Monday Update: Full table of weekend actuals below, after our Sunday update.
Sunday Update: The most surprising box office breakout in years kept floating to the top, as Warner Bros. horror It took first place again with an estimated $60.0 million.
Following last weekend’s monster debut, which smashed even the most optimistic projections, the film declined only 51 percent in its second frame — a better hold than most films in the notoriously frontloaded horror genre. (Although a few recent horror hits including Get Out and Split did post even smaller second-weekend percentage drops.)
Not only did It claim the highest September opening of all time by a long shot, the film’s second weekend comes in higher than any other September release’s first weekend. Even adjusted for inflation, only one September film’s opening has ever come in above It‘s second frame: the debut of Rush Hour in 1998.
It is already the highest grossing September release of all time, after only 10 days of release. Adjusted for inflation, it’s currently the 4th-highest September release ever, behind Crocodile Dundee, Fatal Attraction, and Rush Hour.
American Assassin started in second place with an estimated $14.8 million weekend.
The action movie from CBS Films and Lionsgate, starring Dylan O’Brien and Michael Keaton, started about in line with pre-release expectations. Assassin opened in the same range as other recent titles such as War Dogs and the original John Wick.
Assassin received a “B+” average CinemaScore, from an audience that was 55 percent male and 71 percent older than age 35.
Paramount’s horror mother! debuted below expectations with an estimated $7.5 million and third place.
Despite starring Jennifer Lawrence, one of the biggest box office draws of the decade, the film was unable to overcome its dreaded “F” CinemaScore. For comparison, a “C” CinemaScore is very much on the lower end, with ratings in the “D” or “F” range extremely rare. (To be fair, the film scores much higher on Rotten Tomatoes with 68 percent.)
mother! was also hurt by its release date. It came out the weekend after the mammoth opening of fellow horror It — not to mention the continued respectable hold of yet another horror Annabelle: Creation, which takes sixth place. Add the release of yet one more horror Friend Request next weekend, and look for mother! to drop off quickly.
Spider-Man: Homecoming spends its 11th weekend in the box office top 10. With a ninth place finish of $1.8 million, the film joins a rare and elite club of titles to have spent that long in the top tier.
Beauty and the Beast, Hidden Figures, and La La Land previously reached the mark earlier this year. 2017 now sets a 21st century record: the most films (four) to spend at least 11 weekends in the top 10 since 1999.
(That measurement is counting when the films reached their 11th such weekend, not when they were first released. So Hidden Figures and La La Land, which were both released in December 2016 but reached their 11th weekend in the top 10 during 2017, are counted for 2017.)
Only one other year during this century has even seen three films reach 11 weekends in the top 10: the year 2003. Every other year this century saw either two such films, only one film, or even zero — as occurred in 2015, 2012, and several other times.
It’s still possible another title could reach the 11-weekend mark before this year is out. Dunkirk, currently in its ninth weekend in the top 10, is a dark horse candidate.
What is causing this level of longevity, unprecedented in the modern era? Chalk it up to a combination of quality titles that audiences loved, along with an at-times lackluster release schedule that didn’t always provide steep competition.
The historically poor August helped Spider-Man to stay near the top, unlike most superhero movies which open high but then fade fast. Factor in its 93 percent Rotten Tomatoes score and positive audience reception, and you have a film still playing in theaters nearly three months after opening.
Monday’s Weekend Actuals for Friday, September 15 – Sunday, September 17, 2017:
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | It (2017) | $60,103,110 | -51% | 4,103 | 0 | $14,649 | $218,813,729 | 2 | Warner Bros. / New Line |
| 2 | American Assassin | $14,846,778 | — | 3,154 | — | $4,707 | $14,846,778 | 1 | CBS Films / Lionsgate |
| 3 | mother! | $7,534,673 | — | 2,368 | — | $3,182 | $7,534,673 | 1 | Paramount |
| 4 | Home Again | $5,183,004 | -40% | 3,036 | 96 | $1,707 | $16,984,088 | 2 | Open Road |
| 5 | The Hitman’s Bodyguard | $3,588,883 | -25% | 3,272 | -50 | $1,097 | $70,395,923 | 5 | Lionsgate / Summit |
| 6 | Wind River | $2,572,397 | -18% | 2,619 | -271 | $982 | $29,141,212 | 7 | The Weinstein Company |
| 7 | Annabelle: Creation | $2,411,319 | -40% | 2,117 | -886 | $1,139 | $99,711,680 | 6 | Warner Bros. / New Line |
| 8 | Leap! | $2,163,778 | -11% | 2,416 | -275 | $896 | $18,705,564 | 4 | The Weinstein Company |
| 9 | Spider-Man: Homecoming | $1,858,740 | -7% | 1,436 | -221 | $1,294 | $330,245,988 | 11 | Sony / Columbia |
| 10 | Dunkirk | $1,311,449 | -30% | 1,478 | -632 | $887 | $185,148,101 | 9 | Warner Bros. |
| 11 | The Emoji Movie | $1,001,256 | -12% | 1,151 | -299 | $870 | $83,911,291 | 8 | Sony / Columbia |
| 12 | Logan Lucky | $996,576 | -40% | 1,401 | -766 | $711 | $26,826,676 | 5 | Bleeker Street |
| 13 | The Dark Tower | $757,815 | 0% | 1,235 | 287 | $614 | $49,922,920 | 7 | Sony / Columbia |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Despicable Me 3 | $857,205 | -8% | 983 | -291 | $872 | $261,094,650 | 12 | Universal |
| 2 | Wonder Woman | $667,794 | 1% | 659 | -302 | $1,013 | $411,430,094 | 16 | Warner Bros. |
| 3 | Girls Trip | $570,725 | -30% | 733 | -390 | $779 | $114,337,980 | 9 | Universal |
| 4 | The Nut Job 2: Nutty By Nature | $461,885 | -20% | 846 | -389 | $546 | $28,093,664 | 6 | Open Road |
| 5 | All Saints | $371,464 | -20% | 750 | -84 | $495 | $5,234,199 | 4 | Sony Pictures |
| 6 | The Glass Castle | $351,887 | -34% | 698 | -339 | $504 | $16,724,214 | 6 | Lionsgate Lionsgate |
| 7 | War for the Planet of the Apes | $349,237 | -23% | 470 | -183 | $743 | $145,861,747 | 10 | Fox |
| 8 | The Big Sick | $317,772 | -28% | 338 | -197 | $940 | $42,487,093 | 13 | Lionsgate |
| 9 | Baby Driver | $298,828 | -29% | 381 | -237 | $784 | $107,077,236 | 12 | Sony / TriStar |
| 10 | Atomic Blonde | $184,715 | -36% | 270 | -120 | $684 | $51,365,430 | 8 | Focus Features |
| 11 | Cars 3 | $166,455 | -44% | 259 | -251 | $643 | $152,279,065 | 14 | Disney |
| 12 | Hazlo Como Hombre | $153,418 | -61% | 226 | -156 | $679 | $2,335,946 | 3 | Lionsgate / Pantelion |
| 13 | Birth Of The Dragon | $122,965 | -64% | 275 | -427 | $447 | $6,833,170 | 4 | OTL Releasing |
| 14 | Kidnap | $122,176 | -42% | 506 | -412 | $241 | $30,423,057 | 7 | Aviron Pictures |
| 15 | Tulip Fever | $116,910 | -59% | 247 | -525 | $473 | $2,239,631 | 3 | Weinstein Company |
| 16 | The Trip to Spain | $90,196 | -19% | 110 | -22 | $820 | $906,944 | 6 | IFC Films |
| 17 | Ingrid Goes West | $81,693 | -45% | 100 | -100 | $817 | $2,906,641 | 6 | Neon |
| 18 | Valerian and the City of a Thousand Planets | $79,095 | -26% | 151 | -78 | $524 | $40,442,321 | 9 | EuropaCorp/STXfilms |
| 19 | Pirates of the Caribbean: Dead Men Tell No Tales | $60,495 | -36% | 115 | -28 | $526 | $172,537,139 | 17 | Disney |
| 20 | Close Encounters of the Third Kind (re-release) | $44,181 | -86% | 138 | -649 | $320 | $3,077,585 | 3 | Sony |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Viceroy’s House | $205,356 | 63% | 41 | 0 | $5,009 | $457,595 | 3 | IFC Films |
| 2 | Rebel in the Rye | $91,169 | 140% | 49 | 45 | $1,861 | $144,377 | 2 | IFC Films |
| 3 | Brad’s Status | $89,921 | — | 4 | — | $22,480 | $89,921 | 1 | Annapurna Pictures Releasing |
| 4 | Columbus | $81,628 | 7% | 61 | 25 | $1,338 | $629,585 | 7 | Sundance Institute’s Creative Distribution Fellowship |
| 5 | Shubh Mangal Savdhan | $75,080 | -42% | 80 | 0 | $939 | $629 | 3 | Eros International |
| 6 | Menashe | $73,298 | -25% | 90 | -27 | $814 | $1,561,913 | 8 | A24 |
| 7 | Dolores | $69,333 | 43% | 18 | 13 | $3,852 | $152,440 | 3 | PBS Distribution |
| 8 | Beach Rats | $68,720 | -6% | 67 | 33 | $1,026 | $316,798 | 4 | Neon |
| 9 | 47 Meters Down | $49,708 | -26% | 99 | -50 | $502 | $44,235,021 | 14 | Entertainment Studios Motion Pictures |
| 10 | Captain Underpants | $48,046 | -14% | 83 | -20 | $579 | $73,814,428 | 16 | Fox / DreamWorks Animation |
| 11 | Maudie | $33,790 | -20% | 63 | -16 | $536 | $6,076,109 | 14 | Sony Pictures Classics |
| 12 | The Unknown Girl | $29,919 | 122% | 16 | 14 | $1,870 | $50,601 | 2 | IFC Films |
| 13 | Good Time | $26,768 | -47% | 29 | -46 | $923 | $1,930,047 | 6 | A24 |
| 14 | Guardians of the Galaxy Vol. 2 | $26,353 | -50% | 80 | -49 | $329 | $389,804,217 | 20 | Disney |
| 15 | A Taxi Driver | $23,198 | -45% | 14 | -7 | $1,657 | $1,496,276 | 6 | Well Go USA |
| 16 | Detroit | $22,859 | -57% | 91 | -60 | $251 | $16,750,421 | 8 | Annapurna Pictures |
| 17 | Wish Upon | $20,971 | -48% | 35 | -20 | $599 | $14,271,046 | 10 | Broad Green Pictures |
| 18 | The Force (2017) | $18,849 | — | 4 | — | $4,712 | $31,994 | 1 | Kino Lorber |
| 19 | Memoir of a Murderer | $18,643 | -33% | 6 | -2 | $3,107 | $61,731 | 2 | Well Go USA |
| 20 | Poster Boys | $16,544 | -68% | 50 | 0 | $331 | $89,075 | 2 | Sony Pictures Releasing International |
| 21 | Patti Cake$ | $15,848 | -76% | 46 | -143 | $345 | $774,499 | 5 | Fox Searchlight |
| 22 | Rumble: The Indians Who Rocked The World | $12,695 | -27% | 14 | -8 | $907 | $175,297 | 8 | Kino Lorber |
| 23 | The Midwife | $12,627 | 1% | 19 | -1 | $665 | $555,737 | 9 | Music Box Films |
| 24 | Marjorie Prime | $11,454 | -41% | 10 | -2 | $1,145 | $146,862 | 5 | FilmRise Releasing |
| 25 | Ex Libris: The New York Public Library | $10,926 | — | 1 | — | $10,926 | $16,308 | 1 | |
| 26 | In Search Of Fellini | $10,796 | — | 3 | — | $3,599 | $10,796 | 1 | AMBI Media Group |
| 27 | Step | $10,778 | -32% | 15 | -9 | $719 | $1,115,919 | 7 | Fox Searchlight |
| 28 | Red Trees | $10,180 | — | 9 | — | $1,131 | $10,180 | 1 | Cohen Media Group |
| 29 | The Women’s Balcony | $10,179 | 155% | 11 | 6 | $925 | $1,171,670 | 29 | Menemsha Films |
| 30 | Napping Princess | $9,939 | -9% | 22 | 8 | $452 | $27,533 | 2 | GKIDS |
| 31 | It Comes At Night | $8,936 | -88% | 3 | -14 | $2,979 | $13,985,117 | 15 | A24 |
| 32 | Twenty Two | $8,725 | -61% | 10 | -1 | $873 | $40,235 | 2 | China Lion Film |
| 33 | Lady Macbeth | $8,617 | 42% | 22 | -1 | $392 | $1,103,893 | 10 | Roadside Attractions |
| 34 | Manolo: The Boy Who Made Shoes for Lizards | $8,186 | — | 3 | — | $2,729 | $8,186 | 1 | Music Box Films |
| 35 | Wolf Warrior 2 | $7,965 | -43% | 6 | -1 | $1,328 | $271,196 | 8 | The H Collective |
| 36 | Rat Film | $7,793 | — | 2 | — | $3,897 | $7,793 | 1 | Cinema Guild |
| 37 | The Adventurers | $7,668 | -12% | 3 | -1 | $2,556 | $206,020 | 5 | Well Go USA |
| 38 | Beatriz at Dinner | $7,243 | -6% | 12 | -11 | $604 | $7,078,373 | 15 | Roadside Attractions |
| 39 | Crown Heights | $6,149 | -80% | 24 | -67 | $256 | $231,378 | 5 | IFC Films |
| 40 | The Nile Hilton Incident | $5,556 | -49% | 5 | -3 | $1,111 | $69,592 | 6 | Strand Releasing |
| 41 | The Only Living Boy In New York | $4,905 | -53% | 14 | -9 | $350 | $619,272 | 6 | Roadside Attractions / Amazon Studios |
| 42 | Vengeance: A Love Story | $4,526 | — | 11 | — | $411 | $4,526 | 1 | FilmRise |
| 43 | Landline | $4,524 | -17% | 11 | -3 | $411 | $938,000 | 9 | Magnolia Pictures |
| 44 | A Ghost Story | $4,288 | -34% | 13 | -2 | $330 | $1,587,942 | 11 | A24 |
| 45 | Brigsby Bear | $4,168 | -37% | 14 | -11 | $298 | $523,651 | 8 | Sony Pictures Classics |
| 46 | School Life | $4,121 | 77% | 3 | 2 | $1,374 | $7,847 | 2 | Magnolia |
| 47 | The Villainess | $3,573 | -22% | 4 | 1 | $893 | $23,440 | 4 | Well Go USA Entertainment |
| 48 | Time To Die | $3,411 | — | 1 | — | $3,411 | $3,411 | 1 | Film Movement |
| 49 | Whose Streets? | $2,848 | -45% | 10 | -5 | $285 | $166,100 | 6 | Magnolia Pictures |
| 50 | I Do… Until I Don’t | $2,655 | -85% | 9 | -52 | $295 | $279,263 | 3 | The Film Arcade |
| 51 | Love, Kennedy | $2,572 | 338% | 6 | 2 | $429 | $399,730 | 16 | Purdie Distribution |
| 52 | The Hero | $2,219 | -72% | 8 | -15 | $277 | $4,074,662 | 15 | The Orchard |
| 53 | Dayveon | $2,200 | — | 3 | — | $733 | $2,200 | 1 | FilmRise Releasing |
| 54 | Abracadabra | $2,116 | — | 10 | — | $212 | $2,116 | 1 | Sony Pictures |
| 55 | Trophy | $2,011 | -43% | 2 | 1 | $1,006 | $6,739 | 2 | The Orchard |
| 56 | Lemon | $1,871 | 625% | 4 | 1 | $468 | $27,690 | 5 | Magnolia |
| 57 | The Skyjacker’s Tale | $1,768 | 89% | 1 | 0 | $1,768 | $6,253 | 12 | Strand Releasing |
| 58 | Hermia & Helena | $1,711 | — | 1 | — | $1,711 | $42,055 | 17 | Kino Lorber |
| 59 | I Am The Blues | $1,546 | -67% | 2 | -2 | $773 | $34,438 | 10 | Film Movement |
| 60 | The Boss Baby | $1,488 | -82% | 13 | -18 | $114 | $174,979,567 | 25 | Fox / DreamWorks Animation |
| 61 | Moka | $1,478 | 296% | 4 | 3 | $370 | $124,837 | 14 | Film Movement |
| 62 | The Girl Without Hands | $1,110 | 87% | 5 | 0 | $222 | $20,533 | 9 | GKIDS |
| 63 | The Teacher | $1,026 | -88% | 3 | -1 | $342 | $44,266 | 3 | Film Movement |
| 64 | Dawson City: Frozen Time | $938 | 688% | 3 | 1 | $313 | $118,997 | 15 | Kino Lorber Films |
| 65 | 13 Minutes | $925 | -77% | 4 | -4 | $231 | $158,834 | 12 | Sony Pictures Classics |
| 66 | Valley Of Bones | $836 | -54% | 2 | -11 | $418 | $168,387 | 3 | Smith Global Media |
| 67 | After Love | $823 | — | 1 | — | $823 | $12,485 | 6 | Distrib Films |
| 68 | The Challenge | $786 | -64% | 1 | 0 | $786 | $4,864 | 2 | Kino Lorber |
| 69 | Extraordinary Ordinary People | $744 | — | 1 | — | $744 | $744 | 1 | First Run Features |
| 70 | Paris Can Wait | $740 | 161% | 4 | 1 | $185 | $5,614,139 | 19 | Sony Pictures Classics |
| 71 | Il Boom | $660 | -73% | 1 | -1 | $660 | $49,406 | 14 | Rialto Pictures |
| 72 | We Love You, Sally Carmichael! | $654 | -68% | 4 | -3 | $164 | $25,890 | 7 | Purdie Distribution |
| 73 | The Wound | $238 | -76% | 1 | 0 | $238 | $27,327 | 5 | Kino Lorber |
| 74 | Clash | $198 | — | 1 | — | $198 | $18,031 | 4 | Kino Lorber |
| 75 | Once Upon A Time | $156 | -83% | 1 | 0 | $156 | $485,457 | 6 | Well Go USA Entertainment |
| 76 | Red Christmas | $106 | -50% | 1 | -1 | $106 | $1,284 | 4 | Artsploitation |
| 77 | Served Like a Girl | $77 | -84% | 1 | 0 | $77 | $8,237 | 4 | Entertainment Studios Motion Pictures |
| 78 | Slack Bay | $26 | -96% | 1 | -1 | $26 | $112,375 | 22 | Kino Lorber Films |
Sunday’s Studio Weekend Estimates for Friday, September 15 – Sunday, September 17, 2017:
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | It (2017) | $60,000,000 | -51% | 4,103 | 0 | $14,623 | $218,710,619 | 2 | Warner Bros. / New Line |
| 2 | American Assassin | $14,800,000 | — | 3,154 | — | $4,692 | $14,800,000 | 1 | CBS Films / Lionsgate |
| 3 | mother! | $7,500,000 | — | 2,368 | — | $3,167 | $7,500,000 | 1 | Paramount |
| 4 | Home Again | $5,334,160 | -38% | 3,036 | 96 | $1,757 | $17,135,244 | 2 | Open Road |
| 5 | The Hitman’s Bodyguard | $3,550,000 | -26% | 3,272 | -50 | $1,085 | $70,357,040 | 5 | Lionsgate / Summit |
| 6 | Annabelle: Creation | $2,600,000 | -35% | 2,117 | -886 | $1,228 | $99,900,361 | 6 | Warner Bros. / New Line |
| 7 | Wind River | $2,553,586 | -18% | 2,619 | -271 | $975 | $29,122,401 | 7 | The Weinstein Company |
| 8 | Leap! | $2,117,930 | -13% | 2,416 | -275 | $877 | $18,659,716 | 4 | The Weinstein Company |
| 9 | Spider-Man: Homecoming | $1,875,000 | -7% | 1,436 | -221 | $1,306 | $330,262,248 | 11 | Sony / Columbia |
| 10 | Dunkirk | $1,305,000 | -30% | 1,478 | -632 | $883 | $185,141,652 | 9 | Warner Bros. |
| 11 | Logan Lucky | $1,040,997 | -38% | 1,401 | -766 | $743 | $26,871,097 | 5 | Bleeker Street |
| 12 | The Emoji Movie | $975,000 | -14% | 1,151 | -299 | $847 | $83,885,035 | 8 | Sony / Columbia |
| 13 | The Dark Tower | $770,000 | 2% | 1,235 | 287 | $623 | $49,935,105 | 7 | Sony / Columbia |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Despicable Me 3 | $828,000 | -11% | 983 | -291 | $842 | $261,065,445 | 12 | Universal |
| 2 | Girls Trip | $565,000 | -31% | 733 | -390 | $771 | $114,332,255 | 9 | Universal |
| 3 | The Nut Job 2: Nutty By Nature | $441,114 | -24% | 846 | -389 | $521 | $28,072,893 | 6 | Open Road |
| 4 | All Saints | $370,000 | -20% | 750 | -84 | $493 | $5,232,735 | 4 | Sony Pictures |
| 5 | The Glass Castle | $350,000 | -34% | 698 | -339 | $501 | $16,722,327 | 6 | LionsgateLionsgate |
| 6 | The Big Sick | $342,000 | -23% | 338 | -197 | $1,012 | $42,511,321 | 13 | Lionsgate |
| 7 | War for the Planet of the Apes | $335,000 | -26% | 470 | -183 | $713 | $145,847,510 | 10 | Fox |
| 8 | Baby Driver | $285,000 | -33% | 371 | -247 | $768 | $107,063,408 | 12 | Sony / TriStar |
| 9 | Cars 3 | $178,000 | -40% | 259 | -251 | $687 | $152,290,610 | 14 | Disney |
| 10 | Atomic Blonde | $167,000 | -42% | 270 | -120 | $619 | $51,347,715 | 8 | Focus Features |
| 11 | Hazlo Como Hombre | $125,000 | -68% | 226 | -156 | $553 | $2,307,528 | 3 | Lionsgate / Pantelion |
| 12 | Kidnap | $115,000 | -45% | 506 | -412 | $227 | $30,415,881 | 7 | Aviron Pictures |
| 13 | Tulip Fever | $112,072 | -61% | 247 | -525 | $454 | $2,234,793 | 3 | Weinstein Company |
| 14 | Ingrid Goes West | $81,650 | -45% | 100 | -100 | $817 | $2,906,598 | 6 | Neon |
| 15 | Pirates of the Caribbean: Dead Men Tell No Tales | $58,000 | -38% | 115 | -28 | $504 | $172,534,644 | 17 | Disney |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Beach Rats | $320,778 | 339% | 67 | 33 | $4,788 | $568,856 | 4 | Neon |
| 2 | Brad’s Status | $100,179 | — | 4 | — | $25,045 | $100,179 | 1 | Annapurna Pictures Releasing |
| 3 | Columbus | $89,146 | 17% | 62 | 26 | $1,438 | $637,103 | 7 | Sundance Institute’s Creative Distribution Fellowship |
| 4 | Menashe | $87,210 | -10% | 90 | -27 | $969 | $1,575,825 | 8 | A24 |
| 5 | Dolores | $68,120 | 40% | 18 | 13 | $3,784 | $151,227 | 3 | PBS Distribution |
| 6 | 47 Meters Down | $67,000 | 0% | 96 | -53 | $698 | $44,252,313 | 14 | Entertainment Studios Motion Pictures |
| 7 | Maudie | $38,870 | -8% | 63 | -16 | $617 | $6,081,189 | 14 | Sony Pictures Classics |
| 8 | Polina | $30,000 | 42% | 30 | 15 | $1,000 | $117,908 | 4 | Oscilloscope Laboratories |
| 9 | Good Time | $29,495 | -42% | 29 | -46 | $1,017 | $1,932,774 | 6 | A24 |
| 10 | Guardians of the Galaxy Vol. 2 | $28,000 | -47% | 80 | -49 | $350 | $389,805,864 | 20 | Disney |
| 11 | Lost in Paris | $13,500 | -14% | 15 | -2 | $900 | $631,050 | 14 | Oscilloscope Laboratories |
| 12 | Marjorie Prime | $12,000 | -39% | 10 | -2 | $1,200 | $147,408 | 5 | FilmRise Releasing |
| 13 | Ex Libris: The New York Public Library | $11,175 | — | 1 | — | $11,175 | $16,557 | 1 | |
| 14 | May It Last: A Portrait of the Avett Brothers | $10,500 | — | 8 | — | $1,313 | $681,589 | 1 | Oscilloscope Laboratories |
| 15 | Red Trees | $10,012 | — | 9 | — | $1,112 | $10,012 | 1 | Cohen Media Group |
| 16 | Manolo: The Boy Who Made Shoes for Lizards | $7,440 | — | 3 | — | $2,480 | $7,440 | 1 | Music Box Films |
| 17 | Vengeance: A Love Story | $5,000 | — | 9 | — | $556 | $5,000 | 1 | FilmRise |
| 18 | The Hero | $2,834 | -64% | 8 | -15 | $354 | $4,075,277 | 15 | The Orchard |
| 19 | Trophy | $2,742 | -22% | 2 | 1 | $1,371 | $7,470 | 2 | The Orchard |
| 20 | Dayveon | $2,000 | — | 3 | — | $667 | $2,000 | 1 | FilmRise Releasing |
| 21 | Served Like a Girl | $74 | -85% | 1 | 0 | $74 | $74 | 4 | Entertainment Studios Motion Pictures |
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