Keanu Reeves as Nelson, the uptight businessman who discovers the simple joys of life thanks to a sexy sprite is his ever-stilted self, while Theron seems to be on an acid trip (and must be best-looking dying woman the world has ever seen). Yet in some odd ways it actually works: Theron and Reeves have wonderful chemistry, which shouldn't be surprising because each of these stars seem to be capable of creating sparks with whomever they're starring opposite. Here, they reek of sensuality, and if it weren't for all the bad dialogue and juvenile characterizations getting in the way, one could easily and enjoyably become enveloped by their seductive presences. Unfortunately, this is not the case. We are forced to sit through a maudlin, insipid storyline that has the ditzy Sara commandeering the life of Nelson, a rigid ad-executive, after meeting him at the DMV. Why a dying woman is at the DVM seems odd, but nevertheless, she wants him to be her November project. This is an act of kindness in which she commits herself to one man for one full month, helping him to see the light. As obnoxious as that may be, Theron is so luminously pretty she can get away with almost anything, and Keanu is a movie star for reasons that supersede issues of talent. Starring Keanu Reeves, Charlize Theron, Jason Isaacs, Greg Germann and Frank Langella. Directed by Pat O'Connor. Written by Kurt Voelker and Paul Yurick. Produced by Steven Reuther, Deborah Stoff, Erwin Stoff and Elliott Kastner. A Warner Bros. release. Romantic drama. Rated PG-13 for sexual content and language. Running time: 120 min.