gg.pngNew Thriller Poised to Be One of The Biggest October Openings Ever, Pacing Similar to ‘Gravity' and Outselling Director David Fincher's and Ben Affleck's Previous Films on Fandango

LOS ANGELES - October 1, 2014 - According to Fandango, the nation's leading moviegoer destination, the new thriller "Gone Girl," based on Gillian Flynn's best-selling page-turner, is poised to be one of the biggest October openings in Fandango's 14-year history. Scoring a strong 89 out of 100 points on Fandango's Fanticipation movie buzz indicator, the film is pacing similarly to "Gravity" (which opened on October 4, 2013), and is outselling previous October releases, "Paranormal Activity 3," "Jackass 3D" and "Taken 2," at the same point in the sales cycle on Fandango.

"Gone Girl" is also outselling the previous films of star Ben Affleck (including his Oscar winner, "Argo," released in October 2012) and director David Fincher (including "The Social Network," "Panic Room" and "The Curious Case of Benjamin Button") at the same sales point on Fandango.

To support the gripping "Gone Girl" movie ticket sales, Fandango is offering a free eBook download of the #1 New York Times best-seller on NOOK reading apps, with a Fandango ticket purchase. The offer is valid through 9:00 AM PDT on October 6, while supplies last.

With diverse choices at the box office, "Gone Girl" represents 66% of Fandango weekend's ticket sales, as of Wednesday 2 PM EDT, while the horror thriller "Annabelle" and Nicolas Cage's faith-based "Left Behind" represents 13% and 8% of sales, respectively. "Annabelle" is outselling its predecessor, "The Conjuring," and the previous horror hits, "Insidious" and "The Purge," at the same point in the Fandango sales cycle.

According to an online survey of more than 1,000 "Gone Girl" ticket-buyers on Fandango:
*71% are fans of star Ben Affleck;
*64% have read the book by Gillian Flynn;
*55% are fans of director David Fincher.

"The much-anticipated movie of ‘Gone Girl' is as riveting as the book," says Fandango Chief Correspondent Dave Karger. "Its strong advance ticket sales are a testament to the power of Gillian Flynn's story and to the creative talent behind the production. In a real show of box office variety, ‘Annabelle,' the prequel to last year's horror smash, ‘The Conjuring,' is scaring up robust ticket sales, appealing to fright fans looking for pre-Halloween thrills."

About Fandango's Fanticipation
Known for having its finger on the pulse of moviegoers, Fandango's movie buzz indicator, Fanticipation, provides statistical insight into the movies fans are planning to see in a given weekend. Fanticipation scores (based on a 1 to 100-point scale) are calculated via an algorithm of Fandango's advance ticket sales, website and mobile traffic, and social media engagement. Fanticipation is not intended as a forecast of the weekend box office; it is a snapshot of movie fan sentiment.

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interstellarlongrange.pngTICKETS ARE NOW ON SALE

HOLLYWOOD, CA (October 1, 2014) - Paramount Pictures and Warner Bros. Pictures today announced that the highly anticipated "INTERSTELLAR" from Christopher Nolan will be released in 70mm IMAX® film, 70mm film and 35mm film formats on Wednesday, November 5th, two days ahead of its nationwide release. The advance showings will play in select theaters in more than 225 locations across the U.S. and Canada.

"To see Christopher Nolan's ‘INTERSTELLAR' on the big screen is an unforgettable movie going experience," said Rob Moore, Vice Chairman of Paramount Pictures. "From IMAX to traditional film and digital projection, we are pleased that audiences will have the opportunity to see this awe-inspiring film in a wide variety of formats and we are very excited to be making the film available 2-days early for moviegoers."

"INTERSTELLAR" was shot using a combination of 35mm anamorphic film and 65mm IMAX film to maximize the crispness and clarity of the image and give the audience a truly cinematic and immersive experience. These advance engagements highlight those theaters presenting "INTERSTELLAR" in its native formats.

On Wednesday, November 5th, 2014, "INTERSTELLAR" opens in the following film formats:

- Select IMAX theaters will be offering The IMAX Experience® featuring 15 perf/70mm film projection which combines the brightest, clearest images at almost 10 times the resolution of standard projection formats, with powerful, laser-aligned digital sound and customized theatre geometry to create the world's most immersive movie experience. Select sequences will expand to fill the entire screen and will deliver unprecedented crispness and clarity.

- INTERSTELLAR in the 70mm film format offers brighter, clearer image, with three times the resolution of standard projection formats, using the process of projecting light through celluloid to deliver clear images in rich analog color with state-of-the-art digital sound.

- The 35mm film presentations project light through the 35mm frame to deliver clear, high resolution images with rich analog color combined with state-of-the-art digital sound in most locations.

Tickets for these advance showings on November 5th are available today at
https://interstellar.withgoogle.com and at participating theater box offices. Tickets are also available for the nationwide release on Friday, November 7th, 2014, when "INTERSTELLAR" opens in theaters everywhere including its digital engagements:

- IMAX digital projection uses dual projectors with sub-pixel alignment to produce clear, high contrast images with powerful, laser-aligned digital sound and customized theatre geometry, creating the world's most immersive digital movie experience. Select sequences will expand to fill the entire screen.

- The film in 4K digital projection produces a clear, bright, high resolution image with absolute stability and cleanliness, combined with uncompressed digital sound for a powerful movie-going experience.

- Digital projection presents a clear, bright, stable image that never degrades in terms of cleanliness or fidelity and uses uncompressed digital sound for a powerful movie-going experience.

"INTERSTELLAR" stars Matthew McConaughey, Anne Hathaway, Jessica Chastain, Bill Irwin, Ellen Burstyn, John Lithgow and Michael Caine. With our time on Earth coming to an end, a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars. Directed by Christopher Nolan, written by Jonathan Nolan and Christopher Nolan, and produced by Emma Thomas, Christopher Nolan and Lynda Obst.

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About Paramount Pictures Corporation

Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Famous Productions, Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

About Warner Bros. Pictures
Warner Bros. Pictures meets worldwide tastes and demands with a diverse mix of filmed entertainment and is a global leader in the marketing and distribution of feature films. The International Division operates offices in 24 countries and releases films in over 125 international territories, either directly to theaters or in conjunction with partner companies and co-ventures. Internationally, the Studio has been the market leader in six of the last 13 years, having surpassed $1 billion in grosses a total of 15 years, 12 of which were consecutive years, and crossed $2 billion five times, including 2004, 2007, 2010, 2011 and 2012.

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By Daniel Garris

Sony's The Equalizer took in $2.97 million to lead the daily box office with ease on Monday. The action thriller starring Denzel Washington has led the daily box office for four consecutive days. The Equalizer was down 64 percent from Sunday, which represented one of the day's stronger daily percentage holds among wide releases. The Equalizer continues to perform in line with the higher end of its lofty pre-release expectations with a healthy four-day start of $37.11 million. That places the film 3.5 percent behind the $38.44 million four-day take of 2010's The Book of Eli (which had the advantage of its first Monday falling on Martin Luther King Day).

The Maze Runner placed in second with $0.97 million. The young adult adaptation from Fox continues to hold up relatively well, as it was down 77 percent from Sunday and down 48 percent from last Monday. The Maze Runner has grossed a strong $58.92 million in eleven days and is set to clear the $60 million mark either today or Wednesday. The film is currently running 29 percent ahead of the $45.59 million eleven-day take of last year's Ender's Game and is already on the verge of reaching the $61.74 million final domestic gross of Ender's Game.

The Boxtrolls claimed third place with $0.73 million. The latest 3D stop motion animated film from Focus and Laika was down a sizable 85 percent from Sunday, which is a sign of the film skewing heavily towards family audiences. The Boxtrolls has grossed a stronger than expected $18.01 million in four days. That places the film 16 percent ahead of the $15.54 million start of 2012's ParaNorman.

Warner's This Is Where I Leave You took fourth place with $0.58 million. The comedy starring Jason Bateman and Tina Fey was down 64 percent from Sunday and down just 33 percent from last Monday. This Is Where I Leave You has grossed $23.02 million in eleven days. While that is a bit below expectations, the film continues to display very solid holding power thus far.

Universal's A Walk Among the Tombstones rounded out Monday's top five with $0.39 million. The action thriller starring Liam Neeson was down 63 percent from Sunday and down a sharp 59 percent from last Monday. A Walk Among the Tombstones has grossed an underwhelming $21.22 million in eleven days and continues to display early signs of being significantly front-loaded.

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By Daniel Garris

Sony's The Equalizer debuted in first place this weekend with a strong start of $34.14 million. The action thriller starring Denzel Washington debuted towards the higher end of pre-release expectations, which were lofty, especially for the month of September. Without adjusting for ticket price inflation, The Equalizer delivered the fourth largest opening weekend ever for the month of September (behind only 2012's Hotel Transylvania, 2013's Insidious Chapter 2 and 2002's Sweet Home Alabama). The film's debut represented the third largest opening weekend performance ever for Washington (behind only 2007's American Gangster and 2012's Safe House). The Equalizer opened 4 percent stronger than the $32.79 million start of 2010's The Book of Eli and 15 percent below the $40.17 million start of Safe House.

The Equalizer opened with $12.49 million on Friday (which included an estimated $1.5 million from Thursday night shows), increased 8 percent on Saturday to gross $13.49 million and declined 40 percent on Sunday to take in $8.15 million. That placed the film's opening weekend to Friday ratio at 2.73 to 1. The audience breakdown for the film skewed slightly towards male moviegoers (52 percent) and towards moviegoers 30 years and older (65 percent). The Equalizer received an A- rating on CinemaScore, which is an encouraging sign for the film going forward.

The Maze Runner placed in second with $17.44 million. The young adult adaptation from Fox held up relatively well this weekend, as it was down 46 percent from last weekend's strong start. The Maze Runner has grossed $57.96 million in ten days and continues to display strong early holding power for a young adult adaptation. Thanks in part to a significantly stronger second weekend hold, The Maze Runner is now running 32 percent ahead of the $44.01 million ten-day take of last year's Ender's Game and is already on the verge of reaching the $61.74 million final domestic gross of Ender's Game.

The Boxtrolls was off to a very solid third place start this weekend with $17.28 million. The latest 3D stop motion animated film from Focus and Laika debuted a bit above pre-release expectations. Compared to previous films from Focus and Laika, The Boxtrolls opened 23 percent ahead of the $14.09 million start of 2012's ParaNorman and a slim 3 percent ahead of the $16.85 million start of 2009's Coraline. ParaNorman and Coraline both displayed terrific holding power and going forward The Boxtrolls will hope to accomplish the same.

The Boxtrolls opened with $4.93 million on Friday, increased a strong 51 percent on Saturday to gross $7.46 million and declined 34.5 percent on Sunday to gross $4.89 million. That placed the film's opening weekend to Friday ratio at 3.51 to 1. The audience breakdown for the film skewered towards female moviegoers (57 percent). The Boxtrolls received a solid B+ rating on CinemaScore.

Warner's This Is Where I Leave You placed in fourth with $6.89 million. The modestly budgeted comedy starring Jason Bateman and Tina Fey held up well this weekend, as it was down 40 percent from last weekend's so-so start. This Is Where I Leave You has grossed $22.44 million in ten days. That places the film 13.5 percent behind the $25.94 million ten-day start of 2011's The Change-Up (which fell 53 percent in its second weekend to gross $6.31 million).

Fellow Warner Bros. release Dolphin Tale 2 rounded out the weekend's top five with $4.79 million. The family film sequel was down 46 percent from last weekend, as the film appears to have taken a bit of a hit from The Boxtrolls arriving in the marketplace. Dolphin Tale 2 has grossed $33.62 million in 17 days. The film is currently running 31 percent behind the $49.04 million 17-day take of 2011's Dolphin Tale and is displaying significantly softer holding power.

No Good Deed followed in sixth with $4.51 million. Sony's low-budget thriller starring Idris Elba and Taraji P. Henson was down 54 percent. No Good Deed continues to be very front-loaded, but has still grossed a healthy $46.53 million in 17 days.

Universal's A Walk Among the Tombstones was down five spots and a massive 67 percent from last weekend with a seventh place take of $4.19 million. Lackluster word of mouth and the new direct competition from The Equalizer both had a clear negative effect on the Liam Neeson led action thriller this weekend. A Walk Among the Tombstones is now running below expectations with a ten-day start of $20.83 million.

Guardians of the Galaxy was down just 28 percent to place in eighth with $3.77 million. In the process, the blockbuster sci-fi superhero film from Disney and Marvel surpassed the $318.41 million final unadjusted gross of 2008's Iron Man. Guardians of the Galaxy has grossed a massive $319.17 million through 59 days of release.

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