By Daniel Garris

Spectre took in $2.43 million on Monday to lead the daily box office for an eleventh consecutive day. The latest installment of Sony and MGM's James Bond franchise was down 71 percent from Sunday and down a sizable 54 percent from last Monday. Spectre has grossed a solid $131.41 million in eleven days. The film is currently running 18 percent ahead of the $110.99 million eleven-day take of 2008's Quantum of Solace and 20 percent behind the $164.96 million eleven-day gross of 2012's Skyfall.

The Peanuts Movie placed in second with $0.887 million. The 3D computer animated adaptation from Fox and Blue Sky fell 87 percent from Sunday and an underwhelming 49 percent from last Monday. While it has been surprisingly front-loaded for a well-received family film thus far, The Peanuts Movie has still grossed a solid $83.19 million in eleven days. That places the film 16 percent behind the $99.56 million eleven-day take of 2012's Wreck-It Ralph.

Love the Coopers claimed third place with $0.584 million. The ensemble holiday comedy from CBS Films and Lionsgate declined 71 percent from Sunday's performance. Love the Coopers has grossed $8.90 million in four days, which is slightly ahead of the film's modest pre-release expectations. The film is running 37.5 percent behind the $14.24 million four-day start of 2005's The Family Stone, though it should be noted that The Family Stone opened in December.

Fox's The Martian took fourth with $0.456 million for the day. The blockbuster Ridley Scott directed 3D sci-fi film starring Matt Damon was down 71 percent from Sunday and down just 26 percent from last Monday. The Martian has grossed an impressive $207.85 million in 46 days thanks in part to continued strong holding power. That already gives the film a current total gross to opening weekend ratio of 3.83 to 1.

The 33 followed closely behind in fifth place with $0.451 million. The Warner Bros. drama starring Antonio Banderas fell 72 percent from Sunday. The 33 has grossed $6.24 million in four days, which is below the film's already modest expectations. The film is running an underwhelming 47 percent behind the $11.74 million four-day start of McFarland, USA earlier this year. On a positive note, The 33 has displayed encouraging early holding power so far.

Open Road's Spotlight remained strong in platform release with a daily take of $120,839 from 60 locations. That gave the awards season hopeful starring Mark Ruffalo and Michael Keaton a daily per-location average of $2,014. Spotlight has grossed $1.92 million through eleven days of platform release and is scheduled to expand into moderate release this coming Friday.

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Sacramento, Calif. USA - 17 November 2015 - Barco, the worldwide market share leader in digital cinema projection, is partnering with cinema integrator Cine Brasil to drive customer engagement and revenue opportunities in today's movie theaters with its Barco Lobby Experience. Described as "the show before the show," the customizable solution brings the box office, concessions and lobby area to life with a collection of bold, interactive visualization technologies.

Barco and Cine Brasil have enjoyed a long, successful relationship, collaborating on numerous digital cinema conversions and new deployments in South America. Now, they will jointly market and support the Barco Lobby Experience, demonstrating how this innovative solution can transform theaters into modern, visually spectacular entertainment venues.

Enlivening the lobby for a one-of-a-kind customer experience
The Barco Lobby Experience offers scalable solutions ranging from a simple digital concession board, to interactive movie posters with POS capabilities, to animated box office signage, to a networked array of synchronized video walls featuring the latest movie trailers, called "Lobby Domination." Dynamic lighting solutions and high-impact audio can be added to amplify this visceral, enveloping experience.

"Once again, Barco is leading the way in digitizing the cinema with innovative solutions that maximize the entertainment value for customers," comments Claudinei Mascaro, owner of Cine Brasil. "We see the lobby as a new frontier, captivating audiences with a unique experience, while building opportunities for new revenue streams."

A model for sustainable growth
A key component of CinemaBarco, the Lobby Experience is unique in its ability to engage, entertain, inform and most importantly, motivate customers to purchase advance tickets or order movie merchandise. Mobile phones are a key element in the Lobby Experience equation, enabling real-time interaction between customers and the displays to drive engagement and purchases, as well as extend branding opportunities through social media.

Another important revenue opportunity of the Barco Lobby Experience is to empower unique and compelling advertising opportunities. The solution not only enables exhibitors to broadcast theater promotions, but also studio content and third-party advertising of food and beverage, consumer products and for other retailers.

Partners in creating next-generation cinema
"We are delighted that Cine Brasil is joining Barco's global campaign to create a new paradigm in cinema entertainment based on engaging with customers the moment they walk through the door," comments Jim Molony, Director of Strategic Partnerships. "Cine Brasil's AV expertise and strong exhibitor relationships will be a tremendous asset to rolling out the Lobby Experience in Brazil, and we look forward to continued growth and mutual success."



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By Daniel Garris

Spectre remained in first place at the box office this weekend with $33.68 million. The latest installment of Sony and MGM's James Bond franchise was down a respectable 52 percent from last weekend's debut. This weekend's hold came as welcome news after the film opened on the very low end expectations last weekend. The second weekend percentage hold for Spectre was stronger than both the second weekend percentage hold of 2012's Skyfall (which fell 53.5 percent to gross $41.10 million) and the second weekend hold of 2008's Quantum of Solace (which fell 60 percent to gross $26.71 million). While this weekend's hold was helped by the relative lack of new competition in the marketplace, it also suggests that Spectre is going over better with moviegoers than it has with critics and is a positive sign for the film going forward. Spectre has grossed $128.98 million in ten days. That places the film 20 percent behind the $160.94 million ten-day take of Skyfall and 19 percent ahead of the $108.79 million ten-day gross of Quantum of Solace.

The Peanuts Movie placed in second with $24.01 million. The 3D computer animated adaptation from Fox and Blue Sky was down 46 percent from last weekend. That represented a hefty second weekend decline for a computer animated film outside of the summer season and came as a bit of a surprise, especially given the strong critical reviews for The Peanuts Movie. This weekend's hold suggests that the pre-existing Peanuts fanbase led to some built-in front-loading for the film last weekend. The Peanuts Movie is still having a solid run so far with a ten-day take of $82.30 million. That places the film 12 percent behind the $93.65 million ten-day take of 2012's Wreck-It Ralph (which fell 33 percent in its second weekend to gross $33.01 million). It will be very important for The Peanuts Movie to stabilize next weekend, especially with Disney's highly anticipated The Good Dinosaur entering the marketplace on Wednesday, November 25th.

Love the Coopers was the weekend's strongest new wide release with a third place start of $8.32 million. The ensemble holiday comedy from CBS Films and Lionsgate opened slightly ahead of its modest pre-release expectations. Without taking into account ticket price inflation, Love the Coopers opened 33.5 percent below the $12.52 million start of 2005's The Family Stone. Like that film, Love the Coopers will hope to have a lengthy run at the box office with help from the holiday season. On the other hand, Love the Coopers has been received poorly by critics and received an underwhelming B- rating on CinemaScore, so it remains to be seen whether or not the film will prove to be critic proof going forward.

Fox's The Martian took fourth place this weekend with $6.71 million. The blockbuster Ridley Scott directed 3D sci-fi film starring Matt Damon continued to hold up very well, as it was down just 26 percent from last weekend. The 45-day total for The Martian stands at a very impressive $207.39 million. That places the film 21 percent ahead of the $171.54 million grossed by last year's Interstellar after 45 days of wide release and 14 percent behind the $240.38 million 45-day gross of 2013's Gravity. On Monday Fox announced that it has scheduled Alien: Covenant (which will also be directed by Ridley Scott) for release on October 6th, 2017.

The 33 rounded out the weekend's top five with $5.79 million. The Warner Bros. drama starring Antonio Banderas opened below expectations, which were modest to begin with. Audiences ultimately weren't interested in the theatrical re-telling of the 2010 Copiapó mining accident and mixed critical reviews didn't help matters either. The film opened an underwhelming 47.5 percent below the $11.02 million debut of McFarland, USA earlier this year. The 33 did receive an encouraging A- rating on CinemaScore and registered an estimated opening weekend to Friday ratio of 3.15 to 1, so it is possible that the film could hold up well going forward.

My All American made even less of an impact in wide release this weekend with a debut of just $1.37 million. The Aaron Eckhardt led sports drama from Aviron Pictures opened a disappointing 66 percent below the recent $4.00 million debut of Woodlawn and wasn't helped out by being released so soon after Woodlawn. My All American received a strong A rating on CinemaScore, but that likely won't mean much going forward given the film's soft start.

Fox International Productions' Prem Ratan Dhan Payo opened strong in limited release with $2.43 million from 287 locations, while Open Road's Spotlight remained strong in platform release with $1.35 million from just 60 locations. Respective total grosses stand at $2.81 million for Prem Ratan Dhan Payo in four days and at $1.80 million for Spotlight in ten days.

Meanwhile, Universal's By the Sea had an unsuccessful platform launch with $96,250 from ten locations. That gave the poorly reviewed Angelina Jolie Pitt directed film starring Jolie Pitt and Brad Pitt a per-location average of just $9,625, which is obviously soft for a higher profile platform release and will make it even tougher for the film to receive significant expansions going forward.

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By Alex Edghill

Monday Morning Update: The Hunger Games: Mockingjay - Part 2 repeated atop the list last week with 106,196 new Facebook likes. These numbers were not particularly surprising considering it was the film's week before release. We are predicting $123 million on opening weekend for the film which should see it being dominant at the box office until Star Wars opens in mid-December. If it can make it to $350 million overall domestically that would put the franchise at over $1.5 billion in earnings and jumping up to the top 10 all time for franchise earnings.

Zoolander 2 took second spot on the week thanks to new posters and information surfacing. It rose 84,561 likes to 1,171,586 overall. Yes it has been 15 years since the last film but clearly there are still many fans around and it is still relevant which bodes well for its chances next year.

Krampus now has over 420k total likes, making it the second most liked new horror on Facebook for the year after just Unfriended at this distance before release. I must say that this has surprised me greatly in the past few weeks with its appeal on Facebook and Twitter. While it might not break records it looks like a sure bet to a solid earner come release weekend given its tiny budget.

Facebook Top 5 Movies by Like Increase for the last week Ending Sunday November 15th

Rank Release Movie Likes Previous Change % Change
1 11/20/15 The Hunger Games: Mockingjay - Part 2 22,473,507 22,367,311 106,196 0.47%
2 02/12/16 Zoolander 2 1,171,586 1,087,025 84,561 7.78%
3 12/18/15 Star Wars: The Force Awakens 14,889,009 14,818,117 70,892 0.48%
4 12/04/15 Krampus 420,693 367,047 53,646 14.62%
5 04/01/16 God's Not Dead 2 7,816,518 7,789,667 26,851 0.34%

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Digital Signage/Digital Out Of Home Powerhouse Emerges for Retail Markets Including Cinema, Stadiums and Quick Service Restaurants

CYPRESS, Calif. - (November 16, 2015) - Christie® , a global visual technologies company, today announced the acquisition of Allure Global Solutions, Inc. (Allure), an engagement and transaction technologies provider, as well as all of its products and services. The firm is headquartered in Atlanta, and will operate as "Allure, a Christie Company."

Allure provides digital signage, point-of-sale and consumer engagement solutions, in the form of products and services, to a variety of entertainment and retail markets including theaters, restaurants, stadiums, arenas, convention centers, theme parks and cultural attractions.

"Christie and Allure have shared customers, most notably in the cinema market, and in the course of working together over the past decade, respect for and appreciation of each other's ‘customer first' attitude and practices has grown," said Craig Sholder, EVP Business Development and Strategic Planning for Christie.

"Given the opportunities to provide a more comprehensive, digital out-of-home (DOOH) solution to varied markets, the next step was self-evident. We are pleased to combine the consumer engagement, analytics, and integration solutions from Allure with Christie's own array of products and services - most notably the offerings of the Christie® Experiential Networks® (CEN)," added Sholder.

Craig Chapin, CEO of Allure, echoed Sholder's sentiments, noting that, "The synergies and opportunities this union provides are broad and deep, for both our current clients and our two companies. As we continue to grow our core verticals and expand our presence into others, our mutual offerings will provide exciting new engagement and technology solutions not only for cinema, but also for theme parks, cultural attractions, stadiums, restaurants, and many other clients."

"I'm also excited to have the customer-support resources of Christie's Global Professional Services team to draw on. While Allure's 24/7/365 help desk is a top-notch group, having access to Christie's Network Operations Center (NOC) has the potential for improving our proactive services to our customers by an order of magnitude," added Chapin.

This newest member of the Christie family of companies intends to increase employment, to deal with increased demand for its products and services from direct end-users and also integrators, distributors and other business partners of Christie.

Benefits to Customers of Allure-Christie Announcement

Some of the benefits to Allure clients include (but are not limited to):

· Access to a wide range of additional digital media products and solutions from Christie
· Increased capabilities, infrastructure, market presence and experience across the global expanse in which Christie operates
· Expanded strategic and tactical knowledge base and resources
· In-sourced, highly experienced site deployment, and ongoing field support resources
· Greater supply-chain capabilities, services and support

Some of the benefits to Christie clients include (but are not limited to):

· Additional resources skilled and experienced in consumer engagement strategy execution for various market verticals and businesses
· Expanded content strategy, creative development and implementation resources
· Access to advanced business analytics resources
· A wider array of digital media technology solutions for theatres, stadiums, cultural attractions, restaurant/foodservice, and other retail sectors - tightly integrated with Christie® Experiential Networks® (CEN)

Christie Experiential Networks solutions "From the Street to the ScreensTM" ranges from complex, interactive, user-driven video walls, to projection mapping and multi-sided immersive environments. They create exciting destinations where consumers can respond to and interact with brands in the theater lobbies prior to experiencing connected ads and information in theater auditoriums. Therefore, they constitute a perfect fit with Allure's products and services.

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