Tuesday Update: Sony’s family fantasy Jumanji: Welcome to the Jungle led the MLK Day weekend box office with $35.1 million over the F-S-S-M four-day, in its fourth weekend of release and second weekend on top.
In its wide expansion, Fox’s journalism drama The Post posted $23.0 million in second place. Other wide newcomers included Lionsgate’s action film The Commuter with $15.7 million in fourth place, Warner Bros.’ animated Paddington 2 with $15.0 million in fifth place, and Sony’s action Proud Mary with $11.7 million in eighth place.
The $195.4 million four-day box office total was up 5.2 percent over the same holiday weekend last year. YTD box office is running 7.0 percent ahead of last year.
Fuller analysis can be read in our Sunday update below. Check our full table of four-day weekend actuals at the bottom.
Sunday Update: Jumanji: Welcome to the Jungle continued to bring the heat despite wintry weather across much of the U.S. this weekend that caused many potential moviegoers to remain indoors. Grossing an estimated $27 million through Sunday and with updated projections pegging it at $33.4 million through Monday, the Sony release will easily repeat at No. 1 over the four-day holiday frame, bringing its North American total to $289.5 million since opening on December 22.
The belated sequel currently ranks as the eighth highest-grossing release of 2017, and at this pace it will easily surpass Thor: Ragnarok ($313 million), It ($327 million), and Spider-Man: Homecoming ($334 million) to land in the No. 5 slot. With this kind of momentum behind it, it will likely to overtake No. 4 Guardians of the Galaxy Vol. 2 ($389 million) by the end of its run.
Meanwhile, Steven Spielberg’s The Post came in second with an estimated $18.6 million over the three-day period. Early estimates have the awards season heavy-hitter grossing $22.2 million over the four-day holiday frame, which would bring its running total to $26.6 million. That counts as a successful wide expansion after three weeks of limited release for the Meryl Streep-Tom Hanks vehicle.
The weekend also saw the debut of three new titles in wide release, with mixed results. Performing most robustly was Lionsgate’s The Commuter, which will finish in third place with an estimated $13.4 million through Sunday and around $16 million through Monday, if current projections hold. That compares favorably with Neeson’s last team-up with director Jaume Collet-Serra, Run All Night, which opened to $11 million back in March of 2015. That said, it only made about half of what Non-Stop – another collaboration between the star and director – did back in February of 2014. That film debuted to $28.8 million on its way to a final domestic gross of $92.1 million.
Outside the Top 3, things get a little more complicated, as newcomers Paddington 2 and Proud Mary were neck-and-neck with a number of holdovers. Sunday estimates have the freshman titles coming in at $10.6 million and $10 million respectively, while Monday projections have them at around $12.6 million (though Warner Bros. didn’t provide official numbers) and $12 million. If current projections hold, they should finish at No. 7 and No. 8 on the chart. In Paddington 2‘s case, that opening represents a sharp drop from the first film, which grossed $18.9 million (3-day) and $25.4 million (4-day) over MLK weekend 2015.
Coming in fourth with $12.1 million over the three-day frame was Insidious: The Last Key, which enjoyed a surprisingly robust $29.5 million opening last weekend. However, the horror sequel is projected to finish the holiday frame in sixth place with $14.1 million, losing ground to Star Wars: The Last Jedi and The Greatest Showman on Monday. That would give the franchise entry $50.3 million in 10 days – almost as much as Insidious: Chapter 3 grossed over its entire run.
Star Wars: The Last Jedi finished in sixth over the three-day frame after losing nearly 1,200 theaters, adding another $11.3 million through Sunday. However, it should rise two spots to fourth place over the four-day holiday frame if current projections of $14.7 million hold, which would give it a total of $591.5 million since opening on December 15. Look for the franchise sequel to cross the $600 million mark by next weekend.
The Greatest Showman continued demonstrating excellent legs in its fourth weekend of release, dropping just 14% from last weekend (Friday-to-Sunday) with $11.8 million, good for No. 5 overall if estimates hold. The Hugh Jackman musical is projected to bring in $14.5 million over the four-day holiday frame, which would keep it in fifth and bring its running total to $97.2 million. The film has strongly benefitted from the hit soundtrack featuring songs by La La Land songwriters Benj Pasek and Justin Paul, which rose to No. 1 on the Billboard 200 last week.
Rounding out the Top 10 over the three-day period were Pitch Perfect 3 and Darkest Hour, which banked $5.7 million and $4.5 million respectively through Sunday and a projected $6.7 million and $5.6 million through Monday. That would bring their running totals to $95.7 million and $36.8 million.
Outside the Top 10, Fox Searchlight’s The Shape of Water and Three Billboards Outside Ebbing, Missouri (which added over 700 screens to capitalize on its big win at the Golden Globes last weekend) grossed $2.7 million and $2.3 million, respectively, over the three-day frame and $3.3 million and $2.8 million over the four-day period. If estimates hold, their running totals will stand at $27 million and $29 million through Monday.
Limited Release:
I, Tonya – which netted a Golden Globe for star Allison Janney last weekend – added over 300 theaters and brought in an estimated $3.3 million through Sunday, good for a per-theater average of $6,387. The Tonya Harding biopic is projected to bring in more than $4 million over the four-day frame, which would give it a total north of $10 million by Monday evening.
Overseas Update:
Jumanji: Welcome to the Jungle debuted to a solid $40 million in China this weekend, which bested the opening of last weekend’s Star Wars: The Last Jedi ($28.7 million) by a whopping 39 percent. That boosted its overseas weekend total to $81 million, good for an international running total of $383 million and a global cume of $667 million to date.
Star Wars: The Last Jedi continued its overseas run with another $30.3 million this weekend, raising its international cume to $673.4 million and its global total to $1.264 billion.
Check back tomorrow for updated four-day estimates.
Tuesday’s Weekend Actuals for Friday, January 12 – Monday, January 15, 2018:
Weekend Actuals (Domestic)FRI, JAN. 12 – MON, JAN. 15
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Jumanji: Welcome To The Jungle | $35,176,695 | -6% | 3,849 | 48 | $9,139 | $291,312,604 | 4 | Sony / Columbia |
| 2 | The Post | $23,055,654 | 1258% | 2,819 | 2783 | $8,179 | $27,544,891 | 4 | 20th Century Fox |
| 3 | The Greatest Showman | $16,177,587 | 17% | 2,938 | -404 | $5,506 | $98,931,455 | 4 | Fox |
| 4 | The Commuter | $15,795,899 | — | 2,892 | — | $5,462 | $15,795,899 | 1 | Lionsgate |
| 5 | Paddington 2 | $15,003,359 | — | 3,702 | — | $4,053 | $15,003,359 | 1 | Warner Bros. |
| 6 | Star Wars: The Last Jedi | $14,627,721 | -38% | 3,090 | -1142 | $4,734 | $594,902,305 | 5 | Disney |
| 7 | Insidious: The Last Key | $14,353,765 | -51% | 3,150 | 34 | $4,557 | $50,594,905 | 2 | Universal |
| 8 | Proud Mary | $11,701,440 | — | 2,125 | — | $5,507 | $11,701,440 | 1 | Sony / Screen Gems |
| 9 | Pitch Perfect 3 | $7,326,950 | -29% | 2,505 | -953 | $2,925 | $96,326,175 | 4 | Universal |
| 10 | Darkest Hour | $5,415,720 | -10% | 1,693 | -40 | $3,199 | $36,631,272 | 8 | Focus Features |
| 11 | Ferdinand | $4,863,022 | -37% | 2,154 | -1002 | $2,258 | $76,891,116 | 5 | Fox |
| 12 | Coco | $4,618,538 | -14% | 1,362 | -532 | $3,391 | $198,161,978 | 8 | Disney |
| 13 | Molly’s Game | $4,618,479 | -33% | 1,708 | 100 | $2,704 | $21,447,576 | 3 | STX Entertainment |
| 14 | Three Billboards Outside Ebbing, Missouri | $3,075,421 | 336% | 1,022 | 712 | $3,009 | $29,283,880 | 14 | Fox Searchlight |
| 15 | All the Money in the World | $1,484,807 | -58% | 1,408 | -715 | $1,055 | $23,310,867 | 3 | Sony / TriStar |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | I, Tonya | $4,068,388 | 66% | 517 | 261 | $7,869 | $10,767,204 | 6 | Neon |
| 2 | The Shape of Water | $3,450,402 | 10% | 723 | -81 | $4,772 | $27,172,294 | 7 | Fox Searchlight |
| 3 | Lady Bird | $2,157,666 | 37% | 652 | 90 | $3,309 | $37,373,875 | 11 | A24 |
| 4 | Wonder (2017) | $1,627,928 | -32% | 970 | -288 | $1,678 | $129,016,502 | 9 | Lionsgate |
| 5 | Call Me by Your Name | $884,486 | 18% | 174 | 57 | $5,083 | $7,400,081 | 8 | Sony Pictures Classics |
| 6 | Marshall | $566,449 | 10256% | 378 | 337 | $1,499 | $10,050,637 | 14 | Open Road |
| 7 | The Disaster Artist | $549,760 | -26% | 371 | -107 | $1,482 | $20,413,867 | 7 | New Line / A24 |
| 8 | Thor: Ragnarok | $460,982 | -10% | 242 | -83 | $1,905 | $313,102,302 | 11 | Disney |
| 9 | Downsizing | $356,710 | -84% | 412 | -1608 | $866 | $24,154,949 | 4 | Paramount |
| 10 | Justice League | $316,328 | -43% | 266 | -252 | $1,189 | $227,522,271 | 9 | Warner Bros. |
| 11 | Murder on the Orient Express (2017) | $309,423 | -31% | 272 | -42 | $1,138 | $102,037,784 | 10 | Fox |
| 12 | Condorito: La Pelicula | $288,187 | — | 153 | — | $1,884 | $288,187 | 1 | Lionsgate / Pantelion |
| 13 | Daddy’s Home 2 | $239,143 | -49% | 201 | -228 | $1,190 | $103,291,098 | 10 | Paramount |
| 14 | The Star | $140,089 | -1% | 160 | -108 | $876 | $40,621,914 | 9 | Sony / Columbia |
| 15 | Father Figures | $111,144 | -91% | 201 | -1516 | $553 | $17,327,586 | 4 | Warner Bros. |
| 16 | Blade Runner 2049 | $83,384 | -17% | 125 | -8 | $667 | $91,931,116 | 15 | Warner Bros. |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Phantom Thread | $1,391,276 | 479% | 62 | 56 | $22,440 | $2,473,054 | 3 | Focus Features |
| 2 | Hostiles | $339,873 | 27% | 42 | -4 | $8,092 | $885,343 | 4 | Entertainment Studios Motion Pictures |
| 3 | Along With the Gods: The Two Worlds | $235,828 | -15% | 32 | -3 | $7,370 | $1,512,567 | 4 | Well Go USA |
| 4 | Ex-File 3 (Qian Ren 3) | $128,428 | -27% | 24 | 7 | $5,351 | $740,525 | 3 | China Lion Film |
| 5 | The Florida Project | $63,589 | 1% | 40 | 3 | $1,590 | $5,511,533 | 15 | A24 |
| 6 | Loving Vincent | $42,594 | -41% | 40 | -18 | $1,065 | $6,478,819 | 17 | Good Deed Entertainment |
| 7 | Film Stars Don’t Die in Liverpool | $42,120 | 84% | 9 | 5 | $4,680 | $139,236 | 3 | Sony Pictures Classics |
| 8 | Parchi | $38,137 | — | 39 | — | $978 | $38,137 | 1 | Atlas Distribution |
| 9 | Goldbuster | $30,690 | -61% | 6 | -18 | $5,115 | $149,072 | 2 | Well Go USA Entertainment |
| 10 | Happy End | $29,900 | 118% | 11 | 5 | $2,718 | $123,395 | 4 | Sony Pictures Classics |
| 11 | Only The Brave | $28,501 | -23% | 54 | -15 | $528 | $18,300,340 | 13 | Sony Pictures |
| 12 | In The Fade | $25,529 | 100% | 6 | 0 | $4,255 | $75,960 | 3 | Magnolia Pictures |
| 13 | The Square | $25,041 | -23% | 19 | -6 | $1,318 | $1,326,700 | 12 | Magnolia Pictures |
| 14 | Youth | $24,153 | -70% | 7 | -23 | $3,450 | $1,874,328 | 5 | China Lion Film |
| 15 | Jane | $18,999 | -24% | 18 | -1 | $1,056 | $1,587,320 | 13 | Abramorama |
| 16 | Bombshell: The Hedy Lamarr Story | $17,015 | — | 12 | — | $1,418 | $207,727 | 8 | Zeitgeist |
| 17 | Roman J. Israel, Esq. | $14,903 | -46% | 42 | -38 | $355 | $11,917,581 | 9 | Sony Pictures |
| 18 | Namiya | $11,677 | -71% | 7 | -14 | $1,668 | $66,176 | 2 | China Lion Film |
| 19 | My Friend Dahmer | $10,193 | 65% | 2 | 0 | $5,097 | $1,319,764 | 11 | FilmRise |
| 20 | Tom of Finland | $9,969 | -20% | 4 | 1 | $2,492 | $341,760 | 14 | Kino Lorber |
| 21 | In Between | $8,376 | 42% | 4 | 2 | $2,094 | $25,242 | 2 | Film Movement |
| 22 | Memories of Underdevelopment | $8,244 | — | 1 | — | $8,244 | $8,244 | 1 | Janus Films |
| 23 | Wonder Wheel | $8,183 | -61% | 10 | -19 | $818 | $1,382,917 | 7 | Amazon |
| 24 | The Man Who Invented Christmas | $7,506 | -65% | 21 | -49 | $357 | $5,671,804 | 8 | Bleecker Street |
| 25 | Birdboy: The Forgotten Children | $6,961 | — | 8 | — | $870 | $20,119 | 5 | GKIDS |
| 26 | The Breadwinner | $6,355 | -18% | 6 | -4 | $1,059 | $236,972 | 9 | GKIDS |
| 27 | My Art | $6,087 | — | 1 | — | $6,087 | $6,087 | 1 | Film Movement |
| 28 | Django | $5,714 | -51% | 5 | 1 | $1,143 | $19,554 | 2 | Under The Milky Way |
| 29 | The Sacrifice (2017 re-release) | $4,238 | -49% | 3 | 1 | $1,413 | $37,207 | 13 | Kino Lorber |
| 30 | Same Kind of Different as Me | $4,206 | -34% | 20 | 0 | $210 | $6,419,824 | 13 | Pure Flix Entertainment |
| 31 | The Divine Order | $3,722 | — | 4 | — | $931 | $65,182 | 12 | Kino Lorber / Zeitgeist Films |
| 32 | The Crime of Monsieur Lange | $3,565 | 921% | 3 | 2 | $1,188 | $31,798 | 9 | Rialto Pictures |
| 33 | The Other Side Of Hope | $3,302 | -77% | 2 | -5 | $1,651 | $176,464 | 7 | Janus Films |
| 34 | Porto | $2,153 | 3488% | 1 | 0 | $2,153 | $13,506 | 9 | Kino Lorber |
| 35 | Félicité | $1,824 | — | 4 | — | $456 | $10,503 | 12 | Strand Releasing |
| 36 | 1945 | $1,822 | -52% | 4 | 0 | $456 | $264,307 | 11 | Menemsha Films |
| 37 | Let There Be Light | $1,682 | 2374% | 2 | 0 | $841 | $7,214,446 | 12 | Atlas |
| 38 | Thelma | $1,652 | -60% | 4 | -4 | $413 | $139,798 | 10 | The Orchard |
| 39 | God’s Own Country | $1,200 | -49% | 2 | -1 | $600 | $323,394 | 12 | Orion Pictures / Samuel Goldwyn Films |
| 40 | BPM (Beats Per Minute) | $631 | -4% | 3 | -4 | $210 | $96,150 | 13 | The Orchard |
| 41 | Ichi The Killer (4K restoration) | $624 | 42% | 1 | 0 | $624 | $7,050 | 10 | Well Go USA Entertainment |
| 42 | Bad Lucky Goat | $193 | — | 1 | — | $193 | $4,987 | 14 | Film Movement |
Monday’s Updated Studio 4-Day Weekend Estimates for Friday, January 12 – Monday, January 15, 2018:
Note: a few films have only posted studio 3-day estimates and not 4-day, and are not included in this table.
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Jumanji: Welcome To The Jungle | $35,400,000 | -5% | 3,849 | 48 | $9,197 | $291,535,909 | 4 | Sony / Columbia |
| 2 | The Post | $23,400,000 | 1278% | 2,819 | 2783 | $8,301 | $27,889,237 | 4 | 20th Century Fox |
| 3 | The Commuter | $16,375,000 | — | 2,892 | — | $5,662 | $16,375,000 | 1 | Lionsgate |
| 4 | The Greatest Showman | $15,600,000 | 13% | 2,938 | -404 | $5,310 | $98,353,868 | 4 | Fox |
| 5 | Star Wars: The Last Jedi | $15,282,000 | -36% | 3,090 | -1142 | $4,946 | $595,556,584 | 5 | Disney |
| 6 | Paddington 2 | $15,000,000 | — | 3,702 | — | $4,052 | $15,000,000 | 1 | Warner Bros. |
| 7 | Insidious: The Last Key | $14,100,000 | -52% | 3,150 | 34 | $4,476 | $50,341,140 | 2 | Universal |
| 8 | Proud Mary | $12,000,000 | — | 2,125 | — | $5,647 | $12,000,000 | 1 | Sony / Screen Gems |
| 9 | Pitch Perfect 3 | $6,700,000 | -35% | 2,505 | -953 | $2,675 | $95,699,225 | 4 | Universal |
| 10 | Ferdinand | $5,000,000 | -35% | 2,154 | -1002 | $2,321 | $77,028,094 | 5 | Fox |
| 11 | Molly’s Game | $4,750,000 | -31% | 1,708 | 100 | $2,781 | $21,579,097 | 3 | STX Entertainment |
| 12 | Coco | $4,673,000 | -13% | 1,362 | -532 | $3,431 | $198,216,440 | 8 | Disney |
| 13 | Three Billboards Outside Ebbing, Missouri | $3,200,000 | 354% | 1,022 | 712 | $3,131 | $29,408,459 | 14 | Fox Searchlight |
| 14 | All the Money in the World | $1,500,000 | -58% | 1,408 | -715 | $1,065 | $23,326,060 | 3 | Sony / TriStar |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | The Shape of Water | $3,600,000 | 15% | 723 | -81 | $4,979 | $27,321,892 | 7 | Fox Searchlight |
| 2 | Wonder (2017) | $1,705,000 | -28% | 970 | -288 | $1,758 | $129,093,574 | 9 | Lionsgate |
| 3 | Lady Bird | $1,685,930 | 7% | 652 | 90 | $2,586 | $36,902,139 | 11 | A24 |
| 4 | Marshall | $545,928 | 9880% | 378 | 337 | $1,444 | $10,030,116 | 14 | Open Road |
| 5 | Thor: Ragnarok | $460,000 | -11% | 242 | -83 | $1,901 | $313,101,320 | 11 | Disney |
| 6 | The Disaster Artist | $448,475 | -40% | 371 | -107 | $1,209 | $20,312,582 | 7 | New Line / A24 |
| 7 | Downsizing | $365,000 | -83% | 412 | -1608 | $886 | $24,163,239 | 4 | Paramount |
| 8 | Condorito: La Pelicula | $304,400 | — | 153 | — | $1,990 | $304,400 | 1 | Lionsgate / Pantelion |
| 9 | Daddy’s Home 2 | $240,000 | -49% | 201 | -228 | $1,194 | $103,291,955 | 10 | Paramount |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Hostiles | $360,000 | 34% | 42 | -4 | $8,571 | $905,470 | 4 | Entertainment Studios Motion Pictures |
| 2 | The Florida Project | $51,100 | -19% | 40 | 3 | $1,278 | $5,499,043 | 15 | A24 |
| 3 | Loving Vincent | $41,845 | -42% | 40 | -18 | $1,046 | $6,478,070 | 17 | Good Deed Entertainment |
| 4 | Jane | $19,239 | -24% | 18 | -1 | $1,069 | $1,587,530 | 13 | Abramorama |
| 5 | My Friend Dahmer | $10,500 | 70% | 2 | 0 | $5,250 | $1,320,071 | 11 | FilmRise |
Sunday’s Studio 4-Day Weekend Estimates for Friday, January 12 – Monday, January 15, 2018:
Note: a few films have only posted studio 3-day estimates and not 4-day, and are not included in this table.
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Jumanji: Welcome To The Jungle | $33,400,000 | -10% | 3,849 | 48 | $8,678 | $289,535,909 | 4 | Sony / Columbia |
| 2 | The Post | $22,200,000 | 1207% | 2,819 | 2783 | $7,875 | $26,689,237 | 4 | 20th Century Fox |
| 3 | The Commuter | $16,000,000 | — | 2,892 | — | $5,533 | $16,000,000 | 1 | Lionsgate |
| 4 | Star Wars: The Last Jedi | $14,725,000 | -38% | 3,090 | -1142 | $4,765 | $594,999,584 | 5 | Disney |
| 5 | The Greatest Showman | $14,500,000 | 5% | 2,938 | -404 | $4,935 | $97,253,868 | 4 | Fox |
| 6 | Paddington 2 | $14,500,000 | — | 3,702 | — | $3,917 | $14,500,000 | 1 | Warner Bros. |
| 7 | Insidious: The Last Key | $14,100,000 | -52% | 3,150 | 34 | $4,476 | $50,341,140 | 2 | Universal |
| 8 | Proud Mary | $12,000,000 | — | 2,125 | — | $5,647 | $12,000,000 | 1 | Sony / Screen Gems |
| 9 | Pitch Perfect 3 | $6,700,000 | -35% | 2,505 | -953 | $2,675 | $95,699,225 | 4 | Universal |
| 10 | Ferdinand | $4,800,000 | -38% | 2,154 | -1002 | $2,228 | $76,828,094 | 5 | Fox |
| 11 | Coco | $4,124,000 | -23% | 1,362 | -532 | $3,028 | $197,667,440 | 8 | Disney |
| 12 | Three Billboards Outside Ebbing, Missouri | $2,800,000 | 297% | 1,022 | 712 | $2,740 | $29,008,459 | 14 | Fox Searchlight |
| 13 | All the Money in the World | $1,400,000 | -61% | 1,408 | -715 | $994 | $23,226,060 | 3 | Sony / TriStar |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | The Shape of Water | $3,300,000 | 5% | 723 | -81 | $4,564 | $27,021,892 | 7 | Fox Searchlight |
| 2 | Lady Bird | $1,685,930 | 7% | 652 | 90 | $2,586 | $36,902,139 | 11 | A24 |
| 3 | Wonder (2017) | $1,615,000 | -32% | 970 | -288 | $1,665 | $129,003,574 | 9 | Lionsgate |
| 4 | Marshall | $539,066 | 9755% | 378 | 337 | $1,426 | $10,023,254 | 14 | Open Road |
| 5 | The Disaster Artist | $448,475 | -40% | 371 | -107 | $1,209 | $20,312,582 | 7 | New Line / A24 |
| 6 | Thor: Ragnarok | $444,000 | -14% | 242 | -83 | $1,835 | $313,085,320 | 11 | Disney |
| 7 | Downsizing | $370,000 | -83% | 412 | -1608 | $898 | $24,168,239 | 4 | Paramount |
| 8 | Condorito: La Pelicula | $286,000 | — | 153 | — | $1,869 | $286,000 | 1 | Lionsgate / Pantelion |
| 9 | Daddy’s Home 2 | $220,000 | -54% | 201 | -228 | $1,095 | $103,271,955 | 10 | Paramount |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Hostiles | $356,000 | 33% | 42 | -4 | $8,476 | $901,470 | 4 | Entertainment Studios Motion Pictures |
| 2 | The Florida Project | $51,100 | -19% | 40 | 3 | $1,278 | $5,499,043 | 15 | A24 |
| 3 | Jane | $19,239 | -24% | 18 | -1 | $1,069 | $1,587,530 | 13 | Abramorama |
| 4 | My Friend Dahmer | $5,000 | -19% | 2 | 0 | $2,500 | $1,314,571 | 11 | FilmRise |
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