK - $51.3m
France - $12.0m
Mexico - $9.9m
Spain - $6.7m
Russia - $6.1m
Brazil - $5.6m
Italy - $4.7m
The Secret Life of Walter Mitty opened in Japan to $3.3 million this weekend, bringing the overseas haul to $124 million. Global cume is now
Disney's Muppets Most Wanted earned $1.5 million internationally from 8 territories this weekend with Mexico accounting for the lion's share at $0.9 million. Poland brought in $0.2 million. Muppets' global total thus far is $18 million.
Ride Along pulled $1.5 million from 600 dates in 12 territories this weekend, bringing the film's international total up to $13.3 million for a global cume of $146.4 million. Universal highlights the following notes of interest for Ride Along:
· Australia had a very good opening with an estimated gross of $821k at 131 dates. It is the best new opening of the weekend and has the best screen average in the market. It placed No. 4 and is very close behind No. 2 and 3.
· The film also opened in Hungary and results will be available on Monday.
· The U.K. and Ireland had another good holdover. It placed No. 10 with $460k (£260k) at 250 dates for a 24-day total of $6.7M (£4M).
Meanwhile, Devil's Due grossed just under $1 million from opening in six smaller markets. Overseas total is now $15.8 million.