nec.pngNEC Customers in Film, Television and Broadcast Industries Benefit from Color Specialist's Market Experience, Flexible System

CHICAGO - November 4, 2014 - NEC Display Solutions of America, a leading provider of commercial LCD display and projector solutions, announced today a collaboration with United Kingdom-based Light Illusion, a color management specialist, to enable native calibration for NEC color-critical monitors through its LightSpace CMS display calibration system.

LightSpace enables accurate color calibration and management of displays used in the post-production and broadcast markets. The ability of users to self-calibrate their displays as needed and to directly upload creative "looks" raises the appeal of NEC displays in these industries.

"LightSpace CMS is the de facto industry standard for the TV, film and broadcast markets, making it the obvious choice for advanced color calibration and management," said Art Marshall, Product Manager of Professional Desktop Displays at NEC Display. "For these users, calibration is managed differently. Our MultiSync® PA Series customers in these industries will realize the same high level of accuracy from LightSpace CMS as ones using our SpectraView Calibration system in the photography and pre-press markets."

NEC Display Solution's MultiSync PA Series displays feature custom calibration 3D LUT (lookup table) import capabilities that can directly upload calibration LUTs created via LightSpace CMS. That means users can accurately profile and calibrate NEC displays to a high level and conduct "look management" for situations such as on-set monitoring. Users gain new flexibility, including custom calibration, self-created color spaces and custom LUT manipulation.

Combined with the dependable imaging from the MultiSync PA Series, including backlight stability sensor and wide color gamuts, users of LightSpace CMS will have consistent, accurate windows into their work products.

"We are delighted to work with NEC Display to meet the calibration needs of artists in the world of moving images," said Steve Shaw, CEO of Light Illusion. "The flexibility of the LightSpace CMS and the features of the MultiSync PA Series give users the tools necessary to realize their artistic and business goals."

LightSpace CMS integrates with a wide range of popular calibration probes, which lets users choose their own color management workflows and levels of calibration investment. To facilitate switching between different calibrations, color spaces and looks, LightSpace CMS can directly upload LUTs to attached NEC displays through USB connections.

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About NEC Display Solutions of America, Inc.
Headquartered in Itasca, Ill., NEC Display Solutions of America, Inc., is a leading designer and provider of innovative desktop LCD monitors, commercial- and professional-grade large-screen LCD displays, a diverse line of multimedia and digital cinema projectors, and integrated display solutions. NEC Display Solutions develops leading-edge visual technology and customer-focused solutions for a wide variety of markets, including enterprise, healthcare, education and digital signage. For additional information about NEC Display Solutions of America products, call (866) NEC-MORE, or visit the website at For digital images, please visit Follow us on our social media channels: Facebook, YouTube, Google+, Twitter and LinkedIn.

VUKUNET, from NEC Display Solutions of America, is the engine that powers the digital out-of-home advertising business. VUKUNET is the only universal ad serving platform that drives ads to any digital out-of-home network, regardless of content management system. VUKUNET makes the buying, flighting and reporting of digital out-of-home ad campaigns easy. For additional information about VUKUNET, visit, or call (877) 805-VUKU. For VUKUNET logos and digital images, please visit

About Light Illusion
From on-set through post-production to final delivery, Light Illusion provides industry-leading color management and workflow tools for digital cinematography and digital intermediate workflows with a key focus on high-quality system-wide color management. Light Illusion staff have numerous credits for feature film DI and grading work, as well as acting as digital film technologists and supervisors in building operational production and post-production workflows, and it is this real-world experience that is the basis for all of Light Illusion's product development, guaranteeing perfect market application. For more information, contact CEO Steve Shaw at


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COLUMBUS, Ga. -- Carmike Cinemas, Inc. (NASDAQ: CKEC), a leading entertainment, digital cinema and 3-D motion picture exhibitor, today released a statement regarding the complaint filed by the U.S. Department of Justice (the "DOJ") seeking to block the acquisition of Screenvision by National Cinemedia, Inc. ("NCM").

David Passman, Carmike's President and Chief Executive Officer, stated, "We are disappointed that the DOJ is seeking to block the proposed sale of Screenvision. We hope that Screenvision and NCM will be able to demonstrate the benefits of the transaction to the DOJ. However, we are very pleased with our existing relationship with Screenvision and, in the event the proposed sale is not consummated, we look forward to continuing to work with Screenvision in the future."

As of September 30, 2014, Carmike held Class C and Class A membership units representing an approximately 19% "profits interest" in SV Holdco, LLC, the holding company for the Screenvision business. Carmike also has a long-term exhibition agreement with Screenvision for Screenvision to exclusively provide Carmike's on-screen advertising services through July 1, 2042. In the event the proposed sale is not consummated, Carmike would maintain its ownership interest in Screenvision and its long-term exhibition agreement with Screenvision.

About Carmike Cinemas

Carmike Cinemas, Inc. is a U.S. leader in digital cinema, 3-D cinema deployments and one of the nation's largest motion picture exhibitors. At September 30, 2014, Carmike had 278 theatres with 2,917 screens in 41 states. The circuit includes 42 premium large format auditoriums featuring state-of-the-art technology and luxurious seating, including 25 "BigDs," 15 IMAX auditoriums and two MuviXL screens. As "America's Hometown Theatre Chain," Carmike's primary focus is mid-sized communities.


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By Daniel Garris

It turned out to be an extremely close race for first place this weekend between Universal's Ouija and Open Road's Nightcrawler. Ouija ultimately led the way with $10.74 million, while Nightcrawler followed in second with $10.44 million.

With the aid of Halloween, Universal's Ouija remained in first place this weekend and was down just 46 percent from last weekend. The low-budget PG-13 horror film from Platinum Dunes didn't hold up all that well during the midweek, but rebounded quite nicely on Halloween and maintained momentum throughout the rest of the weekend. Ouija has grossed a very solid $34.80 million through ten days of release. That is in line with expectations and places the film 33 percent ahead of the $26.11 million ten-day take of last year's Carrie.

Open Road's Nightcrawler trailed Ouija by just $299,380 for the frame. The critically acclaimed crime thriller starring Jake Gyllenhaal appeared set to lead the weekend after a close second place finish on Friday, but Friday's $3.2 million performance ultimately wasn't affected by Halloween as much as anticipated. Nightcrawler was able to open in line with pre-release expectations, which were boosted a bit by the film's strong reviews and relatively strong online activity over the past few weeks. The film opened 21 percent below the $13.15 million start of Open Road's End of Watch back in September of 2012. Nightcrawler received a lackluster B- rating on CinemaScore, which suggests that the film isn't going over as well with audiences as it has with critics.

It was a tight race for places three through seven this weekend, as third place and seventh place were separated by just $1.59 million. Holdovers in general held up well this weekend, thanks in part to the limited amount of new competition in the marketplace.

Sony's Fury claimed third place with $8.82 million. The David Ayer directed World War II film starring Brad Pitt held up nicely this weekend, as it was down 34 percent from last weekend. Fury surpassed the $60 million mark this weekend and has grossed $60.16 million in 17 days. The film continues to perform in line with the lower end of expectations and is currently running 4 percent ahead of the $57.86 million 17-day take of Sony's The Monuments Men earlier this year.

Fox's Gone Girl placed in fourth with $8.48 million. The critically acclaimed David Fincher directed film starring Ben Affleck held up very well, as it was down just 23 percent from last weekend. This weekend's hold was especially impressive given the added competition the film faced from Nightcrawler. Gone Girl has grossed a very impressive $136.28 million in 31 days. The film is already the highest grossing film of Fincher's career and is now just $13.72 million away from reaching the $150 million mark.

The Book of Life rounded out the weekend's top five with $8.21 million. Fox's modestly budgeted computer animated film was down a slim 18 percent from last weekend. Like Ouija, The Book of Life received a boost from the holiday weekend (though its boost was on Saturday). The film also likely received an added boost from moviegoers who wanted to catch it before Disney's Big Hero 6 arrives in the marketplace next weekend. The Book of Life surpassed the $40 million mark this weekend and has grossed a solid $40.43 million in 17 days.

John Wick took sixth place with $7.99 million. The Keanu Reeves led action thriller from Lionsgate did lose a bit of momentum over the weekend, as it was down 45 percent from last weekend. With that said, John Wick is still performing on the high end of expectations with $27.53 million in ten days. John Wick has already out-grossed the $26.42 million final gross of 2008's Street Kings and is in good shape to surpass the $38.36 million final take of last year's 47 Ronin before the end of its run.

The Weinstein Company's St. Vincent placed in seventh with $7.23 million. The low-budget comedy starring Bill Murray and Melissa McCarthy held up especially well this weekend, as it was down just 7 percent from last weekend. St. Vincent was helped out this weekend by strong word of mouth and from expanding into an additional 270 locations. The film has grossed $19.00 million to date and will hope to continue to hold up well going forward.

The weekend's other two new wide releases were both dead on arrival. Clarius' Before I Go to Sleep debuted on the very low end of its already low expectations with $1.84 million, while Lionsgate's Saw 10th Anniversary opened with a very disappointing $650,051. That gave Before I Go to Sleep and Saw 10th Anniversary respective per-location averages of just $953 and $315 for the frame.

On the limited front, Fox Searchlight's Birdman took in $2.39 million from 231 locations. That gave the critically acclaimed Alejandro G. Iñárritu directed film starring Michael Keaton a healthy, but not exceptional, per-location average of $10,348 for the frame. Birdman has grossed $4.88 million through 17 days of platform release.

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By Alex Edghill

Furious 7 released its first highly-anticipated trailer this past Saturday and it did not fail to disappoint, especially on Facebook. The Fast And The Furious franchise is the gold standard for Facebook buzz as its 52 million+ likes put it well ahead of notable franchises such as Twilight, Star Wars, or even James Bond. This past week it managed to tack on an additional 1.16 million likes, making it the largest week like increase I have seen for films not yet in release. Clearly this is going to be massive when it opens as the franchise has been trending up over the last 3 installments, but with the added (and tragically unfortunate) attention that Paul Walker's untimely death brings this should be the pinnacle of the success of the franchise, not unlike what Heath Ledger's death meant for The Dark Knight.

November continues to look strong as The Hunger Games: Mockingjay Part 1, Dumb And Dumber To and Interstellar all were inside the top 6. Interstellar's number in particular is looking promising as it is still a ways ahead of both Inception and Gravity at the same distance out. It has definitely not been a Facebook darling though as its 363k likes is just above average for 2014 from this distance out. This is more a testament to its older skewing target demographic. Young teen to twentysomethings who fuel much of social media in general are not firmly within its crosshairs, neither were they for my two comparisons, both of which opened north of $55 million. Look for a similar fate here for Nolan's latest film. 

Facebook Top 15 Movies by Like Increase for the Week Ending Sunday November 2nd

Rank Release Movie Likes Previous Change % Change
1 04/03/15 Furious 7 52,762,954 51,601,963 1,160,991 2.25%
2 11/21/14 The Hunger Games: Mockingjay Part 1 20,855,380 20,671,069 184,311 0.89%
3 11/14/14 Dumb and Dumber To 4,026,647 3,884,110 142,537 3.67%
4 06/26/15 Ted 2 20,616,708 20,541,002 75,706 0.37%
5 05/01/15 Avengers: Age of Ultron 12,306,347 12,242,351 63,996 0.52%
6 11/07/14 Interstellar 343,359 294,540 48,819 16.57%
7 02/06/15 The SpongeBob Movie: Sponge Out of Water 281,196 240,010 41,186 17.16%
8 11/26/14 Penguins of Madagascar 3,171,167 3,138,390 32,777 1.04%
9 11/07/14 Big Hero 6 267,319 241,848 25,471 10.53%
10 03/25/16 Batman V Superman: Dawn of Justice 3,528,962 3,506,358 22,604 0.64%
11 01/16/15 Paddington 362,621 341,046 21,575 6.33%
12 03/20/15 The Divergent Series: Insurgent 3,704,823 3,683,748 21,075 0.57%
13 11/14/14 Beyond the Lights 261,347 242,590 18,757 7.73%
14 02/13/15 Fifty Shades of Grey 5,164,688 5,146,976 17,712 0.34%
15 12/17/14 The Hobbit: The Battle of the Five Armies 14,162,615 14,145,876 16,739 0.12%

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San Francisco, CA -- Dolby Laboratories, Inc. (NYSE: DLB) has completed its acquisition of Doremi Labs. The deal advances Dolby's mission to improve the cinema experience, enable new forms of storytelling, and accelerate the delivery and deployment of innovative solutions to exhibitors.

The acquisition establishes Dolby as a leader in audio and video playback solutions with a comprehensive product portfolio for the cinema exhibition industry.

"We are thrilled to bring together two teams that are committed to delivering the best digital cinema processing and playback solutions," said Kevin Yeaman, President and CEO, Dolby Laboratories. "Delivering deeply integrated audio/video playback solutions will allow us to accelerate innovation and deliver amazing experiences for exhibitors and audiences."

About Dolby Laboratories
Dolby Laboratories (NYSE: DLB) creates audio, video, and voice technologies that transform entertainment and communications in mobile devices, at the cinema, at home, and at work. For nearly 50 years, sight and sound experiences have become more vibrant, clear, and powerful in Dolby®.

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